Hybrid Writing and the Story Without an Ending
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture ongoing stories without neat endings.
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The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture ongoing stories without neat endings.
For more than ten years, Meekling Press has been producing artist books, blending text and visual design to make unique literary-art objects with a playful punk sensibility.
A look at two new anthologies, including Here to Stay: Poetry and Prose From the Undocumented Diaspora, edited by the writer-activists of Undocupoets.
At a time when the writing world faces serious challenges, the coauthored novel Fourteen Days brings together thirty-six noted writers to raise money for the Authors Guild and its battle against book bans and copyright infringement.
A collaboration between three literary organizations, the International Library is a new initiative presenting live conversations about literature in translation while connecting transnational audiences.
A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.
The Worldbuilding Initiative, a new public-facing program at Arizona State University, uses ideas and skills from creative writing to encourage participants to take an active role in imagining a more equitable and sustainable future.
In partnership with the Academy of American Poets, the Guggenheim is refreshing its connection to poetry with a poets-in-residence program, through which the museum is reimagining its offerings to engage the community with verse.
The author of [WHITE] explores how writing outside one’s primary genre can lead to literary breakthroughs.
“Thinking is really about 90 percent of the work.” —James Hannaham, author of Pilot Impostor