The Long and Rolling Line
The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
Jump to navigation Skip to content
The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
The author of Ocean of Clouds (Knopf, 2025) considers the benefits of planning elements of a poem before its composition.
The author of Ocean of Clouds (Knopf, 2025) reflects on the practice of poetry as one of both composition and listening.
The author of Bright Fear (Faber & Faber, 2023) and Flèche (Faber & Faber, 2019) considers what it means to estrange a familiar motif in one’s writing.
“At a certain point, you just have to make that shift into the difficulty head-on. You have to hit it.” —Emily Wilson, author of Burnt Mountain
The author of Bright Fear (Faber & Faber, 2023) and Flèche(Faber & Faber, 2019) reflects on how queer traces in literature can open doorways of possibility.
Based in Grinnell, Iowa, and motivated by a mission to support reforestation, Green Linden Press publishes around six titles per year and donates a portion of its proceeds to environmental efforts.
In her latest poetry collection, The Natural Order of Things, out now from Graywolf Press, Donika Kelly celebrates joy as a simple yet radical means of resisting despair.
New publishing lines, reading series, symposia, and magazine partnerships are springing up in Dallas with support from SMU’s Project Poëtica.
The translator of Ye Hui’s The Ruins highlights journals that embraced his translations, including Asymptote and Copihue Poetry.