Q&A: Jenny Molberg of Ploughshares
The new editor in chief of Ploughshares discusses her vision for expanding the journal’s digital format and its community.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The new editor in chief of Ploughshares discusses her vision for expanding the journal’s digital format and its community.
An introduction to three new anthologies, including The People’s Project: Poems, Essays, and Art for Looking Forward and Both/And: Essays by Trans and Gender-Nonconforming Writers of Color.
A new exhibition at the National Museum of Women in the Arts features artists books with innovative designs that honor familial pasts and document history.
Audible has announced that machines will begin narrating its audiobooks and translating them into select languages.
The first lines of a dozen noteworthy books, including Pick a Color by Souvankham Thammavongsa and Articulate: A Deaf Memoir of Voice by Rachel Kolb.
A new nonfiction series from Ig Publishing encourages authors to reflect on the films that have transformed their lives.
Based in Georgetown, Kentucky, Finishing Line Press publishes around three hundred titles each year and runs a chapbook competition celebrating writers who are marginalized from mainstream publishing.
In the wake of the California wildfires, literary community members grieve the loss of public spaces and personal archives, and reflect on the creative relief efforts that offer hope.
Recently appointed judge of the Yale Series of Younger Poets, Monica Youn speaks about the value of publishing a debut collection regardless of age, how form helps poems come alive, and what she looks for as she reads submissions.
One poet’s personal reading goal gone viral, the Sealey Challenge invites participants to read a book of poetry every day in August and to share their reading lists publicly, offering sustained immersion in poetry and its community.
Novelist and graphic designer Peter Mendelsund describes embracing imperfection through the creative practice of painting, including using his nondominant hand, smearing the paint with a trowel, and flipping the canvas.
The author of How to be Unmothered: A Trinidadian Memoir spotlights magazines and journals, such as Forge Literary Magazine and Kweli, that authentically welcomed excerpts of her work.
Based in North Carolina, the independent publisher Blair champions local narratives, overlooked stories, and perspectives outside of traditional publishing. The press publishes ten to twelve books yearly in poetry, nonfiction, and fiction.
For decades, the International Writing Program in Iowa City facilitated transformative connections for its resident writers—but the loss of funding worth nearly a million dollars challenges staff and students to find ways to keep going.
The first lines of a dozen noteworthy books, including Florida Water by aja monet and I’ll Tell You When I’m Home by Hala Alyan.
As the Common celebrates its fifteenth anniversary, founder and editor in chief Jennifer Acker delves into the thinking behind creating a literary organization and magazine devoted to place.
In response to the unauthorized use of books to train large language models, the developers of Created by Humans propose a solution: negotiation between authors and AI companies to help writers control how their work is used.
In the past decade, the Undocupoets advocacy organization has greatly increased undocumented poets’ visibility as meaningful voices in American poetry. The group plans to push forward in community against the difficulties to come.
The author of Late to the Search Party highlights magazines that have offered his lithe, intimate poems a home, including Waxwing and Split Lip Magazine.
Inspired by the possibility of providing complete strangers an opportunity for creativity and catharsis, the Unsent Letter Mailbox started as an interactive urban art project and has now grown into a salon reading series.
In the hostile climate of the current U.S. administration, queer authors persevere through writing and community building, continuing a culture of resistance and defiance that is radically, emphatically, grounded in joy and love.
Publishing two poetry books a year, Conduit Books shares the quirky aesthetic of its journal counterpart, Conduit. The press seeks work that is innovative, honest, and sincere, bringing people to poetry and rumination.
An introduction to three new anthologies, including What My Father and I Don’t Talk About: Sixteen Writers Break the Silence and Sing the Truth: The Kweli Journal Short Story Collection.
The first lines of a dozen noteworthy books, including Hardly Creatures by Rob Macaisa Colgate and Chronicle of Drifting by Yuki Tanaka.
Flower Conroy’s elaborate three-dimensional installations, fashioned from found and crafted objects, masterfully evoke the spirit of each book the artist chooses and carefully communicate her reverence for literature.