Q&A: Jenny Molberg of Ploughshares
The new editor in chief of Ploughshares discusses her vision for expanding the journal’s digital format and its community.
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Article Archive
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The Written Image: A Radical Alteration, Women’s Studio Workshop
A new exhibition at the National Museum of Women in the Arts features artists books with innovative designs that honor familial pasts and document history.
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The Anthologist: A Compendium of Uncommon Collections
An introduction to three new anthologies, including The People’s Project: Poems, Essays, and Art for Looking Forward and Both/And: Essays by Trans and Gender-Nonconforming Writers of Color.
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Small Press Points: Finishing Line Press
Based in Georgetown, Kentucky, Finishing Line Press publishes around three hundred titles each year and runs a chapbook competition celebrating writers who are marginalized from mainstream publishing.
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AI Reads (and Translates) Audiobooks
Audible has announced that machines will begin narrating its audiobooks and translating them into select languages.
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Writers Mix Movies and Memoir
A new nonfiction series from Ig Publishing encourages authors to reflect on the films that have transformed their lives.
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Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Pick a Color by Souvankham Thammavongsa and Articulate: A Deaf Memoir of Voice by Rachel Kolb.
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How to Protect Your Time
Carrying a stroller down the subway steps is a good use of your time; doomscrolling and social media are not. Fight for time for the things you love and put your writing at the top of that list.
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How to Mingle at a Book Thing
Find your social buoys, practice your talking points, and if all else fails, return to the topic of shoes.
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How to Keep Hold of 120,000 Words—or, How to Work With a Manuscript in Word
Clever use of the software’s Headings tools can make even the most beastly manuscript easier to wrangle.
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How to Brew Good Coffee
Monthly deliveries of a perfect roast, strongly brewed, may be nearly as important as the companion who introduces them to you.
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How to Keep Writing When You’re Convinced Your Book Is a Disaster
When feeling beaten by your manuscript, come back to the page with humility and curiosity, and remember the ways that this work feeds you.
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How to Kill Your Darlings
Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
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How to Write When You’d Rather Be Online
Your internet obsessions can become your writing’s obsessions; allow those passions to animate your book.
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How to Write an Author Bio
Keep it simple, or do like Nora Ephron and consider what defines you.
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How to Negotiate a Freelance Rate—or, How to Know Your Worth
Remember the value of time, expertise, and talent—and that you, too, should be invested in your work.
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Ten Questions for Raymond Antrobus
“I needed time away from text to indulge in paintings and drawings and collage art. I spent a lot of days in art galleries mulling over my memories and the text I was writing.” —Raymond Antrobus, author of The Quiet Ear: An Investigation of Missing Sound
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Literary Journals Associated With MFA Programs
If, as part of your graduate experience, you’re interested in contributing your time or writing to a school-sponsored journal, check out this listing of institutions whose MFA programs produce literary magazines.
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Writing on Grief: Transforming Loss Into Art
The author of Indigo (Copper Canyon Press, 2020) reflects on how writers can turn grief into literature.
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Ten Questions for Anne Waldman
“I like the idea of action writing, putting text on the floor and playing with arrangement like abstract expressionist painting.” —Anne Waldman, author of Mesopotopia
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Ten Questions for Xenobe Purvis
“But fear can be galvanizing; perhaps the novel would not have been written without it.” —Xenobe Purvis, author of The Hounding
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Historical Details: Approach With Caution!
The author of Restitution (Regal House Publishing, September 2025) recommends writers refine their research and examine which details actually serve their characters and plots.
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Ten Questions for Ed Park
“I just remember the miraculous appearance of story seeds, bursts of inspiration, and cloudless composition.” —Ed Park, author of An Oral History of Atlantis
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Real Life as Experiment: Letting Characters Play in Your Life
The author of Restitution (Regal House Publishing, September 2025) recommends writers use their own memories as a testing ground for their characters.
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Ten Questions for Katie Yee
“I think every writer carries with them someone they wish they could’ve told all their stories to.” —Katie Yee, author of Maggie; Or, A Man and a Woman Walk Into a Bar
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