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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
While some literary magazines pay up to a few hundred dollars for literary work, many don’t pay at all. A published writer offers an overview of how to find paying markets, when to publish for free, and tips for a submission strategy.
Essays by debut authors Madhushree Ghosh, Sari Botton, David Santos Donaldson, Shareen K. Murayama, and Jane Campbell.
In her third novel, Our Missing Hearts, best-selling author Celeste Ng continues to explore the social and political pressures that shape family dynamics—this time in a story set in a contemporary dystopia that feels frighteningly familiar.
A curated list of twenty-two literary magazines that pay writers cash for their creative contributions.
The Fall 2022 issue of Crazyhorse will be the last under a name that the editors now recognize as a “longstanding appropriation of Lakota culture.”
The Oxford Dictionary of African American English, slated for release in 2025, will involve a three-year-long multidisciplinary research project compiling terms popularized by speakers of African American English.
Black Lawrence Press’s Immigrant Writing Series was launched in response to a lack of book-publication options for immigrant writers, whose unique perspectives might not resonate with nonimmigrant editors.
The author of In the Current Where Drowing Is Beautiful highlights five journals that first published her poems, including Peripheries and the Capilano Review.
Dallas artist Simeen Farhat crafts text-inspired sculptures in a complex process that blends literary and figurative composition and reminds viewers of language’s physicality.
Graywolf Press’s new publisher and executive director discusses the shifting landscape of literary publishing, her multidisciplinary career, and what collaboration means to her.
“There’s space for your story.” —E. M. Tran, author of Daughters of the New Year
“Poetry is impossible, but it is not difficult.” —Olena Kalytiak Davis, author of Late Summer Ode
The author of Selected Books of the Beloved investigates the uses of specificity in narrative poetry.
“I’m not a writer, I’m a receiver for something I don’t always understand.” —James Cagney, author of Martian: The Saint of Loneliness
The author of Selected Books of the Beloved illuminates the power of narrative to move a poem forward.
Faced with two separate causes of potential vision loss, an author reconsiders her identify as a “visual writer,” which has been integral to her mode of creating.
“It takes a lot of intentional work to write ethical stories.” —Hafizah Augustus Geter, author of The Black Period: On Personhood, Race, and Origin
The author of Selected Books of the Beloved explores enumeration as a source of poetic possibility.
“I’d tell my past self to trust my work.” —Aldo Amparán, author of Brother Sleep
The author of Selected Books of the Beloved reflects on the sonic pleasures of verse and offers an exercise in attending to poetry’s music.
“A terrible draft of a story is a gift, because now the real work can begin.” —Jonathan Escoffery, author of If I Survive You
“Stop Googling the ages of people you think are more successful than you.” —Mia Mercado, author of She’s Nice Though: Essays on Being Bad at Being Good
The author of Animal Joy: A Book of Laughter and Resuscitation reflects on the importance of letting the mind wander to release blocked creativity.
“These characters have been in my head for so long that they seem more real to me than some people.” —Lauren Acampora, author of The Hundred Waters
The author of Animal Joy: A Book of Laughter and Resuscitation considers the link between the author’s emotional state while writing and the reader’s engagement.
