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If, as part of your graduate experience, you’re interested in contributing your time or writing to a school-sponsored journal, check out this listing of institutions whose MFA programs produce literary magazines.
Felicia Rose Chavez, Viet Thanh Nguyen, and Matthew Salesses join Namrata Poddar to discuss decolonizing the writing workshop and the effects of gatekeeping on BIPOC writers.
The author describes creating a community-driven workshop where students are not asked to check their politics and identities at the door, and offers a series of questions for instructors to ask themselves before leading a class.
The fifth installment in a continuing series about making money as a writer takes a closer look at the financial realities of academia, from adjunct work to tenure-track professorships.
Why did you choose the MFA program you attended? How did you make ends meet while you were there? How did your program prepare you for post-MFA life? Ten recent graduates on the realities of applying to, choosing, and attending a writing program.
Manuel Muñoz, the new director of the MFA program at the University of Arizona, discusses his new role, healthy creative environments, and common missteps he sees in applications.
A writing teacher proposes a new way to approach workshops—without the language of “good” or “bad.”
Why do you want an MFA? Important questions to ask yourself before you apply.
A guide to 158 full-residency and 64 low-residency programs in creative writing, plus questions to consider before you apply.
The Writers House at Rutgers University-Camden cultivates and celebrates the writing arts. Programming goes year-round, and is always open to both students and the public: programs such as Writers in Camden, an NEA-supported reading series, the annual Summer Writers’ Conference, and the Cooper Street Writers Workshops, unite artists and scholars, students and citizens, around the power of the written word.
