“There are so many ways.” —Destiny O. Birdsong, author of Negotiations
The author of RENDANG blurs the boundary between narrative and lyric.
“Maybe we are all just a bit frazzled with the state of the world today, but it’s not always easy to sit and focus. When I do find time to write, it’s like I’m back to myself. I’m back home.” —Kimberly Reyes, author of Running to Stand Still
Poets Javier Zamora and Erika L. Sánchez, both from immigrant families, experienced many hardships and uncertainties throughout their lives. Now, with the publication of their debut collections, they consider their stories, successes, and chosen paths.
Warren Wilson College’s low-residency MFA program is taking strides to address questions of diversity, having started a conversation among faculty and students about the intersection of race, culture, and craft in the MFA landscape.
The Asian American Writers Workshop rings in its twenty-fifth year at the forefront of the movement to diversify the publishing industry, and to provide advocacy, education, opportunity, and visibility to Asian American poets and writers.
Steph Burt, acclaimed critic, poet, and Harvard professor, talks about their path to becoming a poetry critic, working as both a poet and a critic, and how the internet has greatly expanded the conversations surrounding poetry and poetics.
William Giraldi, whose new memoir, The Hero’s Body, was published in August, talks with Sven Birkerts, the author of the memoir My Sky Blue Trades and The Art of Time in Memoir, about the artful craft and contradictions of a misunderstood genre.
Nikki Giovanni on the fortieth anniversary of Pulitzer Prize–winning novel Roots; writers petition against Donald Trump; the inaugural Little Free Library Fest; and other news.
VIDA: Women in Literary Arts releases 2015 VIDA Count; an interview with Los Angeles poet laureate Luis J. Rodriguez; a field report of Shakespeare’s First Folio cross-country tour; and other news.