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A new Thomas Pynchon novel will be published this September; Nicholas Thompson reveals the magazine article origins of the Oscar-winning film Argo; nine free college-level writing and literature classes; and other news.
A dispute over the ownership of case files that informed Truman Capote’s In Cold Blood have cast doubts on the veracity of sections of Capote’s masterpiece; to mark the fiftieth anniversary of Sylvia Plath’s death, the Guardian asked several writers to comment on what Plath’s work means to them, including Jennifer Egan, Sharon Olds, and Lena Dunham; novelist Caroline Leavitt shares a tale of love lost and found, and a pet tortoise named Minnie; and other news.
Reagan Arthur has been named the next publisher of Little, Brown; David L. Ulin discusses the newly-published work of New Yorker legend Joseph Mitchell; novelist Alix Ohlin considers the intricate relationship between male writers and female readers; and other news.
James Lasdun details how it feels to be stalked by a former MFA student; Ms. magazine lists its favorite books of poetry by women for 2012; David Sedaris explains why he allowed a film adaptation of his essay “C.O.G."; and other news.
Independent bookstores may now sell Kobo tablets; Joel Lovell profiles master storyteller George Saunders in this weekend's New York Times Magazine; H. P. Lovecraft's advice to young writers; and other news.
Publishers Weekly reports independent bookstores experienced a rise in sales over the holidays; editor Christian Wiman announced he is leaving his position at Poetry magazine; the Review Review offers an easy five-step guide to submitting your writing; and other news.
Mira Ptacin visits author E. B. White's Maine hideaway; CAConrad's best of the small press list for 2012; Octopus Books and Tin House Books will collaborate on a new poetry series; and other news.
Contributing editor Michael Bourne highlights the trend of family-run indie presses and explores how the editors champion innovative authors whose work is often considered by commercial publishers to be unmarketable.
After navigating a devastating crisis, husband-and-wife poets Craig Morgan Teicher and Brenda Shaughnessy reflect on the fortifying powers of poetry and their commitment to their marriage and one another’s work.
After reading about one famed writer’s seemingly carefree existence, novelist Jesse Browner ruminates on his personal decision to forego the romanticized bohemian life and contemplates every writer’s choice to pursue the trade-offs writers face between artistic aspirations or financial security.
