The short stories of Tobias Wolff, collected in four books during the past three decades, derive much of their strength from what is left unsaid—but what is said is usually violent and almost always disturbing.
Article Archive: Feature
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
With nearly four decades of editing experience, publishing veteran Pat Strachan reveals the qualities she looks for in fiction, her approach to editing, and how writers can help themselves navigate the industry.
Twelve debut poets talk about their experiences publishing first collections of poetry.
Eleven years after the publication of his best-selling debut story collection, Junot Díaz’s follow-up has finally arrived.
With the publication of his ninth collection, poet Bin Ramke has emerged as one of the avant-garde's treasured half-secrets.
Greg Bottoms has demonstrated that the truth is rarely black and white in all three of his books of creative nonfiction, but never more vibrantly than in his latest, The Colorful Apocalypse.
In our seventh annual profile of first-time fiction writers, we introduce Rishi Reddi, Jeff Hobbs, Frances Hwang, Phil LaMarche, and Sunshine O’Donnell.
A selection of recently published titles—blockbuster novels, international literature, and contemporary poetry collections—for the discerning beach bum.
For eight years readers have anticipated Nathan Englander’s follow-up to his wildly successful debut story collection. With the publication of The Ministry of Special Cases, the wait is over.
An interview with poet Lawrence Ferlinghetti about the Beat generation, City Lights Bookstore, and Ezra Pound.
In ten years, Tom Bissell went from being a directionless dropout to the acclaimed author of four books.
In his new novel, Jamestown, small press superstar Matthew Sharpe turns to history—sort of.
Whether it’s a thousand-page novel, a single-paragraph story, or a footnoted essay, the elusive author always offers a complicated—and sometimes maddening—reading experience. But is there more to David Foster Wallace than words on a page?
In five books written within the past eleven years, incuding The Last of Her Kind, Sigrid Nunez has obscured and sometimes just ignored traditional distinctions of genre by blending elements of fiction and autobiography.
The eighteen poets featured here represent only a fraction of the debut books published in 2005, yet they are emblematic of the diverse community of poets who have recently forged their own paths to publication.
Two years after publishing a brutal, unflinching account of his drug addiction, James Frey is showing signs of becoming a kinder, gentler writer in his second memoir, My Friend Leonard.
What if genetic cloning had become the defining science of the 20th century? The main characters of Kazuo Ishiguro's new novel contend with such a world—and its moral consequences.
Elizabeth Gaffney, Adrienne Miller, and Adrienne Brodeur—three high-profile magazine editors who recently added "debut novelist" to their resumés.
After a 10-year hiatus from publishing, Norman Dubie has returned with an award-winning volume of collected and new poetry, a 400-page sci-fi poem, and his latest, Ordinary Mornings of a Coliseum.
In her Pulitzer Prize–winning first book, The Interpreter of Maladies, Jhumpa Lahiri explores the struggle of first- and second-generation Indian Americans bridging the gap between the country they call home and the heritage that defines them. Her much-anticipated first novel, The Namesake, explores a similar theme.
Reviewers are accused of having agendas and of cronyism, are called show-offs and career-killers. It's a lot of heat to take for some free books, a few bucks, and a byline.
Book review editors—those powerful yet inundated tastemakers who choose from the more than 130,000 new books published each year the mere shelfful that are reviewed—get used to (and bored with) having nasty motives ascribed to them. This second installment of a three-part series on book reviews examines the subject at hand from the perspective of the assigning editors, who would like to set the record straight.
Helon Habila read novels as a boy to shelter himself from the brutal reality of his country’s political instability. Now, the author of Waiting for an Angel believes his generation of Nigerian novelists should help change that reality.
So how did John Dufresne—the eldest of four children of French-Canadian parents, a boy who grew up in the Catholic, blue-collar Grafton Hill neighborhood of Worcester, Massachusetts, a boy for whom it was beyond imagining that a man might find his vocation in words—become a noted short story writer, a sought-after teacher of creative writing, and the author of three acclaimed novels, two of which are set well below the Mason-Dixon line? In part, the answer is a keen ear for the music of language and an eye for the telling detail.
Ethiopian exile Nega Mezlekia's memoir, Notes From the Hyena's Belly, details his remarkable boyhood in Jijiga, a city in the eastern part of the Horn of Africa built on a "dry, sandless desert where even the smallest wind creates devils—whirlwinds of dust that rise high into the heavens and are visible from miles away."