Joy Harjo has been named the twenty-third Poet Laureate of the United States.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
“I write to try to set myself free, and then find myself snagged on my own limitations.” —Catherine Chung, author of The Tenth Muse
The essayist on the journals that published essays from her debut collection, When You Learn the Alphabet.
Copies of Joe Sacksteder’s story collection, Make/Shift, have been fashioned into a couture dress.
Our annual debut fiction roundup features novelists Ruchika Tomar, Chia-Chia Lin, Miciah Bay Gault, De’Shawn Charles Winslow, and Regina Porter.
An in-depth look at book publishing as seen through the eyes of five literary agents.
The ten-year-old press publishes full-length poetry collections and chapbooks dedicated to the “values that make poetry timeless.”
A roundup of four new anthologies, including Shapes of Native Nonfiction: Collected Essays by Contemporary Writers edited by Elissa Washuta and Theresa Warburton.
Novelist Jonathan Lethem handpicks his favorite forgotten books for reissue in a series published by Pushcart Press.
Writers debate the merits of an award for a fictional thriller that does not feature violence toward women.
The small press becomes the newest imprint of the University of Nebraska Press.
In collaboration with Narrative 4, the House of SpeakEasy’s bookmobile will travel from New York City to New Orleans and give books to schools, prisons, and libraries along the way.
The first lines of a dozen noteworthy books, including The Nickel Boys by Colson Whitehead and Patsy by Nicole Dennis-Benn.
Alice Quinn on her eighteen years as the executive director of the Poetry Society of America.
“So much can come of being willing to shut up and pay close attention to the world around you.” —Mona Awad, author of Bunny
The author uses the 1965 novel Stoner as a catalyst for sharing his own struggles as a writer, father, and husband grappling with his own mortality.
“We have to remind ourselves why we write and why it’s important for us to tell these stories. The universe will take care of the rest.” —Nicole Dennis-Benn, author of Patsy
“I love more than anything to be alone in my imagination, but sometimes it is a dangerous place.” —Domenica Ruta, author of Last Day
“What many people won’t admit is that it’s impossible to write a novel without a pinch of selfishness, and you have to beg your loved ones to forgive you for it.” —Sara Collins, author of The Confessions of Frannie Langton
“My ideal writing environment is a semi-public place, like a shared office, or a library as long as I can avoid making eye-contact with people around me.” —Xuan Juliana Wang, author of Home Remedies
The author of the New York Times best-sellers Swamplandia! and Vampires in the Lemon Grove talks about her new story collection, Orange World.
The editors stepped down after seventeen years at the nation’s oldest poetry journal.
“One of literature’s great powers is its ability to act as a tonic against xenophobia; there’s never been a moment when that power has been more urgently needed.” —Julie Orringer, author of The Flight Portfolio
“I wish our books, as art objects, had better ways of showing more of the practice and work and failure that go into making them.” —Geffrey Davis, author of Night Angler.
The editor of What My Mother and I Don’t Talk About discusses the mother wound, the importance of writing our bodies, and editing some of her favorite writers.