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In The Furrows, Namwali Serpell draws readers into the roiling nature of grief in a powerful narrative that explores memory, loss, and Black identity without resting on what she calls the “meaningless platitude” that art promotes empathy.
Created in response to social uprisings and the pandemic, Lampblack offers direct aid and community to Black writers and publishes an annual magazine that furthers Black literature.
MacArthur Fellow Hanif Abdurraqib talks about his new position at the independent press, the relationship between writer and editor, and the abundant talents of the Black literary community.
“In the mornings—or when I roll over from a dream—there’s only God and me talking to each other.” —Honorée Fanonne Jeffers, author of The Love Songs of W. E. B. Du Bois
A series of books, edited by Erica Vital-Lazare and published by McSweeney’s, shines a light on Black literature that was previously overlooked or underappreciated.
“Do the hard stuff first.” —Kaitlyn Greenidge, author of Libertie
The author of Anodyne prioritizes joy in her poetics.
Kimberly Drew and Jenna Wortham’s book, Black Futures, comprises more than five hundred pages of poetry, artwork, memes, essays, and lyrics from Black artists.
Ten years after her debut story collection was published, Danielle Evans returns with her second book, The Office of Historical Corrections, a timely reckoning with, among other things, America’s history of racialized violence.
Dr. Gloria House, a longtime editor at Broadside Lotus Press, discusses the publisher’s future and role in the literary community.
