Foreign Objects 2: Seams and Borders
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
Tags:
Tags: poetry
Foreign Objects 1: What’s This Doing Here?
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.
Tags:
Ten Questions for July Westhale
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
Tags:
Ten Questions for Lisa Fishman
“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
Tags:
Poetry Is Always in Season: A Conversation With the Anonymous Curator Behind @poetryisnotaluxury
The person behind the viral Instagram account @poetryisnotaluxury talks about their approach to selecting poetry for a digital platform versus a print anthology, the value of anonymity, and more.
Tags:
Undocupoets Turns Ten
In the past decade, the Undocupoets advocacy organization has greatly increased undocumented poets’ visibility as meaningful voices in American poetry. The group plans to push forward in community against the difficulties to come.
Tags:
Small Press Points: Conduit Books & Ephemera
Publishing two poetry books a year, Conduit Books shares the quirky aesthetic of its journal counterpart, Conduit. The press seeks work that is innovative, honest, and sincere, bringing people to poetry and rumination.
Tags:
Who’s In and Who’s Out: Crafting Poetry Submission Packets
Curating and sequencing your poems with intention can positively affect the outcome of your submission. Contest organizers and judges offer four guiding points as you assemble your poetry packet.
Tags:
On Trauma and Taking Good Care
Author Jehanne Dubrow recommends rituals to help protect yourself when writing about trauma.
Tags:
Ten Questions for Keetje Kuipers
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
Tags:
Pages
