Ten Questions for July Westhale

“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
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“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
The person behind the viral Instagram account @poetryisnotaluxury talks about their approach to selecting poetry for a digital platform versus a print anthology, the value of anonymity, and more.
Publishing two poetry books a year, Conduit Books shares the quirky aesthetic of its journal counterpart, Conduit. The press seeks work that is innovative, honest, and sincere, bringing people to poetry and rumination.
Curating and sequencing your poems with intention can positively affect the outcome of your submission. Contest organizers and judges offer four guiding points as you assemble your poetry packet.
In the past decade, the Undocupoets advocacy organization has greatly increased undocumented poets’ visibility as meaningful voices in American poetry. The group plans to push forward in community against the difficulties to come.
Author Jehanne Dubrow recommends rituals to help protect yourself when writing about trauma.
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
“Write one poem at a time and resist knowing where you are going.” —Arthur Sze, author of Into the Hush