The Tiny Window and the Great Novel
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) offers insight on how to make time for writing when it feels like there’s no time to spare.
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The author of Unstuck: A Writer’s Guide (Tin House, April 2026) offers insight on how to make time for writing when it feels like there’s no time to spare.
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) encourages writers to embrace being an amateur in all corners of their lives.
While writing a novel containing themes of sexual abuse, an author worked hard to earn and sustain her readers’ trust, which was reciprocated by readers in the form of unexpected, personal disclosures at launch events.
The author of Middlemen: Literary Agents and the Making of American Fiction reveals how every debut author’s dream of landing an agent is matched by the hunger of every young agent to land a successful debut and establish themselves.
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) encourages writers to write without an outside reader in mind.
The author of Clutch (Tin House, February 2026) describes the rigorous line work that went into finishing her manuscript.
The author of Clutch (Tin House, February 2026) reflects on adjusting rising and falling action across time in fiction.
A novelist explores the decision to name real places in fiction, the way maps circumscribe those places, how locales heavily defined by tourism are susceptible to those projections, and what it means to push against those expectations.
T Kira Māhealani Madden’s new novel, Whidbey, asks challenging questions about how we as a society treat and talk about both the survivors and perpetrators of sexual abuse.
The author of Clutch (Tin House, February 2026) reflects on poetic time, dialogue, and writing effective scenes.