With the goal of facilitating “global conversation through the intimate and inclusive voice of poetry,” the Kent, Ohio–based Wick Poetry Center is expanding its programming and bringing poetry to a wider audience.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Tig Notaro’s memoir, I’m Just a Person, and Mangalesh Dabral’s sixth poetry collection, This Number Does Not Exist, translated from the Hindi by Arvind Krishna Mehrotra.
The founders of revivalist press Emily Books talk about their recent partnership with Coffee House Press, staying true to their ethics, and sustaining the future of “weird books by women.”
In our sixteenth annual First Fiction roundup, five debut authors—Yaa Gyasi, Masande Ntshanga, Rumaan Alam, Maryse Meijer, and Imbolo Mbue—discuss their first books. Introduced by Angela Flournoy, Naomi Jackson, Emma Straub, Lindsay Hunter, and Christina Baker Kline.
As part of a continuing series, we offer a breakdown of the numbers behind our Grants & Awards listings.
Over the past decade, Scottish artist Robert Montgomery has created text and light installations across the world consisting of short poems made from neon, wood, and fire.
As part of a continuing series, we offer a breakdown of the numbers behind our Grants & Awards listings, highlighting the total amount of prize money given each year, the average cost of entry, types of sponsoring organizations, and more.
For the past thirty years, from the publication of his first novel, Mohawk, to his latest, Everybody’s Fool, a sequel to his beloved 1993 novel, Nobody’s Fool, Richard Russo, the Pulitzer Prize–winning “patron saint of small-town fiction,” has remained the same generous, optimistic, hardworking writer he’s always been, welcoming readers into his books and his heart.
A poet, novelist, and memoirist investigates the experience of imposter syndrome—that insidious feeling of being a fraud—and poses the question, What would happen if writers stopped viewing their careers as a series of happy accidents?
New York Times Book Review editor Pamela Paul shares her insights on the ethical and practical challenges of being the head of the last of the stand-alone newspaper book review sections.
From Stephen King’s The Body to Kurt Vonnegut’s Slaughterhouse-Five, Ig Publishing’s new Bookmarked series offers short personal narratives that explore how a particular work of fiction helped shape a writer’s career.
On her Instagram account, German artist Eda Temucin pairs found artwork with book covers, uncovering striking similarities between contemporary visual art and literary design.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Midwest-based Rescue Press, a publishing house that’s championing fluidity of form in literature.
A new project crowdsources redesigned covers for classic works of literature, with the goal of “reviving the canon for a new generation of readers.”
The newly revamped Literary MagNet highlights an emerging author alongside the journals that have published that author’s work. This issue’s MagNet features essayist Angela Morales, whose debut collection, The Girls in My Town, is out in April from University of New Mexico Press; and a selection of print and online journals that first published the essays in her book, including River Teeth, Arts & Letters, 1966, the Baltimore Review, and Literary Mama.
Now in its fifth year, the New York City–based Uni Project has installed hundreds of pop-up reading rooms in public spaces, bringing books to underserved communities throughout the city and beyond.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Masande Ntshanga’s debut novel, The Reactive, and Emma Straub’s third novel, Modern Lovers, as the starting point for a closer look at these new and noteworthy titles.
The American Literary Translators Association’s executive director discusses the organization’s new administration of the Cliff Becker Book Prize—the only U.S. award that offers publication to a full-length book of poetry translated into English—and the importance of awarding fellowships to emerging translators.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Maylis de Kerangal’s latest novel, The Heart, translated from the French by Sam Taylor, and A. Igoni Barrett’s debut novel, Blackass, as the starting point for a closer look at these new and noteworthy titles.
Complete with maps, relevant passages, summaries, and links to booksellers, a new app tracks the real-life places found in books, allowing readers to discover and interact with literature in a whole new way.
Now in its third year, the annual Kimbilio fiction writers retreat provides “an oasis, a sort of freeing space, where nobody has to apologize for being their black self or writing about black people.”
Two Denver book lovers and sellers are constructing three massive land libraries in the Colorado Rockies that tell the story of the land through literature, education, and intellectual cross-pollination.
A nonprofit in Iowa closes its residency program after ten years to focus more on public arts programming. Founder and former codirector Joe Lacina explains why.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Green Bay, Wisconsin–based Brain Mill Press, a new house committed to publishing writers of color, LGBTQ writers, and women.
With some help from Virginia Woolf, an author and Bread Loaf Camargo fellow discusses the complicated decision to leave her family for a month in order to attend a retreat in Cassis, France, and the necessity of finding one’s own space to create.