Poets & Writers Theater

“I wanted to find a way to write about people that felt guided by a spirit of appreciation and empathy.” Leslie Jamison speaks about the ethical complexities involved in nonfiction writing at a 2017 talk at Claremont McKenna College. Jamison’s second essay collection, Make It Scream, Make It Burn (Little, Brown, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“When I was thinking about Red at the Bone, one thing I knew I wanted to talk about was class—economic class—especially in the Black community, and history.” Jacqueline Woodson talks about her new novel, Red at the Bone (Riverhead Books, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine, and reads the poem from her memoir Brown Girl Dreaming (Nancy Paulsen Books, 2014) that she calls “the seed” of the novel.

“Our swarm, it move like a flock of birds. All these beautiful black people in motion. Moving and shifting with a kind of intelligence.” Rion Amilcar Scott reads from his debut story collection, Insurrections (University Press of Kentucky, 2016), and speaks with Cinder Barnes and Karl Smith at Montgomery College in Maryland. Scott’s second story collection, The World Doesn’t Require You (Liveright, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

In this 2018 video, Matthew Zapruder reads from his poetry collections Come On All You Ghosts (Copper Canyon Press, 2012) and Sun Bear (Copper Canyon Press, 2015), and his book Why Poetry (Ecco, 2017) for the Lunch Poems reading series at UC Berkeley. Zapruder’s fifth poetry collection, Father’s Day (Copper Canyon Press, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“It took Arnold six and a half seconds to fall five hundred feet. During that time, an image of his son, Paris, flashed before his eyes....” At the Lensic Performing Arts Center, Edwidge Danticat reads “Without Inspection” from her third story collection, Everything Inside (Knopf, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine.

Jillian Weise reads her poems “Semi Semi Dash,” “Café Loop,” and “Poem for His Girl,” from her second collection, The Book of Goodbyes (BOA Editions, 2013), at the Academy of American Poets’ 2013 Poets Forum Awards Ceremony. Weise’s third collection, Cyborg Detective (BOA Editions, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“I can only hope that the criticism and reporting that you do write leaves little levers open psychologically for something good to happen.” Jia Tolentino speaks about the inner conflict of writing on pop culture in the current political climate in this conversation with fellow nonfiction writers Taffy Brodesser-Akner, Linda Holmes, and Emily Nussbaum. Tolentino’s debut essay collection, Trick Mirror (Random House, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

Looking for Alaska (Dutton Books, 2005), John Green’s debut young adult novel based on his own experiences at a boarding school, has been adapted into a television miniseries for Hulu. Created by Josh Schwartz, the teen drama stars Kristine Froseth, Charlie Plummer, Uriah Shelton, and Sofia Vassilieva.

“What we can contribute is an open space that’s really excited about learning and welcoming poets and writers from across different communities of literature in New York.” In this BRIC TV video, Rachel Valinsky, the artistic director of the Brooklyn nonprofit Wendy’s Subway, talks about the organization’s history and programming, and how it functions in the community as a reading room, event space, and publisher.

“It wasn’t fair that fish could see color, / and whales could not, but I was okay: I loved my new body. / I don’t know what kind of whale I was. In the ocean / there were no mirrors.” Emily Jungmin Yoon’s poem “The Transformation,” which appears in her debut collection, A Cruelty Special to Our Species (Ecco, 2018), has been adapted into a Motionpoems film directed by Malin Sandberg. 

“There’s a long history, and many families and stories that just haven’t been told.” Tommy Orange talks about the need for more Native American stories in literature and the origins of his debut novel, There There (Knopf, 2018), in this interview on Late Night With Seth Meyers.

“Language alone protects us from the scariness of things with no names.” The life of Nobel laureate and Pulitzer Prize–winning author Toni Morrison is remembered through this 2004 interview for CBS Sunday Morning highlighting what was most important to her: being a mother and a writer. Morrison died at the age of eighty-eight on August 5, 2019.

“I wish I could tell you that they are like seeds as they wish to be.” In this video Bernard Ferguson, one of the winners of 92Y’s 2019 Discovery Poetry Contest, reads his poem “When a Grave Swells.”

Geovani Martins, author of the debut short story collection, The Sun on My Head (Farrar, Straus and Giroux, 2019), translated from the Portuguese by Julia Sanches, talks about incorporating slang and the language used by different regions in Rio de Janeiro into his writing, and the new generation of thinkers and artists from the favelas of Brazil.

On BRIC TV’s 112BK, Jessica Stockton Bagnulo, co-owner of Greenlight Bookstore in Brooklyn, presents her summer reading recommendations including Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Namwali Serpell’s The Old Drift Hogarth, 2019), Esi Edugyan’s Washington Black (Knopf, 2018), and Hugh Ryan’s When Brooklyn Was Queer (St. Martin’s Press, 2019).

“I don’t really think you can teach people to write, you can just teach them to read. Read everything you can about your setting or your characters or whatever it is you don’t know.” In this Granta video, Sarah Moss, the author most recently of Ghost Wall (Farrar, Straus and Giroux, 2019), offers advice on first drafts, research, and the importance of reading to a writer.

“The book clearly describes the horror, the conflict, the chaos, the death, the trauma that came from the war, and then after that, the invisible dream that I started pursuing.” Abdi Nor Iftin, author of the debut memoir, Call Me American (Knopf, 2018), talks about growing up during the civil war in Somalia and what the American dream means to him.

“My mama’s tongue is a telegram from her mother / decorated with the coqui’s of el campo...” Denice Frohman reads her poem “Accents” for this animated TED-Ed short film directed by Kapwa and Robertino Zambrano.

“There are two types of survival, there’s a kind that eats people alive and the kind I’m lucky enough to do by default.” Mason Granger, executive director of Bowery Poetry, reads his poem “Two Types of People” at the 2019 Bigfoot Regional Poetry Slam in Portland, Oregon.

“Each book has an individual, singular voice…some are very interior, some are very extravagant,” says Xiaolu Guo, one of the judges for the 2019 Booker Prize, about the thirteen titles nominated for the longlist of the prize. The “Booker Dozen” includes The Testaments by Margaret Atwood, My Sister, the Serial Killer by Oyinkan Braithwaite, Lost Children Archive by Valeria Luiselli, An Orchestra of Minorities by Chigozie Obioma, and Lanny by Max Porter.