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Novelist and graphic designer Peter Mendelsund describes embracing imperfection through the creative practice of painting, including using his nondominant hand, smearing the paint with a trowel, and flipping the canvas.
The author of The Story Game, a debut memoir, introduces some of the journals that helped her explore the interplay between memory and storytelling, including So to Speak and Colorado Review.
“Sometimes it’s better to lean into your strengths instead of trying to make up for your weaknesses.” —Melissa Mogollon, author of Oye
The author of Yaguareté White considers the ethics of found poetry.
The author of fox woman get out! explores the connections between poetry and dance.
The Worldbuilding Initiative, a new public-facing program at Arizona State University, uses ideas and skills from creative writing to encourage participants to take an active role in imagining a more equitable and sustainable future.
The author of Mistaken for an Empire: A Memoir in Tongues offers an approach to critically engaging with a colonialist literary canon.
The author of Mistaken for an Empire: A Memoir in Tongues considers how archival photography can provide a rich source for literary and sociopolitical inquiry.
The author of Mistaken for an Empire: A Memoir in Tongues explores how formal experimentation and play can help move a writing project forward.
“Let your sense of language dawn of its own accord.” —Will Alexander, author of Divine Blue Light: For John Coltrane
