Jump to navigation Skip to content
For the past thirty years, from the publication of his first novel, Mohawk, to his latest, Everybody’s Fool, a sequel to his beloved 1993 novel, Nobody’s Fool, Richard Russo, the Pulitzer Prize–winning “patron saint of small-town fiction,” has remained the same generous, optimistic, hardworking writer he’s always been, welcoming readers into his books and his heart.
Up to twenty awards of $5,000 each are given annually to poets, fiction writers, and creative nonfiction writers with children. Writers with at least one child under the age of 18 are eligible. Using the online submission system, submit up to 10 poems totaling no more than 15 pages or up to 15 pages of prose with a biography, an artist statement, a project statement, a curriculum vitae, and a $20 entry fee by February 28. Visit the website for the required entry form and complete guidelines.
It took Joyce Maynard twenty-five years of reflection, distance, and understanding before she was able to write her first memoir. But when tragedy struck later in life, her second memoir came much more quickly.
After the death of her mother, a writer considers the ways we increasingly write our own obituaries in this excerpt from The Art of Death, forthcoming from Graywolf Press.
After decades away, a decorated poet returns to his hometown in rural Wisconsin to read from a recent collection inspired by the very people he now finds himself addressing.
In a testament to the power of poetry in giving shape to complex emotions, a poet reflects on how writing his poetry collection, Dear Almost, helped him find shelter amidst the grief of a miscarriage.
With some help from Virginia Woolf, an author and Bread Loaf Camargo fellow discusses the complicated decision to leave her family for a month in order to attend a retreat in Cassis, France, and the necessity of finding one’s own space to create.
Poet Kay Ryan discusses her poem “Tree Heart/True Heart,” which she wrote following the death of her partner, Carol Adair, in early 2009—and how a scientific discovery led her to withdraw the poem from her latest collection, Erratic Facts (Grove Press, 2015).
A former United States poet laureate reflects on his career, and how his experiences of love, partnership, and aging helped shape the curatorial process for his newest collection.
