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Bill Henderson founded Pushcart Press with one goal: to empower overlooked writers to publish their own work. Fifty years later, Pushcart is still elevating independent publishers and authors with its annual prize anthology.
The author of When Trying to Return Home describes her connection with journals that first published her stories, including Jabberwock Review and the Vassar Review.
A novelist explores how submitting to and publishing in literary journals can serve as an excellent education for writers while offering a sturdy platform upon which to build a promising career.
The author of I|I reflects on the audacious, experimental, and singular qualities of the journals that first published excerpts from her book-length lyric essay.
A curated list of twenty-two literary magazines that pay writers cash for their creative contributions.
The Fall 2022 issue of Crazyhorse will be the last under a name that the editors now recognize as a “longstanding appropriation of Lakota culture.”
While some literary magazines pay up to a few hundred dollars for literary work, many don’t pay at all. A published writer offers an overview of how to find paying markets, when to publish for free, and tips for a submission strategy.
The author of In the Current Where Drowing Is Beautiful highlights five journals that first published her poems, including Peripheries and the Capilano Review.
Publication in The Pushcart Prize: Best of the Small Presses is awarded annually for works of poetry, fiction, and creative nonfiction published by literary magazines or small presses during the current year. Editors may nominate up to six poems, short stories, novel chapters, or essays published, or scheduled to be published, in 2022; submit one copy of each work by December 1. There is no entry fee. Visit the website for complete guidelines.
The author of What We Fed to the Manticore highlights five journals that published her stories, including the Minnesota Review and Ecotone.
