New Small Press Incubator Fellowship

The Center for Book Arts’s new fellowship program supports BIPOC creatives with essential resources to start a small press, planting seeds for a more diverse and equitable vision of publishing.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The Center for Book Arts’s new fellowship program supports BIPOC creatives with essential resources to start a small press, planting seeds for a more diverse and equitable vision of publishing.
In Absolution, the surprise fourth volume of the Southern Reach series of literary speculative novels, Jeff VanderMeer continues to provoke critics and eschew labels while plunging readers into the unpredictable wilds of Area X.
The new president of the Association of American Literary Agents speaks about the state of agenting today, what writers misunderstand about agents, and the numerous irons she has in the literary fire.
U.K.-based artist James Cook uses a typewriter to create architectural and portraiture artworks consisting of thousands of letters, numbers, and punctuation marks, encouraging viewers to look beyond their first impressions.
The author of the debut poetry collection Good Dress highlights a thoughtful selection of literary journals that helped shepherd her poems into the world, including Underbelly and Hopkins Review.
“Take pleasure in publishing work you love,” says Ander Monson, founder of New Michigan Press. Steered by this guidance and a taste for the off-kilter, the press has produced chapbooks and the magazine Diagram for over twenty years.
“Never let the pursuit of perfection be the enemy of the good.” —Steve Wasserman, author of Tell Me Something, Tell Me Anything, Even If It’s a Lie: A Memoir in Essays
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture ongoing stories without neat endings.
“Trust yourself enough to know that you don’t need to do backflips for your readers on the page. Just walk straight ahead.” —Aaron Robertson, author of The Black Utopians: Searching for Paradise and the Promised Land in America
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture the nonlinear chronology of pain.
“Take a year, pursue it, and see what happens.” —Afabwaje Kurian, author of Before the Mango Ripens
“The orality and intimacy of the lecture bring it closer to some aspects of lyric poetry than the nonfiction essay.” —Srikanth Reddy, author of The Unsignificant
“There is no point in learning how to sculpt if you don’t know where to get the clay.” —Devika Rege, author of Quarterlife.
The author of Us From Nothing offers an exercise to enhance the body’s role in the act of writing.
“Now, though, years have passed, and I do have more peace about my past and my process. From afar, I can finally see what I was doing, and why.” —Jay Baron Nicorvo, author of Best Copy Available: A True Crime Memoir
The author of Us From Nothing offers an exercise to become mindful of the body’s role in the act of writing.
A novelist based in rural Maine shares how she creates community—by reading her literary ancestors, engaging with living writers all over the state, and hosting an online writers studio—all while dispensing with the archetype of the lonely writer.
“Don’t forget to have a good time. Stay loose. Enjoy the labor. Follow through.” —Elisa Albert, author of The Snarling Girl
The author of Us From Nothing revises his thinking about the role of the body in writing.
“I’d love to be the kind of writer who sits down at my desk at a specific and predictable time...and write, but I’ve never been that writer. —torrin a greathouse, author of DEED.
A look at two new anthologies, including Here to Stay: Poetry and Prose From the Undocumented Diaspora, edited by the writer-activists of Undocupoets.
Excerpts from Bones Worth Breaking by David Martinez, Little Seed by Wei Tchou, The Lucky Ones by Zara Chowdhary, The Exit Is the Entrance by Lydia Paar, and Come by Here by Neesha Powell-Ingabire.
The former editorial director of Akashic Books, now an executive editor at Viking, talks about his experience moving from an indie press to one of the Big Five publishers.
The Odesa Poetry Studio is a free program that creates space for children to gather, write poems, and share their work with one another, validating their voices and feelings as they live through ongoing war.
The first lines of a dozen noteworthy books, including Yr Dead by Sam Sax and Under the Eye of the Big Bird by Hiromi Kawakami.