Kate Gale, the cofounder and managing editor of the Pasadena, California–based Red Hen Press, which celebrates its twentieth anniversary next year, discusses the press's history, growth, and the keys to its success.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Visual artist Matt Kish follows up his celebrated Moby-Dick in Pictures with another illustrated classic, Joseph Conrad's Heart of Darkness, which will be published in November by Tin House Books.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features Midwestern Gothic, a Chicago–based micro press dedicated to publishing new writing by Midwestern writers.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Daniel Alarcón's At Night We Walk in Circles and Carmen Giménez Smith's Milk and Filth, as the starting point for a closer look at these new and noteworthy titles.
Self-published author Jennifer Ciotta, literary agent Kristin Nelson, and independent publishing entrepreneur Richard Nash discuss the creative opportunities, challenges, and rewards of self-publishing.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Fence, Sleepingfish, PANK, Eleven Eleven, and Hobart.
The New Heave-Ho, a PDF-only poetry press founded by poet Noel Black, aims to deliver poetry collections to the masses in free and by-donation PDF format.
The live storytelling scene, commonly known as Live Lit, has taken off in Chicago, often boasting more than fifty shows a month in the Windy City.
The Unterberg Poetry Center at the 92nd Street Y in New York City kicks off a season of special events in honor of its seventy-fifth anniversary, starting with an exhibit of rare photos, letters, and ephemera from the center's storied past.
In the second installment of Where We Write, a fiction writer takes a trip back home to Hannibal, Missouri, the boyhood home of Mark Twain and the town that still inspires her work, long after she's moved away.
Chris Parris-Lamb of the Gernert Company offers advice on submitting query letters and manuscripts, and when to embrace or eschew self-promotion.
A poet with two published books but no MFA, Leigh Stein has nevertheless benefited from the proliferation of creative writing programs.
A vice president and executive editor at Knopf, Jordan Pavlin discusses her terror of launch meetings, the particular genius of Sonny Mehta, and her job as a writer’s ideal reader.
Poet Robert Polito brings his years of experience in New York City's writing community to Chicago, where he succeeds John Barr as the president of the Poetry Foundation.
Visual artist Jonathan Allen and poet Anselm Berrigan team up to create LOADING, an exhibit in New York City that will be published in book form this fall by Brooklyn Arts Press.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features A Strange Object, which publishes works of fiction in both print and digital editions from its headquarters in Austin, Texas.
In an effort to preserve her grandmother's legacy, Brooklyn–based poet and visual artist Bianca Stone is working to turn the late Ruth Stone's Vermont house into a writers center and residency.
Ecological artist and sculptor Ana Flores connects communites to the land around them through a series of installations that combine poetry, visual art, and nature observation.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including David Vann's Goat Mountain and Jhumpa Lahiri's The Lowland, as the starting point for a closer look at these new and noteworthy titles.
Massive open online courses, which are offered for free online to anyone in the world, provide a new alternative to students looking for an education in the arts.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Salmagundi, the Threepenny Review, Georgia Review, and Image.
Micropublishers secure their spot on the digital landscape by creating new apps that deliver carefully curated content to readers' mobile devices.
Lucy Carson of the Friedrich Agency discusses e-book publishing, when to send a sample to an agent, and more.
Novelist Eleanor Henderson discusses the beauty and necessity of backstory in fiction, offering a counterpoint to a previously published article in which novelist Benjamin Percy warned writers about the dangers of backstory.
A comprehensive article about how we compiled the 2014 MFA Index of full- and low-residency programs, featured in the September/October 2013 issue of Poets & Writers Magazine.