Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Yr Dead by Sam Sax and Under the Eye of the Big Bird by Hiromi Kawakami.
Jump to navigation Skip to content
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The first lines of a dozen noteworthy books, including Yr Dead by Sam Sax and Under the Eye of the Big Bird by Hiromi Kawakami.
Despite decades of explosive growth, factors including financial pressure and low admissions have left many MFA programs with no choice but to close. Faculty and administrators reflect on the fallout for their communities.
Inspired by traditional and contemporary quilt patterns, artist Larry Clifford crafts each of his BiblioQuilts from hardcover books rescued from libraries, basements, and attics.
The author of Thanks for This Riot, a debut story collection, introduces some of the online publications that first gave her stories a home, including American Literary Review and Okay Donkey.
For more than ten years, Meekling Press has been producing artist books, blending text and visual design to make unique literary-art objects with a playful punk sensibility.
The executive editor of Callaloo Literary Journal, one of the most influential publications of the African diaspora, speaks about Callaloo’s future and how the journal will continue to break new ground.
A look at two new anthologies, including Here to Stay: Poetry and Prose From the Undocumented Diaspora, edited by the writer-activists of Undocupoets.
The Odesa Poetry Studio is a free program that creates space for children to gather, write poems, and share their work with one another, validating their voices and feelings as they live through ongoing war.
A look at two new anthologies, including Rescue Party: A Graphic Anthology of COVID Lockdown, edited by Gabe Fowler.
Twenty tiny books, including poetry collections, short tales, plays, and other works, were added this year to the miniature library collection in Queen Mary’s Dolls’ House to celebrate the royal dollhouse’s centennial anniversary.
The executive director of the Loft Literary Center, a literary arts nonprofit in Minneapolis, celebrates the organization’s fifty years of connecting authors with audiences and reflects on future plans.
Primero Sueño Press, which translates to “First Dream Press,” envisions deeper recognition for historically underrepresented Latinx readers and authors with an out-of-the-box, bilingual, bicultural imprint led by Michelle Herrera Mulligan.
The closure of Small Press Distribution, a nonprofit that served nearly four hundred publishers, is prompting a reimagining of how books get into readers’ hands as independent publishers search for viable alternatives.
The author of The Story Game, a debut memoir, introduces some of the journals that helped her explore the interplay between memory and storytelling, including So to Speak and Colorado Review.
The Equity Directory is just one of the resources that the Literary Agents of Color initiative has developed to increase visibility of BIPOC agents and encourage new, fruitful relationships between agents and authors.
Founded seventeen years ago to support poetry from the Pacific Northwest, Airlie Press is a nonprofit publisher guided by a unique rotating editorial board of poets from Oregon, Washington, and Idaho.
The first lines of a dozen noteworthy books, including Call This Mutiny: Uncollected Poems by Craig Santos Perez and The Road to the Country by Chigozie Obioma.
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
The first Latinx president and executive director of the Academy of American Poets reflects on his start at the nonprofit and his vision for the organization’s future.
The new Inside Literary Prize represents an opportunity to connect and honor the perspectives of incarcerated individuals by inviting hundreds of such readers to discuss and select a winner from a slate of National Book Award finalists.
As AI makes it easier for people to generate text, literary editors are wrestling with how to weed out submissions by authors trying to pass off AI work as their own from those that use the technology in a more ethical way.
The first lines of a dozen noteworthy books, including Bite by Bite: Nourishments and Jamborees by Aimee Nezhukumatathil and Good Monster by Diannely Antigua.
An introduction to three new anthologies, including Disability Intimacy: Essays on Love, Care, and Desire and A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection.
A new exhibit opening in June at the National Museum of the American Indian considers the important role that visual and material storytelling plays in chronicling the histories of Great Plains Native nations.
One of the greatest offenses a writer can commit is to steal others’ work and present it as their own. Members of the literary community discuss the negative impact of a serial plagiarist and potential protections against further theft.