The poet and essayist reflects on writing during the pandemic and its impact on her creative life and relationship with the writing community.
Big Five and indie book publishers have recently increased entry-level salaries. Will it make the industry more accessible to BIPOC professionals?
The author of I Do Everything I’m Told explores the nuances of writing at the intersection of sex, love, queerness, and race.
“Get out of the way of the writing. Don’t make it precious. Sit down and get to it.” —Roger Reeves, author of Best Barbarian
“It’d be easier for me to stop talking than to stop writing.” —Tochi Onyebuchi, author of Goliath
In his first nonfiction book, How the Word Is Passed, published in June by Little, Brown, poet and scholar Clint Smith delves into the legacy of slavery alive in the monuments and landmarks within and beyond the United States, in an immersive read that exquisitely depicts how a nation and its inhabitants remember its history.
Poet Aracelis Girmay discusses her new position as editor-at-large of the Blessing the Boats Selections, a set of poetry books written by women of color and published by BOA Editions.
The author considers how race is discussed in MFA versus literature PhD programs and argues that the MFA—and the literary culture and community it props up—is due for a reevaluation.
Jafreen Uddin, the new executive director of the Asian American Writers’ Workshop, discusses her vision for the organization, which has been the de facto home for Asian American writers for nearly thirty years.
Two of the most dynamic poets writing today, both with new collections out, explore issues of poetry and craft, aesthetics and language, luxury and yearning, drag and systematic repression.