The Written Image: Rewriting the World
A new exhibition at the Center for Book Arts in New York City focuses on Isidore Isou and the postwar, avant-garde artistic movement he spearheaded in France.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
A new exhibition at the Center for Book Arts in New York City focuses on Isidore Isou and the postwar, avant-garde artistic movement he spearheaded in France.
Seven private foundations have forged a new partnership to support literary arts organizations amidst an increasingly precarious funding landscape.
The prose writer Mandy-Suzanne Wong highlights journals that have published some of her surprising, emotive essays on mollusks including Digging Press Journal and Black Warrior Review.
Ahead of this year’s Independent Bookstore Day, a look back at last year’s controversy when Amazon surprised indie stores with a sale of its own.
The first lines of a dozen noteworthy books, including Night Owl by Aimee Nezhukumatathil and Frog: And Other Essays by Anne Fadiman.
The new executive director of the American Literary Translators Association (ALTA) discusses the role of translation in the literary landscape and exciting upcoming initiatives at ALTA.
Founded in 2012 and now based in Minneapolis, Trio House Press publishes twelve books of poetry and nonfiction annually and aims for its titles to build empathy and understanding.
Boa Editions celebrates a half century of independent publishing and releases a previously unpublished collection of Lucille Clifton’s poetry.
The newly appointed U.S. poet laureate discusses how he learned his craft as a literary translator and his plans for promoting poetry in translation.

The first lines of a dozen noteworthy books, including The Palace by Andrés Cerpa and The Flower Bearers by Rachel Eliza Griffiths.
Founded in Singapore in 2015 and now based in New York City, Half Mystic Press publishes two books each year that engage with music—in theme or in spirit—as well as an annual journal.
A study in iScience found a 43 percent drop over the last twenty years in the number of Americans who report reading for pleasure daily.
Bellevue Literary Review celebrates twenty-five years of platforming creative writing about health and the world of the body.
Based in Matanzas, Cuba, Ediciones Vigía has transformed over forty years from an informal gathering of creatives into an inventive artisan book press and publishing workshop.
Flash fiction writer Patricia Q. Bidar highlights journals, including Ghost Parachute and Flash Frog, that embrace the shortest of short fiction and have published her work.
The Depression-era Federal Writers’ Project enlisted writers to tell a nation’s stories. Now the People’s Recorder podcast explores the history of the project and its continued relevance.
In spite of the pandemic and other challenges, executive director Andrew Proctor has steered Literary Arts in Oregon through a successful capital campaign, raising over $22 million at a time when the arts need it most.
With a $100,000 grant from O’Shaughnessy Ventures, bookshop manager Charlie Becker is building an AI tool to help secondhand booksellers identify and catalogue titles.
Housed in the trunk of a 1984 Mercedes-Benz 380SL, AUTO Books travels throughout Los Angeles, bringing art, photography, and poetry titles, along with other rare and experimental literature, to neighborhoods across the city.
New publishing lines, reading series, symposia, and magazine partnerships are springing up in Dallas with support from SMU’s Project Poëtica.
Based in Grinnell, Iowa, and motivated by a mission to support reforestation, Green Linden Press publishes around six titles per year and donates a portion of its proceeds to environmental efforts.
The first lines of a dozen noteworthy books, including The New Economy by Gabrielle Calvocoressi and Girls Play Dead: Acts of Self-Preservation by Jen Percy.
The new executive director of AWP discusses her path from publishing to arts administration and shares what gives her hope for the literary arts.
The translator of Ye Hui’s The Ruins highlights journals that embraced his translations, including Asymptote and Copihue Poetry.
Literary and arts organizations are left reeling after budget cuts at the NEA, NEH, and IMLS.