A former writing teacher explores the best methods for encouraging new talent.
“My work is a lifelong celebration of futility.” Artist Roman Muradov, designer of this issue’s cover, discusses his various wells of inspiration, his relationship to the written word, and the importance of doing nothing.
A writer and workshop instructor grapples with what he sees as an increasing resistance toward the work of established authors among writing students.
Novelist Eleanor Henderson discusses the beauty and necessity of backstory in fiction, offering a counterpoint to a previously published article in which novelist Benjamin Percy warned writers about the dangers of backstory.
Write a poem that uses illogical language, a short story inspired by a historical figure’s words, or an essay based on a photo—three prompts to get you started.
While editing her third novel, the author develops a newfound appreciation for copy editors.
Sally Wen Mao, Hanif Abdurraqib, Morgan Parker, Esmé Weijun Wang, Ross Gay, Yiyun Li, and Chigozie Obioma share their thoughts about creativity, the transformative power of writing, and the infinite potential of the literary imagination.
A psychologist and writer explores how writers can tap into the twilight stage between sleep and waking to discover the most creative parts of our minds.
Explore emotional ties to personal objects in a poem, write a short story about the holiday season, and use interviews for an essay—three prompts to get you writing.