experimental

Wood Coin Magazine: Art & Lit

Basic Information
General Delivery
Vancouver
Washington
United States
98661
Contact Information
James K.
Beach
Editor & Publisher
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2008
Percentage of Unsolicited Submissions Published: 
Greater than 50
Representative Authors: 
<p>AnnyNymity, Elena Botts, Patrick Dobson, Hugh Fox, Colin Dodds, Dirk van Nouhuys, Christine Herzer, Michael t smith, Ruth Lepson, Changming Yuan, Carol Berge, Simon Perchik, XeusZenon, Hugh Fox, Jose Oseguera, Mutahira Moqueet, Felino A Soriano, Robert Masterson, T S Hidalgo, James Beach (contrib. ed./pub.)</p>
Issues per Year: 
Varies.
Circulation: 
5,000 to 10,000
Subscription Price: 
Online.
Issue Price: 
Free.
Number of Debut Authors per Issue: 
Varies.

The issues are cohesive; the whole of the magazine is comprehensive.

Submit anything, from new to almost-forgotten, previously published if noted in an email, or rejected for whatever reason from other venues. I do work with talented writers if a theme or plot or character can be drawn out and refined for publication in Wood Coin. The magazine is uncensored as of January 2018, yet extreme literary or artistic stunts need to coincide with US obscenity laws.

Oulipian Feats: Postcard from New York City

by
Jean Hartig
4.8.09

On April 1 I had the joy of being in the audience at the New School in New York City for a reading by six poets of the Oulipo, or Ouvroir de littérature potentielle (“workshop of potential literature”), a writers group founded in France in 1960 by writer and mathematician Raymond Queneau and scientist François Le Lionnaisnown.

Kenneth Patchen Award

Journal of Experimental Fiction
Entry Fee: 
$25
Deadline: 
July 31, 2019

A prize of $1,000 and publication by Journal of Experimental Fiction/Depth Charge Publishing is given annually for an innovative novel. Jason E. Rolfe will judge. Submit a manuscript of any length with a $25 entry fee by July 31. Visit the website for complete guidelines.

An Interview With Poet Cathy Park Hong

by
Joshua Kryah
7.11.07

Cathy Park Hong is a poet interested in the porous boundaries between languages and cultures. In her newest collection, Dance Dance Revolution (Norton, 2007), winner of the 2006 Barnard Women Poets Prize, Hong creates a poem sequence that takes place in a future city called the Desert. It is in this tourist town, modeled on the likes of Las Vegas and Dubai, that Hong introduces the Guide, an amalgam of new and extinct English dialects, Korean, Latin, Spanish, and other miscellaneous pidgins. Acting as the reader's escort, Hong uses the Guide to address the issues of identity, both personally and geographically, in an increasingly globalized world.

Can Flarf Ever Be Taken Seriously?

by
Shell Fischer
7.1.09

Almost a decade after its creation, the experimental poetry movement Flarf—in which poets prowl the Internet using random word searches, e-mail the bizarre results to one another, then distill the newly found phrases into poems that are often as disturbing as they are hilarious—is showing signs of having cleared a spot among the ranks of legitimate art forms.

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