Two of the most dynamic poets writing today, both with new collections out, explore issues of poetry and craft, aesthetics and language, luxury and yearning, drag and systematic repression.
Article Archive: Feature
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
This year’s debut fiction roundup features emerging writers Zinzi Clemmons, Hala Alyan, Jess Arndt, Lisa Ko, and Diksha Basu.
This series of interviews with nearly forty book editors, publishers, and agents offers a unique look at the past, present, and future of the book industry and what writers can do to thrive in today’s publishing world.
Already established as a master of the short story, George Saunders turns to the long form in his debut novel, Lincoln in the Bardo, an imaginative tour de force in which nearly all the characters are dead.
Upon the release of Another Brooklyn, her first novel for adults in twenty years, award-winning author Jacqueline Woodson discusses New York City’s literary legacy, the strength in being a person of color, putting humanity on the page, living in the age of Beyoncé, and happiness
Fifty American poets and writers offer messages to the next commander in chief about what’s most important to them, and what they hope to see in the next four years.
As part of our sixteenth annual First Fiction roundup, in which five debut authors—Yaa Gyasi, Masande Ntshanga, Rumaan Alam, Maryse Meijer, and Imbolo Mbue—discuss their first books, we picked nine more notable debuts that fans of fiction should consider reading this summer.
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Her books, for readers of all ages, have been published in thirty-two languages and sold more than eighty-five million copies worldwide, but Judy Blume, whose new novel, In the Unlikely Event, was published by Knopf in June, has always taken a simple approach to her work: “I do what I have to do to tell the story.”
Jennifer Joel, whose clients include Chris Cleave, Joe McGinniss Jr., Evan Osnos, and Shonda Rhimes, talks about the difference between selling fiction and nonfiction, what inspires her to go the extra mile for her authors, and what writers should really want out of publishing.
In Ordinary Light, Pulitzer Prize–winning poet Tracy K. Smith embraces a fuller sense of herself as a writer while cementing the connection between her children and her ancestors using the best glue she knows: words.
Louise Glück says a poet must be surprised by what the mind is capable of unveiling, which may explain why her twelfth book of poems, Faithful and Virtuous Night, published in September by Farrar, Straus and Giroux, feels so startlingly alive with the wonder of discovery.
Sam Savage wrote for decades and eventually gave up completely before his debut novel was published when he was sixty-five. Now he’s an international best-selling author with a third novel, Glass, published by Coffee House Press, and one simple message for all of us: Art can save you.
Susan Golomb, whose clients include Jonathan Franzen, Rachel Kushner, and William T. Vollmann, talks about the ebb and flow of submission season, the art of the preemptive offer, and the gems she finds in her slush pile.
The publisher of her eponymous imprint at Penguin Random House, Amy Einhorn discusses her early days as an assistant at FSG, the importance of titles, and how she pushes her authors to make their books the best they can be.
Literary agent David Gernert discusses the bookstore as a key to our culture, what it's like to work with John Grisham, and how big changes in the industry are affecting authors' incomes.
The responsibility that Jesmyn Ward feels toward the Southern town where she was born shapes not only her new memoir, Men We Reaped, but also where and how she lives her life.
A vice president and executive editor at Knopf, Jordan Pavlin discusses her terror of launch meetings, the particular genius of Sonny Mehta, and her job as a writer’s ideal reader.
One of the world's most beloved storytellers, Neil Gaiman talks about his novel The Ocean at the End of the Lane, young adult literature, writing comics, and how writers should (and should not) use Twitter.
Frank Bidart says a poet must use language that embodies the immediacy and intensity the poet feels, which may explain why his ninth collection, Metaphysical Dog, is his most intimate book yet.
Contributing editor Frank Bures recalls a meeting with the late poet Paul Gruchow during his formative years, a memory that sparks a personal investigation to better understand the stories we tell ourselves in an unconcious attempt to make sense of our lives.
With his hugely popular graphic novel, Jimmy Corrigan, the Smartest Kid on Earth, and now Building Stories, published in October by Pantheon, Chris Ware is drawing attention to a highly emotive, visual form of creative writing.
In her memoir, Wild, published in March 2012, author Cheryl Strayed reveals all she lost following the death of her mother, and takes readers along on her three-month hike through the wilderness to find it again.