Tax season is coming up, but it doesn’t have to be intimidating. The author explains how writers can follow the rules to their advantage to protect their earnings.
Article Archive: The Practical Writer
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
A novelist explores how submitting to and publishing in literary journals can serve as an excellent education for writers while offering a sturdy platform upon which to build a promising career.
A poet and author offers tips for how to find and collaborate with a growing group of independent publicists who work specifically with poets and small press authors and whose help is available for far less than high-profile publicists.
Nita Wiggins describes writing and self-publishing Civil Rights Baby: My Story of Race, Sports, and Breaking Barriers in American Journalism, and an agent and a publicist add their perspectives and offer self-publishing advice.
The full archive of interviews with the professional writers, readers, and thinkers whose job is to start conversations about contemporary literature.
The books editor of the Boston Globe on the shrinking of books coverage, social media and the role of the editor, and the need for higher pay for book critics.
This collection of case studies in self-publishing offers independent authors advice, warnings, encouragement, and inspiration.
The industry’s best and brightest agents respond directly to readers’ questions in this regular column dating back to 2010.
The agent answers questions about mentioning positive feedback in a query letter, how much plot to include in a query, and agents for teen writers.
The author chose to share her memoir draft with family and friends and face their varied reactions to her recollection of the past—reactions which ultimately made the book richer.
While editing her memoir about the history and methodology of mental health diagnoses, the author gains a new respect for fact-checking and more confidence in her book.
The agent answers questions about attracting agents using self-published books and whether to use a summary or a writing sample to pitch a memoir.
The agent who represents writers TJ Alexander and K. Tempest Bradford, among others, answers questions about being ghosted by agents and how to query for nonfiction books.
The critic on the importance of respecting the artist’s labor, reviewing books published by independent houses, and more.
The agent representing Chris Belcher, Kate Broad, Delia Cai, Duy Doan, and others offers advice about working with a coauthor, changing a memoir to fiction, why agents don’t consider previously published work, and how to become an agent.
Nikki Peoples describes how she self-published her sci-fi novel, The Station. An editor and a publicist give their advice on reaching more readers, leveraging the power of social media, and finding the right team of publishing professionals.
The literary agent answers questions about how to seek representation as a self-published author, break into the agenting business, and more.
The critic on how she began writing reviews, how she and the Times staff pick books to cover, and how social media affects her work.
Copy editors are adapting to increasing cultural awareness of racial injustice and new approaches to representing identity on the page. How can their work can help or hinder social change?
The literary agent answers questions about submitting story collections, getting an agent’s attention, and querying two agents at the same agency.
An author suggests several strategies for ordering a poetry collection that can help poets generate new poems to make a stronger, more cohesive book.
The critic on combining book reviews and cultural criticism, exposing readers to challenging views, and reading multiple books at once.
The freelance critic on her path to becoming a critic, her reading process, and her favorite publications.
In the latest installment of a yearlong series on publishing professionals, four book marketers explain how they use advertising, social media, and other platforms to boost awareness about their titles.
The books editor of Entertainment Weekly discusses how he picks which titles to review and what he thinks books coverage will look like in ten years.