Poets & Writers Theater

Ross Gay reads from his forthcoming essay collection, The Book of Delights (Algonquin Books, 2019), at a 2017 reading in Washington, D.C. for the Field Office. Gay is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.

“Your buttons can’t hold all the love / rippling up the middle of your ribcage…” José Olivarez reads his poem “You Get Fat When You’re in Love” from his debut poetry collection, Citizen Illegal (Haymarket Books, 2018). Olivarez is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February 2019 issue of Poets & Writers Magazine.

“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.

In this video from the New York Public Library, 2018 National Book Awards finalists, including Rebecca Makkai, Hanne Ørstavik, and Jeffrey C. Stewart, sit down to answer questions about their favorite books and which fictional character they’d want to hang out with.

“The book is a kind of implosion, emotionally and intellectually, and you just wait for some kind of rhythm to form.... And then I will work all day, every day.” Nicola Barker, who won the 2017 Goldsmiths Prize for her novel H(a)ppy (William Heinemann, 2017), talks to Granta about her writing process and the difficulty of transitioning from writing on a digital screen to seeing the book in print form.

“Be very patient, even patient with chaos,” Lydia Davis advises writers in this compilation of interviews by Louisiana Channel. Seasoned writers from around the world, including Alaa Al Aswany, Umberto Eco, Richard Ford, Patti Smith, and Ngũgĩ wa Thiong’o, also offer their thoughts on how to keep writing.

“I’ve claimed these lives, I’ve claimed these fables, but I made them into my own.” Carly Joy Miller reads from her poetry collection, Ceremonial (Orison Books, 2018), and speaks with Lisa Grove about the use of persona in her work for this Poetry.LA interview.

“In the beginning we were one blood. / Then the body, stem of thorns, grew / its disagreement from the inside / out.” In this Motionpoems film directed by Tom Speers, Peter LaBerge’s poem “Boy Saint” is narrated by Michael McElhatton. LaBerge is the editor in chief of the Adroit Journal and the author of the chapbook Makeshift Cathedral (YesYes Books, 2017).

“I think there’s also in the book a sort of collective mind-set, which is seen as more important than the individual identity or autonomy.” Anna Burns talks about her third novel, Milkman (Faber & Faber, 2017), for which she won the 2018 Man Booker Prize, making her the award’s first Northern Irish honoree.

“Then, before you’re gone, you know that all that’s ever been will still be, even if there are no tomorrows.” Nana Kwame Adjei-Brenyah, a 2018 National Book Foundation 5 Under 35 honoree nominated by Colson Whitehead, reads the last page of his story “Through the Flash” from his debut story collection, Friday Black (Mariner Books, 2018).

The Little Drummer Girl (Knopf, 1983), John le Carré’s spy thriller novel about a young English actress who works as a double agent for an Israeli intelligence agency in the 1970s, has been adapted into a television miniseries. The six-part series is directed by Park Chan-wook, and stars Florence Pugh, Michael Shannon, and Alexander Skarsgård.

“I can’t remember the last time / someone commented on my sunny disposition. / That doesn’t mean I’m not trying to juice / the sun for every holy drop.” In this video, Andrea Gibson reads “Living Proof” from their poetry collection Lord of the Butterflies (Button Poetry, 2018) at the Westcott Theater in Syracuse, New York.

The Girl in the Spider’s Web is a film adaptation of David Lagercrantz’s crime novel, translated from the Swedish by George Goulding, which continues the Millennium series originated by the late Stieg Larsson. Directed by Fede Alvarez, the film sees the return of the two primary characters in the series: computer hacker Lisbeth Salander, played by Claire Foy, and journalist Mikael Blomkvist, played by Sverrir Gudnason.

“There’s something in the lyric moment that really ruptures the taken for granted-ness of the world.” Meena Alexander discusses her writing process, artistic collaborations, and the sensory experience of being a poet in this 2015 interview for CUNY TV. The author of five books of poetry, including most recently Atmospheric Embroidery (TriQuarterly Books, 2018), Alexander died at the age of sixty-seven on November 21, 2018.

“I do come back to poets from the Caribbean especially, who gave me permission to be a writer.” In this interview with City of Asylum, Kwame Dawes talks about the writers whose work he revisits, his writing routine, and why he doesn’t use the word “inspiration.” Dawes is the editor in chief of Prairie Schooner and is featured in “Telling a Different Story: How to Cultivate Inclusivity at Literary Magazines” in the November/December issue of Poets & Writers Magazine.

“A good bookstore is your friend.” Ross Gay reads his essay about his love for independent bookstores and how they are a “laboratory for our coming together” at one of his favorite places, the Book Corner in Bloomington, Indiana. Gay’s essay collection, The Book of Delights, is forthcoming from Algonquin Books in February.

“This poem is not a cry for help. This poem is not my broken pieces. And we are not done yet.” In this HBO documentary, a group of veterans and active-duty service members come together to write a collaborative poem and turn it into a stage performance. The film is directed by Sareen Hairabedian and coproduced by Jeffrey Wright and David Holbrooke.

“I didn’t know real people could be writers when they grew up. That would have been like saying that I wanted to be a fairy or a movie star.” Barbara Kingsolver, the author most recently of Unsheltered (Harper, 2018), talks to the Free Library of Philadelphia about how a childhood love of books made her a “citizen of the world” despite growing up in a small town in Kentucky. Kingsolver and Richard Powers speak about writing fiction in “A Talk in the Woods” in the November/December issue of Poets & Writers Magazine.

“That was one of the freakiest experiences of my life. I was earning a living as a writer.” In this 2013 video for Open Road Media, screenwriter, playwright, and novelist William Goldman speaks about publishing his first novel, his experiences in the movie business, and his fame in dental offices. The author of the novels Marathon Man (Delacorte Press, 1974) and The Princess Bride (Harcourt Brace, 1973) died at the age of eighty-seven on November 16, 2018.

“My medium is the place where art and poetry find a way to expand into the limitless.” Chilean poet and artist Cecilia Vicuña talks about drawing inspiration from life, death, disappearance, and the energy of New York City, and describes her hopes for her textile installation, “Disappeared Quipu,” at the Brooklyn Museum.