Zenia Tompkins, founder of the Tompkins Agency for Ukrainian Literature in Translation, discusses the impact of Russia’s invasion on her work and the agency’s urgent efforts to bring Ukrainian voices to the West.

The book-making process is, crucially, a conversation between author and editor, and openness and honesty at all stages of that conversation is essential to doing justice to your work. Hold fast to your convictions around what your book can be, of...”

“I think it was essential that I turn further inward, that I trust the ‘quieter’ poems.” —Zeina Hashem Beck, author of O

The first lines of a dozen noteworthy books including The Crane Wife: A Memoir in Essays by CJ Hauser and Gods of Want by K-Ming Chang.

The author of [WHITE] explores the benefits of writing to a specific audience and the risks of trying to meet the market's imagined demands. 

“Write because you want to, not to define yourself for the benefit of other people.” —Maya Marshall, author of All the Blood Involved in Love

Kali Fajardo-Anstine’s new novel, Women of Light, chronicles five generations of an Indigenous Chicano family in the American West and is imbued with her rich sense of history and pride in her own mixed ancestry: “The story of who I am...

The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.

Recognizing that talent and relevance have no age limit, the Henry Morgenthau III First Book Poetry Prize from Passager Books spotlights debuts by poets age seventy and older.