Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Hardly Creatures by Rob Macaisa Colgate and Chronicle of Drifting by Yuki Tanaka.
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Hopeless Hope: A Conversation With Madeleine Thien
In The Book of Records, Madeleine Thien takes on political, historical, and philosophical issues in the wake of catastrophe while offering a portrait of a life that holds hope amid seemingly hopeless circumstances.
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Threads, Thrumming: A Profile of Kevin Wilson
In his fifth novel, Run for the Hills, Kevin Wilson returns to a theme that flows through much of his work: the threads that connect us to other people, even if we’ve never met them before.
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Excerpt Expertise: How to Submit Part of a Longer Work to a Contest
Writing contests that accept excerpts as short-form prose can help you keep up the momentum during the long journey to book publication. Contest winners and other experts share what it takes to create an attention-grabbing excerpt.
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Ten Questions for Dennis E. Staples
“Editing down is something I dread in the abstract because I know I can lose motivation easily. But this book has ingrained the lesson in me fully.” —Dennis E. Staples, author of Passing Through a Prairie Country
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Ten Questions for Mariam Rahmani
“The magic happens in the writing, on the page. That’s the high.” —Mariam Rahmani, author of Liquid: A Love Story
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Of Dust and Dreams: A Profile of Karen Russell
Karen Russell’s second novel, The Antidote, published by Knopf in March, examines a dark chapter of America’s past, but not without hope for the future.
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Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including The Figure Going Imaginary by Marianne Boruch and Marginlands: A Journey Into India’s Vanishing Landscapes by Arati Kumar-Rao.
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Ten Questions for Margie Sarsfield
“Nothing makes a clunky sentence more obvious than saying it out loud.” —Margie Sarsfield, author of Beta Vulgaris
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Ten Questions for Aria Aber
“Take your time. And indulge in the messiness, the privacy, the anxieties of the writing process.” —Aria Aber, author of Good Girl
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