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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
A novelist based in rural Maine shares how she creates community—by reading her literary ancestors, engaging with living writers all over the state, and hosting an online writers studio—all while dispensing with the archetype of the lonely writer.
Before the author of Barnflower was a writer, she was a farm kid. The memoirist shares moments from her book tour, which included meeting cows and visiting corn mazes alongside reading at local bookstores and reconnecting with friends.
From her home just outside of Fairbanks proper, a poet subverts mainstream Alaskan imagery to conjure the reality of her writing life, which includes a local waste transfer site, muddy shoulder seasons, and slow internet.
Writers share how they approach the writing life where they live, their personal points of view on the literary community (both small and large) and their place within it, and what resources are available to them as writers who don’t live in a metropolitan area.
A poet explores the struggle to balance his roles as writer, educator, and activist during the war in Gaza and the refusal of silence during a conflict that has killed tens of thousands of civilians.
Rejection of your work can be crushing, especially when the subject of your writing is personal. A writing teacher and book coach recounts her experience being guided and then stood up by an agent who expressed interest in her book.
Even though ChatGPT can replicate and regurgitate the texts it has consumed, it still lacks the unique inspiration that lived experience provides for writers. A teacher of creative writing puts the AI chatbot to the test.
The author of Sing Something True recounts the path to writing the memoir she was afraid to write, grieving her identity as a writer after rejection, and finding solace (and representation) after shifting focus away from publication.
The editor of The Best Short Stories 2022: The O. Henry Prize Winners sees translation as a way of putting a language back in movement by allowing the currents of different languages to mix and blend.
For two weeks in June, more than 15,000 writers from around the world commit to writing a thousand words a day as part of the annual 1000 Words of Summer project.
Advice on becoming a writer ignores the impact of motherhood—and fails to acknowledge the privileges of canonical writers. The author describes learning “to see art-making as a professional possibility” as a brown mother-writer.
The best-selling nonfiction author describes the craft lessons he drew from the false starts that paved the way for his debut novel, All the Secrets of the World.
The author reflects on finding a mentor in fellow literary outsider Lucia Berlin, long before Berlin’s fame.
The author examines her personal relationship to the professional work of translation, forms of responsibility unique to the genre, and the complex notion of translation as a labor of love.
The author of The Step Back offers strategies for short-story writers trying to draft a novel for the first time and shares how a new approach—aiming to pen a thousand pages—led to his first novel.
The poet and essayist reflects on writing during the pandemic and its impact on her creative life and relationship with the writing community.
The author finds solace in rereading George Saunders’s novel, Lincoln in the Bardo, while mourning the death of her father during the pandemic.
The effects of social media on the creative process—although it can help writers identify and pay attention to the quotidian moments of their lives, does it siphon off their storytelling energy?
The author of the novel Goodnight Stranger reflects on her writing career and the cultural myths about success, youth, and appearance that women writers must navigate.
The author reflects on what he’s learned about writing and life from attending readings for the past twenty-five years.
Follow three Philadelphia writers as they join a community of more than three hundred thousand writers participating in NaNoWriMo, a challenge to write a fifty-thousand-word novel during the month of November.
How do you handle research? How indebted do you feel to stick to the historical record? Two novelists discuss their experiences researching, imagining, and depicting earlier times.
Contributors to the anthology Indelible in the Hippocampus discuss some of their thoughts on the current state of the #MeToo movement and their experiences writing on the topic.
We return to certain novels not only to be enchanted and inspired, to be transported out of ourselves, but also to know ourselves more deeply.
The author reflects on his growing collection of books and what it shows about his life as a reader and writer.
