writing practices

The author of Anodyne envisions a new writing practice inspired by the natural world.

Ten writers, including Brandon Taylor and Kate Zambreno, share the best writing advice they’ve ever heard.

When I stepped off the plane in Aspen, Colorado, in June 1997, I found a 60-year-old Hunter S. Thompson waiting for me in a convertible Cadillac blasting Norman Greenbaum’s “Spirit in the Sky” at full volume. I was terrified; he was giddy. He was playing the song because it was a part of the soundtrack put together for the film version of Fear and Loathing in Las Vegas that was scheduled to hit theaters the following summer, and he could not have been happier.

With over sixty books published during a career that spans more than half a century, Robert Creeley is one of the most prolific and influential figures in American poetry. This month New Directions is publishing Just in Time: Poems 1984-1994, which collects three of Creeley’s previous books.

“I am annoyed when I’m reading through the 16th century and come across underwear that did not exist,” said Margaret Atwood, who explained to a standing-room-only crowd at the Village Voice bookstore in Paris why she’s a stickler for historical accuracy in her work.

Two novelists discuss the pleasures of reading and writing quiet books. 

A writer learns that letting go of the need for perfectionism and allowing the creative impulse to guide the mind fluidly and freely can revitalize the practice of writing.