Ten Questions for Claudia Acevedo-Quiñones
“I was writing this hybrid lyric thing that was hard to fall into a rhythm with at first.” —Claudia Acevedo-Quiñones, author of The Hurricane Book: A Lyric History
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
“I was writing this hybrid lyric thing that was hard to fall into a rhythm with at first.” —Claudia Acevedo-Quiñones, author of The Hurricane Book: A Lyric History
The translator of Luis Felipe Fabre’s Recital of the Dark Verses considers the nuances of crafting a faithful translation.
“Have fun. Make friends.” —Curtis Chin, author of Everything I Learned, I Learned in a Chinese Restaurant
The author of Recital of the Dark Verses explores poetry and translation as an encounter with “the Other.”
DePaul University’s Blue Book anthology showcases the work of talented teen writers, offering an intimate glimpse into their varied lived experiences and illustrating the transformative power of written expression.
Essays by debut authors Alma García (All That Rises), Bernardine “Dine” Watson (Transplant), Tommy Archuleta (Susto), Chin-Sun Lee (Upcountry), and Donna Spruijt-Metz (General Release From the Beginning of the World).
The first lines of a dozen noteworthy books, including Orders of Service: A Fugue by Willie Lee Kinard III and I Would Meet You Anywhere by Susan Kiyo Ito.
To mimic human writing, AI technologies have been consuming millions of pages of copyrighted literature. Authors have filed several class-action lawsuits accusing AI companies of illicitly using their work and seeking compensation.
Founded to support the work of marginalized poets, Get Fresh Books publishes one to three poetry collections each year, selecting manuscripts from a pool of no-fee submissions and solicited work.
An introduction to three new anthologies, including Another Last Call: Poems on Addiction and Deliverance and Black Punk Now: Fiction, Nonfiction, and Comics.
The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
Artist Billy Renkl recounts his painstaking process for constructing the mixed-media collages that accompany the essays in his sister Margaret Renkl’s new book, The Comfort of Crows: A Backyard Year.
The editor of the New York Times Book Review discusses his vision for the Book Review, how he and his staff decide which titles to cover, advice for authors, and more.
Flooding devastated parts of Vermont in July, including literary organizations and businesses that are now relying on community support as they rebuild and confront more frequent extreme weather events brought on by climate change.
“I was stretching to become a different kind of writer, and that took time.” —Justin Torres, author of Blackouts
“I felt that I knew the characters deeply after years of thinking about these stories.” —Shannon Sanders, author of Company
“Celebrate the small victories!” —Isle McElroy, author of People Collide
The author of Wine People explores how conducting interviews can inform narratives and characters.
“For me, giving language to something, finding a name for it, enacts a kind of metabolic process.” —Cintia Santana, author of The Disordered Alphabet
The author of Wine People offers an exercise in getting to know your characters.
“Just keep listening to the work, one poem at a time.” —Heather Lanier, author of Psalms of Unknowing
The author of Wine People considers how a more expansive understanding of setting can deepen a story.
“I tend to binge-write.” —Myriam Gurba, author of Creep: Accusations and Confessions
“I think that’s so much of the pleasure of writing for me, the opportunity to be fearless on the page.” —Megan Kamalei Kakimoto
“Don’t trap yourself into false models of production and worth.” —Edgar Kunz, author of Fixer