Ten Questions for Soon Wiley
“Adjust one small plot point in the second half of the book, and you realize you’ve got to go back to the beginning and account for that change.” —Soon Wiley, author of When We Fell Apart
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Ten Questions for Dana Levin
“I am a fitful writer: long periods of not writing followed by intense engagement.” —Dana Levin, author of Now Do You Know Where You Are
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Ten Questions for Eloisa Amezcua
“To be a writer, the best thing someone can do, in my opinion, is read. Read everything.” —Eloisa Amezcua, author of Fighting Is Like a Wife
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Ten Questions for Dara Barrois/Dixon
“I hope everyone who writes begins by recognizing their own value and the value of the very act of their having chosen to write.” —Dara Barrois/Dixon (formerly Dara Wier), author of Tolstoy Killed Anna Karenina
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Ten Questions for Roger Reeves
“Get out of the way of the writing. Don’t make it precious. Sit down and get to it.” —Roger Reeves, author of Best Barbarian
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The Thousand Pages: Tips for Transitioning to the Novel
The author of The Step Back offers strategies for short-story writers trying to draft a novel for the first time and shares how a new approach—aiming to pen a thousand pages—led to his first novel.
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A Life in Poetry: Our Sixteenth Annual Look at Debut Poets
Ten poets whose first books were published in 2020, including Anthony Cody and torrin a. greathouse, share their inspirations, processes, writer’s block remedies, and paths to publication.
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The Smudge and the Scrawl: Inside the Writer’s Notebook
Eight authors—Aimee Nezhukumatathil, Mark Wunderlich, Rachel Eliza Griffiths, Samantha Hunt, Edward Carey, Juan Felipe Herrera, Darcey Steinke, and Terrance Hayes—offer a glimpse into their notebooks and their creative process.
The Time Is Now: Writing Prompts and Exercises
Write a poem considering what you see without focusing on its meaning, a short story based on a mysterious occurrence, or an essay about your New Year’s traditions.
The Year of the Villain: Discovering the Engine of Story Through Your Antagonist
Valuable lessons about characterization, the fundamental core of storytelling, can be found in the panels of superhero comics.
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