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Flower Conroy’s elaborate three-dimensional installations, fashioned from found and crafted objects, masterfully evoke the spirit of each book the artist chooses and carefully communicate her reverence for literature.
Publishing around half a dozen novellas, poetry collections, and graphic novels yearly, Driftwood Press resists narrowing itself to a specific niche; instead, the press is defined by its diversity in stories, styles, and perspectives.
Write a poem about the pains and pleasures of cold weather, a short story that brings together an unexpected series of events, or an essay that contemplates companionship.
Every poetry collection has its “maybes” and “almosts,” the poems that didn’t make it to publication. A debut poet considers the poems that haunt a book from the outside.
For Mosab Abu Toha, whose entire life and body of work, including his new collection, Forest of Noise, have been shaped by war, poetry is a way for all of us to document, to try to understand, and to act in times of suffering.
For more than ten years, Meekling Press has been producing artist books, blending text and visual design to make unique literary-art objects with a playful punk sensibility.
The Odesa Poetry Studio is a free program that creates space for children to gather, write poems, and share their work with one another, validating their voices and feelings as they live through ongoing war.
Founded seventeen years ago to support poetry from the Pacific Northwest, Airlie Press is a nonprofit publisher guided by a unique rotating editorial board of poets from Oregon, Washington, and Idaho.
The author of With My Back to the World talks about the importance of staying true to who we are while allowing the writing to tell us where to go, and how she views her work as a mapping of her changing mind and perception.
The first lines of a dozen noteworthy books, including There’s Always This Year: On Basketball and Ascension by Hanif Abdurraqib and Glitter Road by January Gill O’Neil.
