How to Make the Most of Your Time in an MFA

Time well-spent in grad school means “learning to labor in language in such a way that you’ve made yourself worthy of the next labor.”
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Time well-spent in grad school means “learning to labor in language in such a way that you’ve made yourself worthy of the next labor.”
Remember the value of time, expertise, and talent—and that you, too, should be invested in your work.
Clever use of the software’s Headings tools can make even the most beastly manuscript easier to wrangle.
Keep it simple, or do like Nora Ephron and consider what defines you.
Faculty, program type, format, and size are just a few of factors to consider when finding a school that suits who you are as a writer.
When feeling beaten by your manuscript, come back to the page with humility and curiosity, and remember the ways that this work feeds you.
Your internet obsessions can become your writing’s obsessions; allow those passions to animate your book.
Use your essay to answer the question: Devoting two years to writing can be a dream come true, but why is it your dream?
Find your social buoys, practice your talking points, and if all else fails, return to the topic of shoes.
Monthly deliveries of a perfect roast, strongly brewed, may be nearly as important as the companion who introduces them to you.
Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
Carrying a stroller down the subway steps is a good use of your time; doomscrolling and social media are not. Fight for time for the things you love and put your writing at the top of that list.
A writing degree’s worth lies in early readers met, sacred hours at the desk, life-changing books, and deep community.
Drawing on recommendations from industry veterans, one of our senior editors interviews six agents who reflect the best of a new cohort of talent, each with a vision for evolving the industry and a profound investment in their writers.
The range of potential agents can feel overwhelming to someone just starting out; a senior agent at the Transatlantic Agency shares her tips for connecting with someone who will stand by your work with commitment and thoughtfulness.
Artificial intelligence has irrevocably changed the paradigm of publishing. A journalist and editor speaks to agents about their thoughts on AI in a professional context, raising questions about contracts, rights, and the nature of art.
It’s a stranger time than ever to exist online. An experienced agent at Frances Goldin advises anxious writers to focus on craft and not let cultivating an online following get in the way of writing the strongest manuscript possible.
Writing contests that accept excerpts as short-form prose can help you keep up the momentum during the long journey to book publication. Contest winners and other experts share what it takes to create an attention-grabbing excerpt.
Curating and sequencing your poems with intention can positively affect the outcome of your submission. Contest organizers and judges offer four guiding points as you assemble your poetry packet.
When your work is being judged with all identifying information removed, an artist statement enables you to share who you are as a writer, your motivation, and your influences—creating a map from your now to a dreamed-of future.
This summer’s notable opportunities celebrate new talent, amplify marginalized voices, and push boundaries. Our editors take you behind the scenes to see how these contests are run, who they serve, and why they do what they do.
Drawing strength from traditions of moving across the land, a poet describes the joy and presence of mind that driving brings. Without the constant pull of screens, the road opens up an ideal space for creation.
Tired of waiting for an acceptance? The ingredients for a magical retreat are readily available to all of us outside the strictures of a space someone else is hosting—and at the place, time, and budget of our choosing.
Gatherings like the Heart of It are part of a boom in writer-run retreats and workshops that serve as homegrown alternatives to established retreats, addressing a need for kinship, in-person community, and mentorship.