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Steph Burt, acclaimed critic, poet, and Harvard professor, talks about their path to becoming a poetry critic, working as both a poet and a critic, and how the internet has greatly expanded the conversations surrounding poetry and poetics.
New York Times Book Review editor Pamela Paul shares her insights on the ethical and practical challenges of being the head of the last of the stand-alone newspaper book review sections.
An author and book reviewer discusses both sides of the writer-critic divide.
The books editor at O, the Oprah Magazine discusses how she got her start in the literary world, the selection criteria behind Oprah’s Book Club picks, and her favorite books of the year.
In celebration of ten years, sixty-five million users, and sixty-nine million book reviews, a history of Goodreads—from its beginnings as a tool for readers to its growth into an important platform for book promotion.
The digital deputy editor of GQ discusses his Best Books of the Month feature and the state of diversity in publishing.
Poem by young Michael Jordan up for auction; poet Bill Berkson has died; James Patterson’s BookShots imprint sells thirty thousand copies in one week; and other news.
Jennifer Day, the editor of the Chicago Tribune’s Sunday books section, Printer’s Row Journal, discusses her commitment to assembling the best literary criticism on both the local and national level.
In the inaugural installment of our new feature, Reviewers & Critics, New York Times book reviewer Dwight Garner talks about his experience as a critic—the required credentials (or lack thereof), how to cut through the hype, the role of negative reviews, and more.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Edith Pearlman’s Honeydew and Rikki Ducornet’s The Deep Zoo, as the starting point for a closer look at these new and noteworthy titles.
