Ten Questions for Robert P. Baird
“[Y]ou should write, or at the very least revise, with a reader always in mind.” —Robert P. Baird, author of The Nimbus
Tags:
Tags: creative process
Foreign Objects 2: Seams and Borders
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
Tags:
Ten Questions for Nicola Dinan
“But so much of the work is done in those gaps, when the book sits in the back of your mind with your subconscious untangling it.” —Nicola Dinan, author of Disappoint Me
Tags:
Ten Questions for July Westhale
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
Tags:
Conveying Music and Dance in Fiction: Final Touches to Your Manuscript
The author of Duet for One (Regal House Publishing, May 2025) recommends rigorous revision strategies as writers polish their manuscripts.
Tags:
Ten Questions for Rickey Fayne
“Everything will take longer than you feel like it should, and this is a gift.” —Rickey Fayne, author of The Devil Three Times
Tags:
Conveying Music and Dance in Fiction: Getting It on the Page
The author of Duet for One (Regal House Publishing, May 2025) recommends writers research vocabularies specific to their characters’ lives to ensure the novel’s world feels believable.
Tags:
Ten Questions for Lisa Fishman
“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
Tags:
Conveying Music and Dance in Fiction: Forgetting the Outline
The author of Duet for One (Regal House Publishing, May 2025) recommends writers discover their structure as they write.
Tags:
Ten Questions for Marie-Helene Bertino
“Intuition is enough.” —Marie-Helene Bertino, author of Exit Zero
Tags:
Pages
