An agent representing authors such as CJ Hauser and Cecily Wong answers questions about writing in multiple genres, agents’ fees, and publishing work in online journals.
Article Archive: The Practical Writer
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The agent of authors such as Diana Nyad and Herman Wouk answers questions about self-publishing, age restrictions, and working with an agent remotely.
Contributing editor Jeremiah Chamberlin looks at how Michael Gustafson and Hilary Lowe are building a literary life—and a bookstore—in Ann Arbor, Michigan.
Chris Parris-Lamb of the Gernert Company offers advice on submitting query letters and manuscripts, and when to embrace or eschew self-promotion.
Lucy Carson of the Friedrich Agency discusses e-book publishing, when to send a sample to an agent, and more.
Literary agent Matt McGowan, who represents Eula Biss, John D’Agata, Brian Evenson, and many others, answers writers’ most commonly asked questions.
Charlene Oldham, a freelance writer and professor of journalism and business communications, offers advice to writers about how to use Pinterest to connect with and inspire readers.
Gigi Rosenberg provides crowdfunding tips for writers looking to raise money for research trips, workshops, and publication.
Literary agent Rebecca Gradinger explains why writers need agents and offers tips about best practices for finding one.
After a hotly contested auction among ten major publishers, twenty-eight-year-old Claire Vaye Watkins’s debut story collection, Battleborn, has arrived.
Fiction writer Jami Attenberg shares her experience using social-media platform Tumblr and offers advice to authors who want to get started themselves.
Three authors who followed very different paths to publication in 2011 speak about what they learned after their books were published, including hard lessons about publicity and reviews, readings and events, and advertising and sales.
Three author friends who took different paths to the publication of their debut books—via commercial press, independent press, and self-publishing outfit—compare notes about everything from working with an editor and choosing a cover to marketing and publicity.
The agent of Jami Attenberg, David Mitchell, Carolyn Parkhurst, Matthew Quick, and others offers guidance about publishing credits, MFA programs, and unagented submissions.
Geoffrey Bartholomew, poet and head bartender at McSorley’s Old Ale House, New York City’s famous saloon, reveals how he sold five thousand copies of his self-published poetry collection while pushing pints from behind the bar.
While other social networking sites are useful for playful community-building, LinkedIn provides a place for professional writers to focus on sincerity when creating connections.
Despite the recent collapse of book review sections in newspapers and magazines, the form is still thriving across a variety of venues, from web-savvy publications to local papers.
Public relations consultant Lauren Cerand offers tips for how to use Twitter to promote yourself and your writing, engage with your readers, and stay current on the publishing and literary scenes.
Public relations consultant Lauren Cerand offers tips for how to utilize Twitter, Facebook, blogs, and community Web sites to not only persuade a reader to buy a book, but to do it now.
Does your book need to be finished before you seek representation? Do agents really read synopses? Agent Jenni Ferrari-Adler, whose clients include Lauren Shockey and Emma Straub, answers these questions and more.
Gabriel Cohen, coordinator of Sundays at Sunny’s, one of New York City’s longest-running literary reading series, talks with John B. Thompson, author of Merchants of Culture: The Publishing Business in the Twenty-First Century, who demystifies the complexity of the book-publishing industry in the United States and in the United Kingdom.
Ordering a poetry collection requires the ability to see each poem from a distance as well as analyze the manuscript as a whole. The former executive editor of Alice James Books reveals her strategies for editing a strong book.
In the sixth installment of our series Inside Indie Bookstores, contributor Jeremiah Chamberlin travels to New York City to speak with Sarah McNally, owner of McNally Jackson Books.
When is the best time in your career to look for representation, and when should you call off an author-agent relationship? Terra Chalberg, whose clients include Lori Ostlund and Glenn Taylor, tackles these questions and more.
In the fifth installment of our series Inside Indie Bookstores, contributor Jeremiah Chamberlin travels to Denver to speak with Joyce Meskis, owner of Tattered Cover Book Store.