Literary MagNet: Dong Li

The translator of Ye Hui’s The Ruins highlights journals that embraced his translations, including Asymptote and Copihue Poetry.
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The translator of Ye Hui’s The Ruins highlights journals that embraced his translations, including Asymptote and Copihue Poetry.

Based in Grinnell, Iowa, and motivated by a mission to support reforestation, Green Linden Press publishes around six titles per year and donates a portion of its proceeds to environmental efforts.

Housed in the trunk of a 1984 Mercedes-Benz 380SL, AUTO Books travels throughout Los Angeles, bringing art, photography, and poetry titles, along with other rare and experimental literature, to neighborhoods across the city.

The new executive director of AWP discusses her path from publishing to arts administration and shares what gives her hope for the literary arts.

New publishing lines, reading series, symposia, and magazine partnerships are springing up in Dallas with support from SMU’s Project Poëtica.

In spite of the pandemic and other challenges, executive director Andrew Proctor has steered Literary Arts in Oregon through a successful capital campaign, raising over $22 million at a time when the arts need it most.

The first lines of a dozen noteworthy books, including The New Economy by Gabrielle Calvocoressi and Girls Play Dead: Acts of Self-Preservation by Jen Percy.

With a $100,000 grant from O’Shaughnessy Ventures, bookshop manager Charlie Becker is building an AI tool to help secondhand booksellers identify and catalogue titles.

Literary and arts organizations are left reeling after budget cuts at the NEA, NEH, and IMLS.

A new nonfiction series from Ig Publishing encourages authors to reflect on the films that have transformed their lives.

The first lines of a dozen noteworthy books, including Pick a Color by Souvankham Thammavongsa and Articulate: A Deaf Memoir of Voice by Rachel Kolb.

Based in Georgetown, Kentucky, Finishing Line Press publishes around three hundred titles each year and runs a chapbook competition celebrating writers who are marginalized from mainstream publishing.

The new editor in chief of Ploughshares discusses her vision for expanding the journal’s digital format and its community.

An introduction to three new anthologies, including The People’s Project: Poems, Essays, and Art for Looking Forward and Both/And: Essays by Trans and Gender-Nonconforming Writers of Color.

A new exhibition at the National Museum of Women in the Arts features artists books with innovative designs that honor familial pasts and document history.

Audible has announced that machines will begin narrating its audiobooks and translating them into select languages.

Based in North Carolina, the independent publisher Blair champions local narratives, overlooked stories, and perspectives outside of traditional publishing. The press publishes ten to twelve books yearly in poetry, nonfiction, and fiction.

For decades, the International Writing Program in Iowa City facilitated transformative connections for its resident writers—but the loss of funding worth nearly a million dollars challenges staff and students to find ways to keep going.

The first lines of a dozen noteworthy books, including Florida Water by aja monet and I’ll Tell You When I’m Home by Hala Alyan.

In the wake of the California wildfires, literary community members grieve the loss of public spaces and personal archives, and reflect on the creative relief efforts that offer hope.

Recently appointed judge of the Yale Series of Younger Poets, Monica Youn speaks about the value of publishing a debut collection regardless of age, how form helps poems come alive, and what she looks for as she reads submissions.

One poet’s personal reading goal gone viral, the Sealey Challenge invites participants to read a book of poetry every day in August and to share their reading lists publicly, offering sustained immersion in poetry and its community.

Novelist and graphic designer Peter Mendelsund describes embracing imperfection through the creative practice of painting, including using his nondominant hand, smearing the paint with a trowel, and flipping the canvas.

The author of How to be Unmothered: A Trinidadian Memoir spotlights magazines and journals, such as Forge Literary Magazine and Kweli, that authentically welcomed excerpts of her work.

In the hostile climate of the current U.S. administration, queer authors persevere through writing and community building, continuing a culture of resistance and defiance that is radically, emphatically, grounded in joy and love.