Historical Details: Approach With Caution!

The author of Restitution (Regal House Publishing, September 2025) recommends writers refine their research and examine which details actually serve their characters and plots.
Jump to navigation Skip to content
The author of Restitution (Regal House Publishing, September 2025) recommends writers refine their research and examine which details actually serve their characters and plots.
“I just remember the miraculous appearance of story seeds, bursts of inspiration, and cloudless composition.” —Ed Park, author of An Oral History of Atlantis
The author of Restitution (Regal House Publishing, September 2025) recommends writers use their own memories as a testing ground for their characters.
“I think every writer carries with them someone they wish they could’ve told all their stories to.” —Katie Yee, author of Maggie; Or, A Man and a Woman Walk Into a Bar
The author of Restitution (Regal House Publishing, September 2025) recommends writers use time as a tool to shape the emotional stakes of novels.
“I tend to work across these different forms, on different projects at the same time.” —Issa Quincy, author of Absence
“Writing lends itself to filmmaking in terms of structuring a story, but I think filmmaking lends itself to more visually stimulating writing.” —Lawrence Burney, author of No Sense in Wishing
“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
The author of Scream / Queen (Acre Books, 2025) recommends poets expand their research beyond their typical interests.
“The research I did for this novel was so intriguing, looking at the psychology and science of siblinghood, memory, identity.” —Fran Littlewood, author of The Accidental Favorite