Writers’ History Lessons
The Depression-era Federal Writers’ Project enlisted writers to tell a nation’s stories. Now the People’s Recorder podcast explores the history of the project and its continued relevance.
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The Depression-era Federal Writers’ Project enlisted writers to tell a nation’s stories. Now the People’s Recorder podcast explores the history of the project and its continued relevance.
The best historical fiction “vibrates with a past that is in the present” and reveals the unseen in stories thought we knew—craft skills any writer can bring to their work.
“Just tell the truth.” —Kiran Bath, author of Instructions for Banno
“The task of the novelist, I think, consists of treating life as a research project.” —Nicolás Medina Mora
“Look for the agents and editors who share your vision for the work and trust them.” —Jennifer Savran Kelly, author of Endpapers
“I was writing this hybrid lyric thing that was hard to fall into a rhythm with at first.” —Claudia Acevedo-Quiñones, author of The Hurricane Book: A Lyric History
“I have to fight for every word, then fight to let them go.” —Vievee Francis, author of The Shared World
The author of What Can I Tell You?: Selected Poems examines poetic approaches to narrative.
“I like taking risks.” —Joy Castro, author of One Brilliant Flame
“There’s space for your story.” —E. M. Tran, author of Daughters of the New Year