Ten Questions for Austyn Wohlers
“[Y]ou can’t edit something into being good before getting it down.” —Austyn Wohlers, author of Hothouse Bloom
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Tags: creative process
Writing on Grief: The Practice of Coding
The author of Indigo (Copper Canyon Press, 2020) recommends writers use coding when trying to describe loss.
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Ten Questions for Raymond Antrobus
“I needed time away from text to indulge in paintings and drawings and collage art. I spent a lot of days in art galleries mulling over my memories and the text I was writing.” —Raymond Antrobus, author of The Quiet Ear: An Investigation of Missing Sound
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Writing on Grief: Transforming Loss Into Art
The author of Indigo (Copper Canyon Press, 2020) reflects on how writers can turn grief into literature.
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Ten Questions for Anne Waldman
“I like the idea of action writing, putting text on the floor and playing with arrangement like abstract expressionist painting.” —Anne Waldman, author of Mesopotopia
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Ten Questions for Xenobe Purvis
“But fear can be galvanizing; perhaps the novel would not have been written without it.” —Xenobe Purvis, author of The Hounding
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Historical Details: Approach With Caution!
The author of Restitution (Regal House Publishing, September 2025) recommends writers refine their research and examine which details actually serve their characters and plots.
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Ten Questions for Ed Park
“I just remember the miraculous appearance of story seeds, bursts of inspiration, and cloudless composition.” —Ed Park, author of An Oral History of Atlantis
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Real Life as Experiment: Letting Characters Play in Your Life
The author of Restitution (Regal House Publishing, September 2025) recommends writers use their own memories as a testing ground for their characters.
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Ten Questions for Katie Yee
“I think every writer carries with them someone they wish they could’ve told all their stories to.” —Katie Yee, author of Maggie; Or, A Man and a Woman Walk Into a Bar
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