Ten Questions for Tomas Moniz
“Sometimes I know I need to just observe and live life and let the writing come later.” —Tomas Moniz, author of The King of Aloe Vera
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“Sometimes I know I need to just observe and live life and let the writing come later.” —Tomas Moniz, author of The King of Aloe Vera
The author of Mock Heart: New & Selected Poems (Knopf, 2026) encourages poets to let truth surprise them in the writing process.
“Can a poem, in reaching for something beyond the moment of composition, pick up some vibration from the future?” —Kiki Petrosino, author of Perfect Italian
“Writing nonfiction can feel like a kind of freedom because it gives you power, which you didn’t have when you first lived through your experiences.” —Brittany Perham, author of Executrix
The author of The Man in 119 (Copper Canyon Press, 2026) invites poets to embark on an experimental dance and embodied writing exercise.
“Write all the truth of your life that you can.” —Paisley Rekdal, author of Heritance
The author of The Man in 119 (Copper Canyon Press, 2026) creates a generative writing board game inspired by Emily Dickinson.
“As soon as I stopped worrying about what others would think and wrote how I wanted, it seemed to come a little easier.” —Amanda Peters, author of The Birthing Tree
The author of The Man in 119 (Copper Canyon Press, 2026) reflects on erasure and encouragers writers to experiment with the form.
“Just be consistent and show up every day, and it’ll get done eventually.” —Drew Buxton, author of Daytona Teddy Riggs
Installations, workshops, and other initiatives celebrate literature in national parks, allowing nature and poetry to illuminate each other.
A poet considers the creative rewards of setting text to a composer’s music and suggests how any writer might take the leap from page to song.
An author explores the numerous benefits of generative writing, a collaborative writing method that can help counter the ruthless editor within and encourage boldness and joy in its place.
Create a poem that grows out of an imagined universe, a story set in a haunted home, or a memoiristic account that chronicles an important friendship with someone you have worked with professionally.
Daniel Umemezie, the national youth poet laureate, discusses the impact of poetry on his formative years, art as a door to empathy, and the value of cultivating a creative life.
Inspired by Ross Gay’s poetry, Just Buffalo Literary Center embarked on a six-month project this year to explore patterns of gratitude and delight with their local literary community.
The nonfiction writer Joe Wilkins highlights journals that have published his essays, including Orion Magazine and River Teeth.
New press Lost Kite Editions, launched earlier this year in Minneapolis, has grown out of a partnership between writers incarcerated in Minnesota prisons and non-incarcerated writers from the Minnesota Prison Writing Workshop.
A new imprint is redefining classic literature, reissuing books that were previously overlooked.
The first lines of a dozen noteworthy books, including Perfect Italian by Kiki Petrosino and Triage by Clauda Rankine.
An author outlines her technique for developing a writing calendar that turns aspirations into deadlines met and builds a professional writing life.
A noted agent addresses top questions on writing in more than one discipline, including whether you’ll need several agents and how readers respond when you try something new.
The Human Authored Certification Mark seeks to restore trust between readers and writers.
Essays by debut authors Nita Noveno, Phill Branch, Megan O’Grady, Joseph Trinidad, and Elena Dudum, as well as excerpts from their books.
A compendium of tools to help you find an MFA program, deepen your craft, and connect with a writers group or start your own.