Literary MagNet: Mira Rosenthal
The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
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The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
The new editor of the Princeton Series of Contemporary Poets discusses the power of the written word, the importance of university presses, and his plans to leave no manuscript unturned.
The first lines of a dozen noteworthy books, including Down Here We Come Up by Sara Johnson Allen and Good Women by Halle Hill.
The poet discusses erasure as process and metaphor, how she spent six years turning a report on police racism into poetry, and the inspiration of wild animals.
After more than two decades, the prestigious Griffin Poetry Prize will no longer divide its award into Canadian and international categories, drawing mixed responses from the Canadian literary world.
A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.
In her new Planetaria series, artist Monica Ong crafts visual poems in the form of objects that prompt the audience to experience poetry through the lens of astronomy.
A look at three new anthologies, including Between Paradise and Earth: Eve Poems and The Language of Trees: A Rewilding of Literature and Landscape.
The first lines of a dozen noteworthy books, including Any Other City by Hazel Jane Plante and Thinning Blood: A Memoir of Family, Myth, and Identity by Leah Myers.