Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Night Owl by Aimee Nezhukumatathil and Frog: And Other Essays by Anne Fadiman.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The first lines of a dozen noteworthy books, including Night Owl by Aimee Nezhukumatathil and Frog: And Other Essays by Anne Fadiman.
Ahead of this year’s Independent Bookstore Day, a look back at last year’s controversy when Amazon surprised indie stores with a sale of its own.
Seven private foundations have forged a new partnership to support literary arts organizations amidst an increasingly precarious funding landscape.
Boa Editions celebrates a half century of independent publishing and releases a previously unpublished collection of Lucille Clifton’s poetry.
The prose writer Mandy-Suzanne Wong highlights journals that have published some of her surprising, emotive essays on mollusks including Digging Press Journal and Black Warrior Review.
Founded in 2012 and now based in Minneapolis, Trio House Press publishes twelve books of poetry and nonfiction annually and aims for its titles to build empathy and understanding.
The new executive director of the American Literary Translators Association (ALTA) discusses the role of translation in the literary landscape and exciting upcoming initiatives at ALTA.
Flash fiction writer Patricia Q. Bidar highlights journals, including Ghost Parachute and Flash Frog, that embrace the shortest of short fiction and have published her work.
Based in Matanzas, Cuba, Ediciones Vigía has transformed over forty years from an informal gathering of creatives into an inventive artisan book press and publishing workshop.
The newly appointed U.S. poet laureate discusses how he learned his craft as a literary translator and his plans for promoting poetry in translation.
The Depression-era Federal Writers’ Project enlisted writers to tell a nation’s stories. Now the People’s Recorder podcast explores the history of the project and its continued relevance.

The first lines of a dozen noteworthy books, including The Palace by Andrés Cerpa and The Flower Bearers by Rachel Eliza Griffiths.
Founded in Singapore in 2015 and now based in New York City, Half Mystic Press publishes two books each year that engage with music—in theme or in spirit—as well as an annual journal.
A study in iScience found a 43 percent drop over the last twenty years in the number of Americans who report reading for pleasure daily.
Bellevue Literary Review celebrates twenty-five years of platforming creative writing about health and the world of the body.
The translator of Ye Hui’s The Ruins highlights journals that embraced his translations, including Asymptote and Copihue Poetry.
In spite of the pandemic and other challenges, executive director Andrew Proctor has steered Literary Arts in Oregon through a successful capital campaign, raising over $22 million at a time when the arts need it most.
Housed in the trunk of a 1984 Mercedes-Benz 380SL, AUTO Books travels throughout Los Angeles, bringing art, photography, and poetry titles, along with other rare and experimental literature, to neighborhoods across the city.
With a $100,000 grant from O’Shaughnessy Ventures, bookshop manager Charlie Becker is building an AI tool to help secondhand booksellers identify and catalogue titles.
Based in Grinnell, Iowa, and motivated by a mission to support reforestation, Green Linden Press publishes around six titles per year and donates a portion of its proceeds to environmental efforts.
New publishing lines, reading series, symposia, and magazine partnerships are springing up in Dallas with support from SMU’s Project Poëtica.
The new executive director of AWP discusses her path from publishing to arts administration and shares what gives her hope for the literary arts.
The first lines of a dozen noteworthy books, including The New Economy by Gabrielle Calvocoressi and Girls Play Dead: Acts of Self-Preservation by Jen Percy.
Literary and arts organizations are left reeling after budget cuts at the NEA, NEH, and IMLS.
The new editor in chief of Ploughshares discusses her vision for expanding the journal’s digital format and its community.