Ten Questions for Lisa Fishman

“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
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“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
The author of Duet for One (Regal House Publishing, May 2025) recommends writers discover their structure as they write.
“Intuition is enough.” —Marie-Helene Bertino, author of Exit Zero
A novelist describes her exposure to a multitude of scientific disciplines as the writer-in-residence at the Wisconsin Institute for Discovery and shares how exploring something completely new has lent fresh energy to her work.
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
“I was playing, trying to make something I liked, something no one else had already made for me.” —Rachel Trousdale, author of Five-Paragraph Essay on the Body-Mind Problem
Oral historian Nyssa Chow considers the nested memories she belongs to, and invites readers to do the same.
Oral historian Nyssa Chow considers how small routines and rituals tell larger stories.
“Don’t worry about aesthetic categories or limitations. Have fun.” —Jonathan Fink, author of Don’t Do It—We Love You, My Heart?
“All you can do is pay attention to the process, the practice, and see what it does to you, what it does to the people around you, what it does to your dear readers.” —Latif Askia Ba, author of The Choreic Period