Literary MagNet: Candace Williams
The author of I Am the Most Dangerous Thing introduces five journals that first published their poems and engaged them in community, including Sixth Finch and Prelude.
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The author of I Am the Most Dangerous Thing introduces five journals that first published their poems and engaged them in community, including Sixth Finch and Prelude.
With the rise of AI-generated writing, writers and publications alike struggle with the question of what authorship means.
The author of When Trying to Return Home describes her connection with journals that first published her stories, including Jabberwock Review and the Vassar Review.
Bill Henderson founded Pushcart Press with one goal: to empower overlooked writers to publish their own work. Fifty years later, Pushcart is still elevating independent publishers and authors with its annual prize anthology.
The author of I|I reflects on the audacious, experimental, and singular qualities of the journals that first published excerpts from her book-length lyric essay.
A novelist explores how submitting to and publishing in literary journals can serve as an excellent education for writers while offering a sturdy platform upon which to build a promising career.
The Fall 2022 issue of Crazyhorse will be the last under a name that the editors now recognize as a “longstanding appropriation of Lakota culture.”
The author of In the Current Where Drowing Is Beautiful highlights five journals that first published her poems, including Peripheries and the Capilano Review.
While some literary magazines pay up to a few hundred dollars for literary work, many don’t pay at all. A published writer offers an overview of how to find paying markets, when to publish for free, and tips for a submission strategy.
A curated list of twenty-two literary magazines that pay writers cash for their creative contributions.