The Anthologist: A Compendium of Uncommon Collections
A look at three new anthologies, including Between Paradise and Earth: Eve Poems and The Language of Trees: A Rewilding of Literature and Landscape.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
A look at three new anthologies, including Between Paradise and Earth: Eve Poems and The Language of Trees: A Rewilding of Literature and Landscape.
The author of I Am the Most Dangerous Thing introduces five journals that first published their poems and engaged them in community, including Sixth Finch and Prelude.
In her new Planetaria series, artist Monica Ong crafts visual poems in the form of objects that prompt the audience to experience poetry through the lens of astronomy.
Following poets laureate Ada Limón and Tracy K. Smith, poet Major Jackson steps into a new role as host of the celebrated podcast, sustaining and encouraging listeners to find new possibilities within poetry.
“Everything you are afraid of will be surpassed by desires you cannot yet imagine.” —Elizabeth Metzger, Lying In
The author of peep considers the ecstatic freedom of writing poetry.
“My writer’s brain picks up little pieces here and there and puts them together.” —S. L. Wisenberg, author of The Wandering Womb: Essays in Search of Home
The author of peep offers an exercise in negative capability.
“I had to not only transform into different people and places, but to also find myself within both of those.” —Victor LaValle, author of Lone Women
The authors of The Invisible Art of Literary Editing engage in a dialogue about textual doneness.
“Read more! Listen more! See more! Feel more! Take better notes!” —Laird Hunt, author of This Wide Terraqueous World
“I need to be authentic to my culture and invite readers to embrace the Vietnamese culture through my work.” —Nguyễn Phan Quế Mai, author of Dust Child
The author of The Art of Brevity: Crafting the Very Short Story offers a lesson in becoming a verbal junk collector.
“I write when I want to say something to someone in particular—but can’t.” —Aurora Mattia author of The Fifth Wound
The author of The Art of Brevity: Crafting the Very Short Story investigates the power of a single sentence, long or short.
“I literally was Damani throughout writing—somehow I became her.” —Priya Guns, author of Your Driver Is Waiting
The author of The Art of Brevity: Crafting the Very Short Story explores what is gained by cutting elements of a narrative.
“You will never get rid of the self-critical voice in your head.” —Colin Winnette, author of Users
The author of The Art of Brevity: Crafting the Very Short Story ponders the seductive power of laconic prose.
Tax season is coming up, but it doesn’t have to be intimidating. The author explains how writers can follow the rules to their advantage to protect their earnings.
In partnership with the Academy of American Poets, the Guggenheim is refreshing its connection to poetry with a poets-in-residence program, through which the museum is reimagining its offerings to engage the community with verse.
The author of Sing Something True recounts the path to writing the memoir she was afraid to write, grieving her identity as a writer after rejection, and finding solace (and representation) after shifting focus away from publication.
The first lines of a dozen noteworthy books, including Welcome Me to the Kingdom by Mai Nardone and Feast by Ina Cariño.
Mariner Books executive editor Rakia Clark talks about unlocking the full potential of an author, how writers can shine in the query letter, and effecting meaningful change in the publishing industry.
Bill Henderson founded Pushcart Press with one goal: to empower overlooked writers to publish their own work. Fifty years later, Pushcart is still elevating independent publishers and authors with its annual prize anthology.