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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Getting there may be half the fun, but for Rolf Potts, author of Marco Polo Didn’t Go There, the art of traveling—and travel writing—raises more important questions than how to go from point A to point B.
A writer doesn't work for four decades, publish ten books, and win the Nobel Prize without developing a healthy dose of skepticism. This attitude, combined with the confidence to disregard critics, has made Toni Morrison stronger than ever.
A veteran editor who has worked at publishing houses both large and small, Chuck Adams of Algonquin Books talks about what beginning writers tend to forget, the secret to selling two million copies, and the problem with MFA writing.
Known as a heavy-hitting agent willing to go to bat for her clients, Molly Friedrich discusses how an author should choose an agent, what she looks for in a manuscript, and what separates great agents from merely good ones.
The story of David Rhodes is punctuated by early successes and devastating losses, personal demons and unlikely angels, dogged determination and blind faith, and the next chapter begins with the triumphant return of a major American novelist after a thirty-year silence.
Having settled into her new role at Nan Talese’s imprint following her ouster from Houghton Mifflin, editor Janet Silver discusses what she looks for in a new writer and what every author should know about agents.
Nat Sobel, one of the most forward-thinking and outspoken agents in the business, voices his opinions on what authors should do for themselves, the dangers of MFA programs, and what he finds in literary magazines.
The short stories of Tobias Wolff, collected in four books during the past three decades, derive much of their strength from what is left unsaid—but what is said is usually violent and almost always disturbing.
With nearly four decades of editing experience, publishing veteran Pat Strachan reveals the qualities she looks for in fiction, her approach to editing, and how writers can help themselves navigate the industry.
For novelist Susan Choi, history holds a fascination that can lead to fiction with a present-day relevance.
Twelve debut poets talk about their experiences publishing first collections of poetry.
Eleven years after the publication of his best-selling debut story collection, Junot Díaz’s follow-up has finally arrived.
With the publication of his ninth collection, poet Bin Ramke has emerged as one of the avant-garde's treasured half-secrets.
In our seventh annual profile of first-time fiction writers, we introduce Rishi Reddi, Jeff Hobbs, Frances Hwang, Phil LaMarche, and Sunshine O’Donnell.
A selection of recently published titles—blockbuster novels, international literature, and contemporary poetry collections—for the discerning beach bum.
Greg Bottoms has demonstrated that the truth is rarely black and white in all three of his books of creative nonfiction, but never more vibrantly than in his latest, The Colorful Apocalypse.
For eight years readers have anticipated Nathan Englander’s follow-up to his wildly successful debut story collection. With the publication of The Ministry of Special Cases, the wait is over.
In ten years, Tom Bissell went from being a directionless dropout to the acclaimed author of four books.
In his new novel, Jamestown, small press superstar Matthew Sharpe turns to history—sort of.
An interview with poet Lawrence Ferlinghetti about the Beat generation, City Lights Bookstore, and Ezra Pound.
Whether it’s a thousand-page novel, a single-paragraph story, or a footnoted essay, the elusive author always offers a complicated—and sometimes maddening—reading experience. But is there more to David Foster Wallace than words on a page?
In five books written within the past eleven years, incuding The Last of Her Kind, Sigrid Nunez has obscured and sometimes just ignored traditional distinctions of genre by blending elements of fiction and autobiography.
The eighteen poets featured here represent only a fraction of the debut books published in 2005, yet they are emblematic of the diverse community of poets who have recently forged their own paths to publication.
Two years after publishing a brutal, unflinching account of his drug addiction, James Frey is showing signs of becoming a kinder, gentler writer in his second memoir, My Friend Leonard.
What if genetic cloning had become the defining science of the 20th century? The main characters of Kazuo Ishiguro's new novel contend with such a world—and its moral consequences.
