A guide to 158 full-residency and 64 low-residency programs in creative writing, plus questions to consider before you apply.
A roundup of 78 leading full-residency programs, including a comparative look at funding, student-faculty ratio, job placement, and more; plus a roundup of 26 leading low-residency programs.
Manuel Muñoz, the new director of the MFA program at the University of Arizona, discusses his new role, healthy creative environments, and common missteps he sees in applications.
Why did you choose the MFA program you attended? How did you make ends meet while you were there? How did your program prepare you for post-MFA life? Ten recent graduates on the realities of applying to, choosing, and attending a writing program.
The fifth installment in a continuing series about making money as a writer takes a closer look at the financial realities of academia, from adjunct work to tenure-track professorships.
Why do you want an MFA? Important questions to ask yourself before you apply.
A writing teacher proposes a new way to approach workshops—without the language of “good” or “bad.”
The Writers House at Rutgers University-Camden cultivates and celebrates the writing arts. Programming goes year-round, and is always open to both students and the public: programs such as Writers in Camden, an NEA-supported reading series, the annual Summer Writers’ Conference, and the Cooper Street Writers Workshops, unite artists and scholars, students and citizens, around the power of the written word.
A look at 153 full-residency programs and 59 low-residency programs, sorted alphabetically by region.
While most MFA fiction workshops focus on short stories, the director of the creative writing MFA program at the University of Michigan proposes a different form on which to focus: the novella.