Five Fantastic Presses for Chapbooks
Writers looking to place their prose and poetry chapbooks will find committed advocates and caring editors at indie publishers including Cooper Dillon Books and Black Lawrence Press.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Writers looking to place their prose and poetry chapbooks will find committed advocates and caring editors at indie publishers including Cooper Dillon Books and Black Lawrence Press.
The author of American Harvest: God, Country, and Farming in the Heartland identifies exemplary journals publishing nonfiction, where editors seek “a novel point of view, a voice willing to confront the true uncharted territory of the imagination.”
The author of How to Submit: Getting Your Writing Published With Literary Magazines and Small Presses names top journals offering visibility, community, and meaningful pay to poets.
The author of the collection What We Fed to the Manticore highlights homes for short fiction that embrace new talent, spark dynamic conversations, and live the values of inclusion and representation.
The editor of Diagram highlights five literary magazines with unexpected ambitions, including a celebration of sentence-long narratives and a journal dedicated to revenge.
An agent at Trellis Literary Management offers nuanced advice to writers on approaching literary magazine publication, including how much these credits matter in a query letter and which writers benefit most from such exposure.
Time well-spent in grad school means “learning to labor in language in such a way that you’ve made yourself worthy of the next labor.”
Use your essay to answer the question: Devoting two years to writing can be a dream come true, but why is it your dream?
Faculty, program type, format, and size are just a few of factors to consider when finding a school that suits who you are as a writer.
Keep it simple, or do like Nora Ephron and consider what defines you.
Carrying a stroller down the subway steps is a good use of your time; doomscrolling and social media are not. Fight for time for the things you love and put your writing at the top of that list.
Your internet obsessions can become your writing’s obsessions; allow those passions to animate your book.
Monthly deliveries of a perfect roast, strongly brewed, may be nearly as important as the companion who introduces them to you.
Clever use of the software’s Headings tools can make even the most beastly manuscript easier to wrangle.
Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
A writing degree’s worth lies in early readers met, sacred hours at the desk, life-changing books, and deep community.
When feeling beaten by your manuscript, come back to the page with humility and curiosity, and remember the ways that this work feeds you.
Remember the value of time, expertise, and talent—and that you, too, should be invested in your work.
Find your social buoys, practice your talking points, and if all else fails, return to the topic of shoes.
It’s a stranger time than ever to exist online. An experienced agent at Frances Goldin advises anxious writers to focus on craft and not let cultivating an online following get in the way of writing the strongest manuscript possible.
Drawing on recommendations from industry veterans, one of our senior editors interviews six agents who reflect the best of a new cohort of talent, each with a vision for evolving the industry and a profound investment in their writers.
The range of potential agents can feel overwhelming to someone just starting out; a senior agent at the Transatlantic Agency shares her tips for connecting with someone who will stand by your work with commitment and thoughtfulness.
Artificial intelligence has irrevocably changed the paradigm of publishing. A journalist and editor speaks to agents about their thoughts on AI in a professional context, raising questions about contracts, rights, and the nature of art.