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Los Angeles press Write Bloody Publishing releases books by “troubadour poets” who can command the stage as well as the page. “We love getting knocked on our asses by honesty,” says Write Bloody founder Derrick C. Brown.
For more than a decade the nonprofit publisher Nomadic Press has accepted “invitations” to collaborate with writers in an effort to cross boundaries geographically, philosophically, and creatively.
Black Lawrence Press’s Immigrant Writing Series was launched in response to a lack of book-publication options for immigrant writers, whose unique perspectives might not resonate with nonimmigrant editors.
Seven Kitchens has cultivated a diverse roster of writers through the fifteen or so chapbooks it publishes each year, including through its eight chapbook series, each appealing to a different community.
Each no bigger than a deck of cards, rinky dink’s “micro zines” aim to “get poetry back in the hands (and pockets) of the people” and make the genre more accessible.
Two University of Baltimore MFA students founded the small press that publishes poetry, fiction, nonfiction, and hybrid work, and as well as a podcast and literary magazine.
After a period of transition, the Fayetteville, New York, press will begin a new chapter with a focus on publishing poetry in translation from contemporary writers.
Since 2015 this indepedent press in Richmond, Virginia, has been championing “offbeat books” of poetry and lyrical nonfiction by queer and trans writers.
The small press in Blue Hill, Maine, savors close relationships with its writers and publishes three paperback books and six handmade chapbooks annually.
The nonprofit press in Asheville, North Carolina, publishes eight poetry, fiction, and nonfiction books a year with a mission to bring an inclusive ethos to books illuminating “the life of the spirit.”
