Ten Questions for Ananda Lima

“I had to focus on readers who were moved by the same things I was.” —Ananda Lima, author of Craft: Stories I Wrote for the Devil
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“I had to focus on readers who were moved by the same things I was.” —Ananda Lima, author of Craft: Stories I Wrote for the Devil
From her home just outside of Fairbanks proper, a poet subverts mainstream Alaskan imagery to conjure the reality of her writing life, which includes a local waste transfer site, muddy shoulder seasons, and slow internet.
Laura van den Berg, Jessamine Chan, Akil Kumarasamy, Ayşegül Savaş, and Julie Buntin introduce the authors of this summer’s best debut fiction: ’Pemi Aguda, Jiaming Tang, Michael Deagler, Yasmin Zaher, and Gina María Balibrera.
The closure of Small Press Distribution, a nonprofit that served nearly four hundred publishers, is prompting a reimagining of how books get into readers’ hands as independent publishers search for viable alternatives.
The first lines of a dozen noteworthy books, including Call This Mutiny: Uncollected Poems by Craig Santos Perez and The Road to the Country by Chigozie Obioma.
Primero Sueño Press, which translates to “First Dream Press,” envisions deeper recognition for historically underrepresented Latinx readers and authors with an out-of-the-box, bilingual, bicultural imprint led by Michelle Herrera Mulligan.
A look at two new anthologies, including Rescue Party: A Graphic Anthology of COVID Lockdown, edited by Gabe Fowler.
The Equity Directory is just one of the resources that the Literary Agents of Color initiative has developed to increase visibility of BIPOC agents and encourage new, fruitful relationships between agents and authors.
The executive director of the Loft Literary Center, a literary arts nonprofit in Minneapolis, celebrates the organization’s fifty years of connecting authors with audiences and reflects on future plans.
Twenty tiny books, including poetry collections, short tales, plays, and other works, were added this year to the miniature library collection in Queen Mary’s Dolls’ House to celebrate the royal dollhouse’s centennial anniversary.
The author of The Story Game, a debut memoir, introduces some of the journals that helped her explore the interplay between memory and storytelling, including So to Speak and Colorado Review.
Founded seventeen years ago to support poetry from the Pacific Northwest, Airlie Press is a nonprofit publisher guided by a unique rotating editorial board of poets from Oregon, Washington, and Idaho.
“My ambition isn’t to write something that lets you shut out the world.” —Maureen Sun, author of The Sisters K
“Every book I read I annotate, trying to figure out the logic of the story.” —Morgan Talty, Fire Exit
Growing up with strong women around her, Marcela Fuentes has always been keenly aware of how women can break out of gender norms despite domestic and societal tensions. Her debut novel, Marla, is the realization of that knowledge, weaving intergenerational stories with Mexican legend.
The author of First Love: Essays on Friendship explores ways to handle lost memories in memoir.
“Writing is solitary, but you are not alone.” —Evan Dalton Smith, author of Looking for Andy Griffith: A Father’s Journey
The author of First Love: Essays on Friendship has advice for authors who’ve lost their literary momentum.
“If I didn’t like writing then I wouldn’t do it.” —Mesha Maren, author of Shae
“Sometimes it’s better to lean into your strengths instead of trying to make up for your weaknesses.” —Melissa Mogollon, author of Oye
The author of I’ll Give You a Reason considers what short fiction writers can learn from popular songs.
“The task of the novelist, I think, consists of treating life as a research project.” —Nicolás Medina Mora
The author of I’ll Give You a Reason contemplates the common ground between a joke and a short story.
“I consider notetaking to be an integral form of the writing process.” —Dorothy Chan, author of Return of the Chinese Femme
The author of I’ll Give You a Reason explores how setting shapes characters.