Agents & Editors: Ibrahim Ahmad
The former editorial director of Akashic Books, now an executive editor at Viking, talks about his experience moving from an indie press to one of the Big Five publishers.
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Managing Submissions in the Age of AI
As AI makes it easier for people to generate text, literary editors are wrestling with how to weed out submissions by authors trying to pass off AI work as their own from those that use the technology in a more ethical way.
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Agents & Editors: Jamia Wilson
Random House executive editor and vice president Jamia Wilson talks about her passion for publishing as a craft, how being a writer informs her work as an editor, and the importance of keeping an expansive interest in books.
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Agents & Editors: Rakia Clark
Mariner Books executive editor Rakia Clark talks about unlocking the full potential of an author, how writers can shine in the query letter, and effecting meaningful change in the publishing industry.
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Agents & Editors: Annie Hwang
Annie Hwang of Ayesha Pande Literary talks about community building, professional burnout, the questions writers should ask when querying agents, and the demanding work of advocating for diversity in publishing.
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Q&A: Matejka Leads Change at Poetry
The new editor of Poetry shares his aspirations for shaping the 110-year-old magazine to reflect an expansive literary landscape.
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Finding and Amplifying New Voices: Affecting Change as an Editor
Sally Kim, senior vice president and publisher of G. P. Putnam’s Sons, on amplifying her own voice to amplify the voices of others.
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Craft Capsule: Why You Need an Authenticity Editor
The author of Southbound and The Parted Earth writes about how authenticity editors have helped enrich her work in all genres.
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Agents & Editors: Sarah McGrath
The editor in chief of Riverhead Books, an imprint of Penguin Random House, talks about her start in publishing, acquiring books, editing as a creative process, and more.
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Agents & Editors: Ben George
Ben George, a senior editor at Little, Brown who works with some of the biggest names in literary fiction and nonfiction, talks about the author-editor relationship, the plight of the midlist writer, and the art of revision.
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