Ten Questions for Jade Chang

“I think I’m a natural maximalist, and I still enjoy orchestrating a complex, layered scene or sentence, but I often found myself paring down versus building up.” —Jade Chang, author of What a Time to Be Alive
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“I think I’m a natural maximalist, and I still enjoy orchestrating a complex, layered scene or sentence, but I often found myself paring down versus building up.” —Jade Chang, author of What a Time to Be Alive
Writing a book is a daunting challenge—but the texts we know and love can help. A nonfiction writer describes how a methodically organized spreadsheet of favorite quotes aided her journey from proposal to finished memoir.
In the poetry collection I Imagine I Been Science Fiction Always, Douglas Kearney shatters traditional expectations by transforming images and texts into dynamic conversations about Black identity, personhood, and art.
Drawing strength from traditions of moving across the land, a poet describes the joy and presence of mind that driving brings. Without the constant pull of screens, the road opens up an ideal space for creation.
Residency programs at the homes of famous writers offer both the luxury of space and time to write and deep immersion into a literary hero’s everyday world, often providing newfound clarity and insight into ongoing work.
What does it mean to truly let loose as a writer? The author of I’m Not Hungry but I Could Eat urges us to lean into the fire and pressure head-on, to let everything out on the page and offer it up to the world.
Inspired by the bioluminescence of the anglerfish, the author of Something New Under the Sun encourages writers to furnish their own light and plumb the unknown depths of their text with the hunger of a deep-sea predator.
Taking inspiration from a creature of the summer, a seasoned writer suggests a few approaches to stimulate, refresh, and gather your thoughts for the next stage of writing and spark your imagination with play.
Many things bring light; some bring just enough to keep the monsters at bay. When ideal circumstances are scarce, focus on the dim, constant light that helps you get the work done, even if it comes from an unusual source.
Writing and revising often seem to hinge on bringing new possibilities into focus. A poet considers the camera obscura as a metaphor for how an inversion of the light can transform and attune us to the moment.