The author of When I Grow Up I Want to Be a List of Further Possibilities embraces and develops a queer Asian American poetics.
“Subtlety can be a form of authority.” —Simon Han, author of Nights When Nothing Happened
The author of When I Grow Up I Want to Be a List of Further Possibilities traces his origins as a poet.
“I had a substantially different version of this book that just wasn’t working, scrapped it, did that again, and then the third time was a charm.” —Charles Yu, author of Interior Chinatown
In her second novel, Julie Otsuka returns to the chapter in Japanese American history that captured the attention of so many fans of her debut: the relocation camps of World War II.
Studying poetry under J. D. McClatchy; Samuel Taylor Coleridge’s remains rediscovered in a wine cellar; the Restoration’s filthiest poet; and other news.
The Pulitzer Prize winner offers his personal perspective on the idea of “home” in his foreword to Go Home!, a new anthology of fiction, memoir, and poetry by Asian diasporic writers.
Launched in February, the New York–based organization Singapore Unbound supports Singaporean writing and cross-cultural literary exchange through a reading series, an annual literary festival, and a book review blog committed to promoting independent publishers and writers of Singaporean heritage from around the world.
Cathy Park Hong is a poet interested in the porous boundaries between languages and cultures. In her newest collection, Dance Dance Revolution (Norton, 2007), winner of the 2006 Barnard Women Poets Prize, Hong creates a poem sequence that takes place in a future city called the Desert. It is in this tourist town, modeled on the likes of Las Vegas and Dubai, that Hong introduces the Guide, an amalgam of new and extinct English dialects, Korean, Latin, Spanish, and other miscellaneous pidgins. Acting as the reader's escort, Hong uses the Guide to address the issues of identity, both personally and geographically, in an increasingly globalized world.