Ten Questions for Morgan Talty
“Every book I read I annotate, trying to figure out the logic of the story.” —Morgan Talty, Fire Exit
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“Every book I read I annotate, trying to figure out the logic of the story.” —Morgan Talty, Fire Exit
The author of First Love: Essays on Friendship explores ways to handle lost memories in memoir.
“Writing is solitary, but you are not alone.” —Evan Dalton Smith, author of Looking for Andy Griffith: A Father’s Journey
The author of First Love: Essays on Friendship has advice for authors who’ve lost their literary momentum.
“If I didn’t like writing then I wouldn’t do it.” —Mesha Maren, author of Shae
“Sometimes it’s better to lean into your strengths instead of trying to make up for your weaknesses.” —Melissa Mogollon, author of Oye
The author of I’ll Give You a Reason considers what short fiction writers can learn from popular songs.
“The task of the novelist, I think, consists of treating life as a research project.” —Nicolás Medina Mora
The author of I’ll Give You a Reason contemplates the common ground between a joke and a short story.
“I consider notetaking to be an integral form of the writing process.” —Dorothy Chan, author of Return of the Chinese Femme
The author of I’ll Give You a Reason explores how setting shapes characters.
“I don’t hold myself to a rigid writing schedule but instead listen to my mind, body, and heart and write accordingly.” —Alison C. Rollins, author of Black Bell
“I think the arc of writing a poem is similar to the experience of ascending and descending physical terrain.” —Callie Siskel, author of Two Minds
The author of Short War offers some perspective on whether a first person narrator can enhance or inhibit a story.
The first lines of a dozen noteworthy books, including Bite by Bite: Nourishments and Jamborees by Aimee Nezhukumatathil and Good Monster by Diannely Antigua.
The new Inside Literary Prize represents an opportunity to connect and honor the perspectives of incarcerated individuals by inviting hundreds of such readers to discuss and select a winner from a slate of National Book Award finalists.
An introduction to three new anthologies, including Disability Intimacy: Essays on Love, Care, and Desire and A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection.
As AI makes it easier for people to generate text, literary editors are wrestling with how to weed out submissions by authors trying to pass off AI work as their own from those that use the technology in a more ethical way.
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
The author of Self-Mythology, a debut poetry collection, introduces some of the journals that offered a home for her work, including AGNI and Poet Lore.
A new exhibit opening in June at the National Museum of the American Indian considers the important role that visual and material storytelling plays in chronicling the histories of Great Plains Native nations.
The first Latinx president and executive director of the Academy of American Poets reflects on his start at the nonprofit and his vision for the organization’s future.
A poet explores the struggle to balance his roles as writer, educator, and activist during the war in Gaza and the refusal of silence during a conflict that has killed tens of thousands of civilians.
One of the greatest offenses a writer can commit is to steal others’ work and present it as their own. Members of the literary community discuss the negative impact of a serial plagiarist and potential protections against further theft.
“Above all, be brave!” —Sheila Carter-Jones, author of Every Hard Sweetness