BuzzFeed’s newly minted executive editor of culture discusses his new position at the media company, and his goals for the recently launched BuzzFeed Emerging Writers Fellowship.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
In their analysis of three classic texts, two UC Berkeley Neuroscience PhD candidates created an interactive visualization of the emotional relationships between each book’s cast of characters.
The latest installment of Reviewers & Critics features Michael Schaub, an incisive—and hilarious—literary critic and former Bookslut contributor.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Portland, Oregon–based Forest Avenue Press, a boutique house that publishes just three titles per year, all focusing on “a desire to investigate a subject and to bear witness.”
With an app, a website, and a fleet of rotary-style pay phones, the new interactive project Call Me Ishmael allows readers and book lovers to call the fabled sailor and leave him personal messages about their favorite books.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Sunil Yapa’s debut novel, Your Heart Is a Muscle the Size of a Fist and Mira Ptacin’s debut memoir, Poor Your Soul, as the starting point for a closer look at these new and noteworthy titles.
The Asian American Writers Workshop rings in its twenty-fifth year at the forefront of the movement to diversify the publishing industry, and to provide advocacy, education, opportunity, and visibility to Asian American poets and writers.
Our eleventh annual Debut Poets roundup highlights ten of the most exciting and inspiring first books of poetry published in 2015.
The Pushcart Prize, a venerable nonprofit award series and press, released its fortieth-anniversary prize anthology this month. On the eve of its release party, Poets & Writers staff looked into the history of the prize, and what has kept "one of the last bastions of non-corporate writing" alive and well over the years.
Frustrated by a reviewing culture that they found to be increasingly insular—and as such, less honest—two poets decided to create a safe new space for reviewers to write candidly—and anonymously—about new collections of poetry.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features the Black Warrior Review, Granta, the Asia Literary Review, the Burnside Review, and the Dark Horse.
Catapult, a new literary venture that launched in September, is working to provide resources for writers at every stage of their career—from workshops to self-publishing platforms to traditionally published books—in an effort to create an online community that “conceptually mirrors the ecosystem in which writers and creatives exist right now.”
Five editors of independent presses specializing in translation discuss how they find new work from around the world, the challenges they face as publishers, and the future of literary translation.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Dallas, Texas–based Deep Vellum Publishing, a nonprofit press that focuses on literature in translation and is committed to supporting the growing literary community in Dallas.
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
When universities face budget cuts, their presses are often the first to meet the chopping block, causing waves of unemployment for writers and editors alike. In the wake of their own shutdown, however, the University of Akron community fought to get theirs back.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including John Irving’s Avenue of Mysteries and a translation of Liu Xia’s Empty Chairs, as the starting point for a closer look at these new and noteworthy titles.
Literary Arts executive director Andrew Proctor discusses the rebirth of Wordstock, and how the overhauled book festival will continue to highlight Portland, Oregon’s thriving literary scene.
In her new book, illustrator Kate Gavino—author of the popular Last Night’s Reading blog—brings hundreds of literary readings to life by pairing illustrations of authors with selected quotes from each event.
A successful self-published novelist talks about how he used his background in programing and knowledge of artificial intelligence to write and market his best-selling techno thriller series. Editor Jessica Page Morrell and publicist Jessica Glenn weigh in and give advice to burgeoning self-publishers.
The agent of authors such as María Amparo Escandón and Joy Nicholson offers advice on query letters, editing, and what not to do when submitting a manuscript.
Alaska’s Fiddling Poet, who over the past twenty years has been playing his fiddle and reading poems for audiences across the country, talks about how he has built a career—and a life—out of touring and sharing his music and poetry with others.
Start your MFA research with this comprehensive guide to more than 170 full- and low-residency programs in creative writing, expanded and updated for 2016. Each listing includes detailed information such as core faculty, special features, funding, tuition, application fees, and deadlines. The free PDF also includes a regional index, a cost-of-living comparision, and a handy Application Tracker to keep track of your applications.
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Warren Wilson College’s low-residency MFA program is taking strides to address questions of diversity, having started a conversation among faculty and students about the intersection of race, culture, and craft in the MFA landscape.