An agent answers questions on obtaining the copyright of a self-published novel and seeking a U.S. publisher from abroad.
Article Archive: The Practical Writer
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
In this continuing series, a book critic discusses Minnesota’s thriving literary community and the importance of reviewing small-press titles.
The industry’s best and brightest agents respond directly to readers’ questions in this regular column dating back to 2010.
An agent answers questions on referrals, pitching a self-published book, and what to do if you’re dropped by an agency.
In this continuing series, a book reviewer discusses the art of literary criticism—from the value of negative reviews to critics he admires.
An entrepreneur self-publishes a book about the failure of his business. An editor and publicist weigh in.
This collection of case studies in self-publishing offers independent authors advice, warnings, encouragement, and inspiration.
An author and book reviewer discusses both sides of the writer-critic divide.
What to expect once you’ve published your debut book.
Independent publicists Lauren Cerand, Kima Jones, and Michael Taeckens on what they do for authors.
The books editor at O, the Oprah Magazine discusses how she got her start in the literary world, the selection criteria behind Oprah’s Book Club picks, and her favorite books of the year.
A literary agent answers readers’ questions—from how seriously agents consider a writer’s previous sales to how to responsibly seek new representation.
Vinnie Kinsella shares the process of self-publishing an essay anthology, Fashionably Late: Gay, Bi, and Trans Men Who Came Out Later in Life. An editor and a publicist weigh in.
The digital deputy editor of GQ discusses his Best Books of the Month feature and the state of diversity in publishing.
Inside Indie Bookstores, a series of interviews with the entrepreneurs who represent the last link in the chain that connects writers with their intended audience, ran in all six issues of 2010.
Kirby Kim offers valuable counsel on when to query, how to keep revising, and the market value of horror fiction.
Parul Sehgal discusses her path to literary criticism, her passion for international literature, and today’s finest reviewers.
Laura Miller discusses how she chooses books, the effect of the Internet on literary criticism, and her belief that reading is as profoundly creative as writing.
Lucetta Zaytoun discusses the process of self-publishing her debut memoir, It’s Already Tomorrow Here. A publicist and a publishing consultant offer their advice on design, distribution, and long-term marketing strategies to the author.
A writer considers the art, discomfort, and necessity of self-promotion, as well as its evolution in the digital age.
Anna Gosh answers readers’ questions—from why poetry agents are seemingly nonexistent to whether or not it is possible to be “too young to write.”
Steph Burt, acclaimed critic, poet, and Harvard professor, talks about their path to becoming a poetry critic, working as both a poet and a critic, and how the internet has greatly expanded the conversations surrounding poetry and poetics.
In a continuing series, Debra W. Englander consults an author and events manager, as well as a CEO of a book-marketing firm, to provide self-published author Jonathan R. Miller valuable book-industry advice on his novel The Two Levels.
Los Angeles Times book editor Carolyn Kellogg talks MFAs, publishing optimism, and how she’s revolutionizing her new position in the shifting landscape of book reviews.
New York Times Book Review editor Pamela Paul shares her insights on the ethical and practical challenges of being the head of the last of the stand-alone newspaper book review sections.