The Anthologist: A Compendium of Uncommon Collections

An introduction to three new anthologies, including Disability Intimacy: Essays on Love, Care, and Desire and A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
An introduction to three new anthologies, including Disability Intimacy: Essays on Love, Care, and Desire and A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection.
As AI makes it easier for people to generate text, literary editors are wrestling with how to weed out submissions by authors trying to pass off AI work as their own from those that use the technology in a more ethical way.
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
The author of Self-Mythology, a debut poetry collection, introduces some of the journals that offered a home for her work, including AGNI and Poet Lore.
A new exhibit opening in June at the National Museum of the American Indian considers the important role that visual and material storytelling plays in chronicling the histories of Great Plains Native nations.
A poet explores the struggle to balance his roles as writer, educator, and activist during the war in Gaza and the refusal of silence during a conflict that has killed tens of thousands of civilians.
“Above all, be brave!” —Sheila Carter-Jones, author of Every Hard Sweetness
The author of Short War ponders the ways research can deepen a fiction project—and how to know when enough is enough.
“Take as long as you need.” —April Gibson, author of The Span of a Small Forever
The author of With My Back to the World talks about the importance of staying true to who we are while allowing the writing to tell us where to go, and how she views her work as a mapping of her changing mind and perception.
The author of Short War contemplates the rewards of modeling minor characters on real people.
The author of twelve books of fiction and nonfiction confronts the question every writer inevitably faces: Is my compulsion to tell the truth stronger than my fear of the consequences?
“Get ready for about fifteen drafts.” —Garrard Conley, author of All the World Beside
“Trust yourself; if you can manage that, the writing will come.” —Heather McCalden, author of The Observable Universe: An Investigation
The author of Yaguareté White explores the poetic art of balancing fact and fiction.
“Growth shouldn’t only happen on the page.” —Zefyr Lisowski, author of Girl Work
The author of Yaguareté White considers the ethics of found poetry.
“I thought a book could be carved out of a block of poems, but instead it had to start from blank space.” —Cindy Juyoung Ok, author of Ward Toward
The author of Yaguareté White contemplates how to approach writing in multiple languages.
“For every book, different literary angels perch on my shoulder.” —Tomás Q. Morín, author of Where Are You From: Letters to My Son
The author and translator discusses his process of translating Sappho, the lessons that ancient poetry holds for contemporary life, and the gifts of a life steeped in practicing poetry and translation.
“I would write the scene and shake my head in disbelief that a character wanted to do that.” —Phillip B. Williams, author of Ours
The author of Midwhistle explores the power of the epic poem.
At a time when the writing world faces serious challenges, the coauthored novel Fourteen Days brings together thirty-six noted writers to raise money for the Authors Guild and its battle against book bans and copyright infringement.
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