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The best-selling nonfiction author describes the craft lessons he drew from the false starts that paved the way for his debut novel, All the Secrets of the World.
A growing movement asks that literary translators receive equitable compensation and acknowledgement, starting with the inclusion of translators’ names on book covers.
The agent answers questions about attracting agents using self-published books and whether to use a summary or a writing sample to pitch a memoir.
Anitra Budd got her start at Coffee House Press as an intern and now serves as publisher and executive director of the press. She discusses her approach to leadership and putting people before profit.
Excerpts from the titles by Eric Nguyen, Lee Lai, Zakiya Dalila Harris, Joss Lake, Pik-Shuen Fung, and the late Anthony Veasna So featured in our annual roundup of the summer’s best debut fiction.
The PERIPLUS collective aims to democratize writing and publishing by matching emerging BIPOC writers with established authors and publishing professionals for yearlong mentorships.
Copy editors are adapting to increasing cultural awareness of racial injustice and new approaches to representing identity on the page. How can their work can help or hinder social change?
Ten years after its first meeting, Women Who Submit has grown to a global community that continues to empower women and nonbinary writers to seek publication.
The author of Martha Moody celebrates the creative freedom of small-scale indie publishing.
In the first installment of a new how-to series on the overlooked minutiae of publishing, the author focuses on how to seek permissions and considers the time and money needed to get them.
