Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features American Poetry Review, Land-Grant College Review, 88: A Journal of Contemporary American Poetry, The Prose Poem: An International Journal, Sentence: A Journal of Prose Poetics, Octopus Magazine, Transition, Granta, and Evergreen Review.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
British poet and novelist Thomas Hardy, author of Tess of the D’Urbervilles and The Return of the Native, among other literary classics, wanted his personal papers burned after his death. In 1928, a bonfire was dutifully lit but not everything was consigned to the flames. Hardy’s second wife, Florence, saved at least 12 notebooks filled with information and sources on which the author based his later works of fiction. Thomas Hardy’s ‘Facts’ Notebook, edited by William Greenslade and released this month by Ashgate Publishing, is only the most recent to appear.
This month the world’s first independent publisher of women’s writing, the Feminist Press, launches a steamy—and unlikely—series of pulp fiction titles.
A simple film about the solitary pleasures of reading has turned into a successful campaign to revive a short-lived literary career. Dow Mossman’s only novel, The Stones of Summer, was originally published in 1972 by the now-defunct press Bobbs-Merrill. After being lauded by John Seelye in the New York Times Book Review as “a marvelous achievement” that offered “fulfillment at the first stroke, which is so often the sign of superior talent,” the book went out of print and its author faded into obscurity. Last month it was reissued by Barnes & Noble Books.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Jesus Sound Explosion by Mark Curtis Anderson and What Narcissism Means to Me by Tony Hoagland.
For writers seeking a structured learning environment without geographical or scheduling restrictions, the Internet can be a viable alternative to the bricks-and-mortar classroom.
In November, Farrar, Straus and Giroux will publish August Kleinzahler's eleventh book of poetry, The Strange Hours Travelers Keep. A loner and a traveler himself, Kleinzahler has avoided the cloistered life of academia for stints as a logger in British Columbia, a political commentator in Germany and, most recently, a music columnist for the San Diego Weekly Reader.
Thanks in part to Stewart O’Nan, whose essay, “The Lost World of Richard Yates,” appeared in the October/November 1999 issue of the Boston Review, readers are enjoying a long-overdue critical re-appreciation of the author of Revolutionary Road and The Easter Parade, among a handful of other exquisitely written books.
Reviewers are accused of having agendas and of cronyism, are called show-offs and career-killers. It's a lot of heat to take for some free books, a few bucks, and a byline.
Laura Furman, the first female O. Henry series editor in more than forty years, has instituted some changes to the process of selecting stories for her first volume, due out next month from Anchor.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Poetry, Poems & Plays, the Sow’s Ear Poetry Review, Bloom, the Harvard Advocate, Harvard Review, Meanjin, and Vallum.
As more and more literary journals develop online counterparts to enhance, complement, and extend the presence of their print editions, editors—despite their love of the physical object—are finding new was to take advantage of the cost-effective and virtually boundless medium.
Carol Seajay, former publisher of Feminist Bookstore News, a San Francisco–based magazine that covered the feminist, gay, and lesbian book industry until folding in 2000, recently launched Books to Watch Out For, a series of monthly e-mail newsletters featuring reviews of gay and lesbian books.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Bring Me Your Saddest Arizona by Ryan Harty, Indiana, Indiana by Laird Hunt, and Eyeshot by Heather McHugh.
In her Pulitzer Prize–winning first book, The Interpreter of Maladies, Jhumpa Lahiri explores the struggle of first- and second-generation Indian Americans bridging the gap between the country they call home and the heritage that defines them. Her much-anticipated first novel, The Namesake, explores a similar theme.
David Foster Wallace’s long-awaited sixth book will arrive in bookstores next month. But it’s not what some might expect from the author of Infinite Jest and A Supposedly Fun Thing I’ll Never Do Again.
Since Dana Gioia was named chairman of the National Endowment for the Arts in January, the organization has awarded nearly $1 million to poets and translators of poetry and over $2 million to literary arts organizations. But the highest profile project of Gioia’s term so far begins this month, when six theater companies—from New York City; Chicago; Minneapolis; Little Rock, Arkansas; and Portland, Oregon—will begin a yearlong tour of 100 small and midsized cities across the U.S. to perform a selection of plays by William Shakespeare. A seventh theater company will tour 16 U.S. military bases.
Book review editors—those powerful yet inundated tastemakers who choose from the more than 130,000 new books published each year the mere shelfful that are reviewed—get used to (and bored with) having nasty motives ascribed to them. This second installment of a three-part series on book reviews examines the subject at hand from the perspective of the assigning editors, who would like to set the record straight.
Five years ago, in the early morning of July 24, 1998, Thomas Wolfe’s childhood home in Asheville, North Carolina, was nearly destroyed by fire. Since then, conservation specialists and staff at the Thomas Wolfe Memorial have worked to reconstruct the museum and hope to reopen it this fall.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features the Believer, Partisan Review, Mid-American Review, the Paris Review, One Story, 32 Poems Magazine, and Tin House.
They don’t command the best-seller lists, nor do they show up on reviewers’ desks, but the classics—those books of enduring quality that year after year grace high school and college syllabi and circulate in community book clubs—are the cash cows of the publishing industry: reliable, predictable, and above all, steady sources of revenue. Penguin Classics, Oxford World’s Classics, Bantam Classics, Dover Publications, and the Modern Library are among the leading publishers of their kind in the United States. This spring, Barnes & Noble joined them with its own imprint: Barnes & Noble Classics.
mong organizations hit hardest during the post-9/11 era, in which funding for the arts has been sharply curtailed, literary nonprofits are struggling to simultaneously serve their missions and remain solvent. Despite the economic downturn, two nonprofit organizations—Milkweed Editions, a small press based in Minneapolis, and the St. Mark's Poetry Project in New York City—have maintained financial stability, but more challenges lie ahead: The directors of both organizations, Emilie Buchwald and Ed Friedman, recently retired.
On April 4, United States District Court Judge John F. Keenan ruled in favor of Stuart Y. Silverstein in a plagiarism suit he filed against Penguin Putnam in 2001. Silverstein, who compiled Not Much Fun: The Lost Poems of Dorothy Parker (Scribner, 1996), claimed in his lawsuit that Penguin infringed on his copyright by publishing Dorothy Parker: Complete Poems, which includes a section titled “Poems Uncollected by Parker,” the identical poems published in Not Much Fun.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from A Million Little Pieces by James Frey and Big Back Yard by Michael Teig.
Mark Doty's work has always straddled the line between a sense of belonging and alienation, so it's no surprise to find the crucial question, Where do I live? at the heart of his forthcoming book