Ten Questions for Rachel Khong
“I strive to write very weekday, at least a little bit, though the way I write changes through the years; I try to stay open to those changes.” —Rachel Khong, author of My Dear You
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“I strive to write very weekday, at least a little bit, though the way I write changes through the years; I try to stay open to those changes.” —Rachel Khong, author of My Dear You
“I’m a constant reviser. My reading copies are marked up with edits and additions.” —Adrian Matejka, author of Be Easy: New and Selected Poems
The author of Pulse (Omnidawn, 2026) offers insight on how to approach writing sensitively about one’s most intimate relationships.
A poet who nearly fell for an e-mail scam warns writers about what to look out for, including offers that arrive out of the blue and sound too good to be true.
Scams targeting writers remain a threat, and Poets & Writers urges the literary community to be vigilant to avoid falling prey to scammers and frauds.
“Being gentle may not make it better, but it rarely makes it worse.” —Siew Hii, author of Entered Some Aliens
The author of Pulse (Omnidawn, 2026) considers how metaphor can help metabolize anger.
“Don’t rush the writing, and enjoy it for itself.” —Tara Menon, author of Under Water
The author of Pulse (Omnidawn, 2026) considers how one can morally bend the truth in poetry.
“When I work in coffee shops, people actually remark on the chaos of my desktop, wondering how I can get any work done.” —Tom Junod, author of In the Days of My Youth I Was Told What It Means to Be a Man
“I am often wildly optimistic about my productivity in the mornings. This feeling lasts no later than noon.” —Jordy Rosenberg, author of Night Night Fawn
The author of Clutch (Tin House, February 2026) describes the rigorous line work that went into finishing her manuscript.
“I think that losing the joy of process causes writer’s block.” —Tayari Jones, author of Kin
The author of Clutch (Tin House, February 2026) reflects on adjusting rising and falling action across time in fiction.
The new executive director of the American Literary Translators Association (ALTA) discusses the role of translation in the literary landscape and exciting upcoming initiatives at ALTA.
A new exhibition at the Center for Book Arts in New York City focuses on Isidore Isou and the postwar, avant-garde artistic movement he spearheaded in France.
The prose writer Mandy-Suzanne Wong highlights journals that have published some of her surprising, emotive essays on mollusks including Digging Press Journal and Black Warrior Review.
Founded in 2012 and now based in Minneapolis, Trio House Press publishes twelve books of poetry and nonfiction annually and aims for its titles to build empathy and understanding.
Boa Editions celebrates a half century of independent publishing and releases a previously unpublished collection of Lucille Clifton’s poetry.
T Kira Māhealani Madden’s new novel, Whidbey, asks challenging questions about how we as a society treat and talk about both the survivors and perpetrators of sexual abuse.
The first lines of a dozen noteworthy books, including Night Owl by Aimee Nezhukumatathil and Frog: And Other Essays by Anne Fadiman.
Ahead of this year’s Independent Bookstore Day, a look back at last year’s controversy when Amazon surprised indie stores with a sale of its own.
Seven private foundations have forged a new partnership to support literary arts organizations amidst an increasingly precarious funding landscape.
Write a series of formal poems to reflect on a complicated aspect of your life, a story in which you pose as the recipient of letters from a nonhuman character, or a hybrid essay that incorporates elements of memoir and criticism.
A fortuitous residency at Jentel gives the author of Incantation: Love Poems for Battle Sites a chance to dream big and forge the first hundred pages of a new collection in just two weeks.