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A new book examines Toni Morrison’s years as an editor at Random House and the complicated art of publishing books of poetry by Barbara Chase-Riboud, Lucille Clifton, and June Jordan.
“[Y]ou should write, or at the very least revise, with a reader always in mind.” —Robert P. Baird, author of The Nimbus
“A book takes a long time to write, and a long time to publish. So, you know, take a breath!” —Lucas Schaefer, author of The Slip
An immigrant novelist reflects on the opportunities extended to her by the American publishing industry—and challenges the notion that she should be grateful to be given any kind of welcome.
“Now, though, years have passed, and I do have more peace about my past and my process. From afar, I can finally see what I was doing, and why.” —Jay Baron Nicorvo, author of Best Copy Available: A True Crime Memoir
The former editorial director of Akashic Books, now an executive editor at Viking, talks about his experience moving from an indie press to one of the Big Five publishers.
The Equity Directory is just one of the resources that the Literary Agents of Color initiative has developed to increase visibility of BIPOC agents and encourage new, fruitful relationships between agents and authors.
Growing up with strong women around her, Marcela Fuentes has always been keenly aware of how women can break out of gender norms despite domestic and societal tensions. Her debut novel, Marla, is the realization of that knowledge, weaving intergenerational stories with Mexican legend.
Rejection of your work can be crushing, especially when the subject of your writing is personal. A writing teacher and book coach recounts her experience being guided and then stood up by an agent who expressed interest in her book.
The principal agent of McKinnon Literary talks about how publishing can be a form of activism, the different ways agents and authors can use comp titles, and how the future of the book business still holds many wonderful possibilities.
