Copy and Paste: On Poetic Theft
The author of Yaguareté White considers the ethics of found poetry.
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Tags: writing practices
Ten Questions for Cindy Juyoung Ok
“I thought a book could be carved out of a block of poems, but instead it had to start from blank space.” —Cindy Juyoung Ok, author of Ward Toward
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Naming the Apophatic: The Poetics of Not Knowing
The author of Yaguareté White contemplates how to approach writing in multiple languages.
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Ten Questions for Tomás Q. Morín
“For every book, different literary angels perch on my shoulder.” —Tomás Q. Morín, author of Where Are You From: Letters to My Son
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Ten Questions for Phillip B. Williams
“I would write the scene and shake my head in disbelief that a character wanted to do that.” —Phillip B. Williams, author of Ours
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Crayoned Fire: In Praise of Book-Length Poems
The author of Midwhistle explores the power of the epic poem.
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Ten Questions for Omotara James
“Your instinct to wait to publish is right. You only get one debut.” —Omotara James, author of Song of My Softening
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What Herbie Hancock Taught Me About Formal Poetry
The author of Midwhistle contemplates the common ground between jazz music and poetry.
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Ten Questions for Margot Livesey
“The computer I write on is never allowed to go online.” —Margot Livesey, author of The Road From Belhaven
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Approaches to Titling Your Poem
The author of Midwhistle considers how a poem’s title can frame, deepen, or complicate the reader’s experience of it.
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