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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
D.H. Lawrence returned to Italy in 1927 after a soul-searching journey through Mexico, the American Southwest, Ceylon, Australia, and New Zealand. Gravely ill with tuberculosis, unaware of how little time he had left (he died three years later at the age of 44), Lawrence sought an ideal land where he might flourish as a "whole man alive" and find an antidote for the alienation of industrialized society.
The UN has declared the next ten years the UN Literacy Decade. During this period the United Nations Educational, Scientific, and Cultural Organization will initiate its "International Plan of Action," designed to mobilize national governments, public and private organizations, universities, and local communities to create literacy programs, research who will most benefit from such programs, and find ways to monitor their success so that they can be improved upon and replicated elsewhere.
Amanda Davis, author of the short story collection Circling the Drain and cornerstone presence to many in and beyond the literary world, died in a plane crash on March 15, 2003, while on tour promoting her first novel, Wonder When You'll Miss Me.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Maize, Our Time Is Now, UR-VOX, Smartish Pace, and the Beloit Poetry Journal.
Last month Jonathan Tasini, who is recognizable to most writers due to his association with the high-profile lawsuit against the New York Times, resigned as president of the National Writers Union, an advocacy group for freelance writers and is now heading the Creators Federation, an international coalition of writers and artists working in all media and the organizations that represent them.
An author recalls his reaction to reviews of his first book.
Should an author simply count herself lucky to have landed a book deal, or should she fight for what she wants during the various stages of publishing it—the editing process, cover design, and promotion? Before deciding, it's important to understand what obstacles might stand in the way before encountering them and what to expect from all the effort.
This year marks the centennial of Niedecker's birth. To celebrate, libraries and bookstores in her home state are planning a series of events that will draw poets, scholars, and readers to the places that inspired and influenced her poetry.
The ninth novel and eighteenth book by Harry Mark Petrakis, who turns 80 on June 5, will be published by Southern Illinois University Press in the same month. Twilight of the Ice is set in the Chicago railyards, in the blue-collar, industrial neighborhoods of the early 1950s. In this elegy to a rough crew of railroad car icemen facing obsolescence in the advent of modern refrigeration, the Chicago author who was twice shortlisted for the National Book Award again finds nobility in the struggles of immigrants and working people.
Colum McCann's most recent novel, Dancer, published by Henry Holt in January, reimagines the life and the international milieu surrounding the Russian ballet dancer Rudolf Nureyev, who died in 1993.
During the past year, poets laureate have been the unlikely recipients of national media attention. New Jersey's Amiri Baraka was excoriated for reading a poem that some labeled anti-Semitic, and California's Quincy Troupe resigned after inaccuracies were discovered on his resumé. With their public profiles growing, the role of poets laureate is being called into question. In April the nation's first conference for state poets laureate will convene in Manchester, New Hampshire, where they will discuss poetry and their responsibilities as public representatives of their art.
Careful storytelling, along with careful marketing, has helped American Lives—the memoir series at the University of Nebraska Press—attract the attention of talented authors, national reviewers, and bookstore sales reps.
Anthologies compiled annually by editors who scan diverse sources and publish the poems they deem "the best," are quickly gaining popularity worldwide. The latest of these is an online publication called Best New Zealand Poems.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Rosebud, Pleiades, Fizgig, American Letters & Commentary, Shiny, Brevity, and Canary River Review.
When James Merrill died in 1994, he willed his large, turn-of-the-century house on Water Street to the Borough of Stonington, Connecticut. The village improvement committee was free to use the building any way it desired; Merrill made no stipulation in his will. But the National Book Award–winning poet had been an important figure in the village's ongoing literary tradition. The committee decided to keep Merrill's legacy alive by creating a writer-in-residence program. Since 1996, a lucky poet or scholar has lived, for either six months or a full year, in Merrill's curious home across from the harbor. Writers chosen for residency are notified more than a year in advance. Several Merrill House residents have reported "the happiest period of my life," surrounded by Merrill's books and knickknacks, far removed from the snarl of city life—Boston, New York, or Louisville, in our case.
To coincide with National Poetry Month, the Library of America, a nonprofit publisher of American classics, will launch the American Poets Project, a new series of books devoted to individual poets and anthologies exploring particular themes, genres, and eras.
In 1995 Brian Henry joined forces with Andrew Zawacki to resurrect Verse magazine. In 2000 he elicited the help of Matthew Zapruder and co-founded Verse Press. Along the way Henry, an assistant professor of English and director of the creative writing program at the University of Georgia, established a broad international reputation, both for his editorial and critical efforts, and for his sizable creative output.
In the last decade programs in Translation Studies, designed to train students in the theory and practice of literary translation, have flourished in American and European universities. Still, translators remain concerned about the future of their profession, fearing it will be undermined by a number of serious threats: English as a global language, computer translation, and the reluctance of publishers, at least in the English-speaking world, to take on the costs of publishing translations.
Last spring I embarked on a modest project. Having photocopied 10 of my favorite poems—by poets living and dead, from several different countries—I stapled them into an anthology and stood on a sidewalk in Times Square, where I read the poems aloud. I had no other gimmicks and no amplification. I did this on several occasions, always bringing a friend along for moral support and to assist in handing out free copies of the anthology, which I titled "Antidote."
British novelist Hong Ying faces a "defamation of the dead" lawsuit in China for her book K: The Art of Love, a fictional portrayal of the love affair between Bloomsbury poet Julian Bell and the celebrated Chinese writer and painter Ling Shuhua.
Naropa University has established the Naropa Audio Preservation and Access Project to archive the program's vast holdings of recorded readings, lectures, panel discussions, and workshops.
Literary MagNet chronicles the start-ups and closures, successes and
failures, anniversaries and accolades, changes of editorship and
special issues—in short, the news and trends—of literary magazines in
America. This issue's MagNet features Verse, Fence, McSweeney's, Open City, Orchid, Two Lines, and the Missouri Review.
Helon Habila read novels as a boy to shelter himself from the brutal reality of his country’s political instability. Now, the author of Waiting for an Angel believes his generation of Nigerian novelists should help change that reality.
After finishing About a Boy by Nick Hornby, a reader in New York City left it on a Starbucks magazine rack with hopes that someone would pick up the novel and read it. Two days later a reader from Delta, British Columbia, found the book, took it back to Canada, read it, and left it in the waiting room of a dentist's office, where it found its way into the hands of another local reader. The tracking of such a literary journey is made possible by a unique online book club called BookCrossing.com.
