Lit Mag Changes Exploitative Name
The Fall 2022 issue of Crazyhorse will be the last under a name that the editors now recognize as a “longstanding appropriation of Lakota culture.”
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Identity
Vision Loss and the Ekphrastic Novelist: Revising My Identity as a Writer
Faced with two separate causes of potential vision loss, an author reconsiders her identify as a “visual writer,” which has been integral to her mode of creating.
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How It Felt: A Profile of Namwali Serpell
In The Furrows, Namwali Serpell draws readers into the roiling nature of grief in a powerful narrative that explores memory, loss, and Black identity without resting on what she calls the “meaningless platitude” that art promotes empathy.
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Craft Capsule: Bisexuality on the Page
The author of I’m Not Hungry but I Could Eat shares the evolution of his thinking on how to represent bisexuality and queerness in fiction.
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Craft Capsule: Self-Deprecating Humor
The author of With Teeth writes that her affinity for self-deprecating humor is inextricable from her queerness.
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Craft Capsule: Against Universality, in Praise of Anger
The author of When I Grow Up I Want to Be a List of Further Possibilities embraces and develops a queer Asian American poetics.
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Ten Questions for Destiny O. Birdsong
“There are so many ways.” —Destiny O. Birdsong, author of Negotiations
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Craft Capsule: Lyric vs. Narrative
The author of RENDANG blurs the boundary between narrative and lyric.
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Ten Questions for Kimberly Reyes
“Maybe we are all just a bit frazzled with the state of the world today, but it’s not always easy to sit and focus. When I do find time to write, it’s like I’m back to myself. I’m back home.” —Kimberly Reyes, author of Running to Stand Still
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First: Javier Zamora’s Unaccompanied and Erika L. Sánchez’s Lessons on Expulsion
Poets Javier Zamora and Erika L. Sánchez, both from immigrant families, experienced many hardships and uncertainties throughout their lives. Now, with the publication of their debut collections, they consider their stories, successes, and chosen paths.
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