Poets & Writers Theater

This new Netflix miniseries about a woman growing up in a strict Hasidic Judaism sect in Brooklyn who flees her arranged marriage and cuts ties with the community is loosely based on Deborah Feldman’s 2012 memoir, Unorthodox: The Scandalous Rejection of My Hasidic Roots. The four-episode series is directed by Maria Schrader and stars Shira Haas, Amit Rahav, and Jeff Wilbusch.

“It’s particularly, specifically, about what it means to be Asian American, which is a subject that I’ve always actually kind of avoided. I’ve always indirectly approached it, but I’ve never directly tackled it.” At Malvern Books, Cathy Park Hong describes her experience writing her first essay collection, Minor Feelings: An Asian American Reckoning (One World, 2020), featured in Page One in the March/April issue of Poets & Writers Magazine, and reads “The End of White Innocence” from the book.

“I successfully avoided husbands and children and day jobs—those things can all really interfere with your productivity.” In an interview with Emma Watson, Rebecca Solnit discusses how she has managed to write so prolifically, the communication of information as a cultural phenomenon, and the themes in her first memoir, Recollections of My Nonexistence (Viking, 2020), which is featured in Page One in the March/April issue of Poets & Writers Magazine.

“I’ve always found that the things I find the most intimidating end up being the most intellectually satisfying.” At the Louisiana Literature Festival in 2019, Roxane Gay speaks about what moved her to write Hunger: A Memoir of (My) Body (Harper, 2017), and begins her reading with a piece about loving Mister Rogers.

“The combination of gardening and writing works amazingly well for me. It’s such a nice antidote to writing books,” says author and critic Olivia Laing. In this NOWNESS video, Laing, whose most recent book is her first novel, Crudo (Norton, 2018), talks about the Cambridge home and garden she shares with her husband, poet Ian Patterson, and how her surroundings affect her creative life.

“I was employee number twenty, and the fourth woman.” In this video, Anna Wiener reads from and discusses her debut memoir, Uncanny Valley (MCD/FSG, 2020), with editor Laura Marsh at the Strand Book Store in New York. For more about the book, read Wiener’s installment of Ten Questions.

“Reading Borges, you might catch a glimpse of infinity too.” In this TED-Ed animated short film, the work of Jorge Luis Borges and the way his essays, poems, and stories helped pioneer the magical realism genre is explored by Ilan Stavans. 

“It’s a story of a young girl who comes to America in the early 1980s and, among many other things, discovers something called race,” says Sharmila Sen about her debut memoir, Not Quite Not White: Losing and Finding Race in America (Penguin Books, 2018), which won the 2019 Asian/Pacific American Award for Literature in nonfiction.

“I got into the habit of writing very, very, very quickly,” says Rachel Cusk, author of the Outline trilogy and the essay collection, Coventry (Farrar, Straus and Giroux, 2019), about taking long breaks from writing to live a normal life and the experience of being a mother to young children without the time to make notes. “I had to hold things and then find an opportunity to express them.”

“If we truly love a place and are tethered to a place, then it’s our job to get to know that place.” In this Good Morning America interview, Sarah M. Broom speaks about her debut memoir, The Yellow House (Grove Press, 2019), which is a finalist for the 2019 National Book Award in nonfiction.

Just Mercy: A Story of Justice and Redemption (Spiegel & Grau, 2014) by Bryan Stevenson, a memoir recounting his experience as a young defense attorney fighting for a death row inmate wrongfully convicted of murder, has been adapted into a feature film. Directed by Destin Daniel Cretton, the legal drama stars Jamie Foxx, Michael B. Jordan, Brie Larson, Rob Morgan, Tim Blake Nelson, and Rafe Spall.

“It’s a book about a rap group, but, more particularly, a book that is examining how fandom seeps into our lives.” In this PBS NewHour video, Hanif Abdurraqib speaks with Amna Nawaz about his memoir, Go Ahead in the Rain: Notes to A Tribe Called Quest (University of Texas Press, 2019), and the ways in which music intertwines with identity and the poignant moments in our lives.

“The only counsel that is acceptable is to work! To work very hard until you discover the kind of writer that you want to be.” Nobel Prize–winning Peruvian writer Mario Vargas Llosa dispenses advice to young and emerging writers in this Louisiana Channel interview with Christian Lund at the Louisiana Museum of Modern Art in Denmark.

“What is under the earth followed them home. / The branch broke. It broke by itself. It did break, James.” In this 2014 video, Alex Dimitrov reads his poem “Together and by Ourselves” at the Radar Reading Series in San Francisco. Dimitrov and Dorothea Lasky’s Astro Poets: Your Guides to the Zodiac, an astrological guide that expands upon their popular Twitter feed, is out this week from Flatiron Books.

“The very act of reading is an empathetic act.” In this Aspen Institute video, Adrienne Brodeur talks about her writing process and reads from her debut memoir, Wild Game: My Mother, Her Lover, and Me (Houghton Mifflin Harcourt, 2019), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“I wanted to encapsulate the experience I was having, and particularly the memories in terms of what they mean to me now, as someone who’s thirty-three years old.” At Unbound, a literary series copresented by BAM and Greenlight Bookstore, Saeed Jones talks about the drive that compelled him to write his debut memoir, How We Fight for Our Lives (Simon & Schuster, 2019), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“I was writing just about the experience of grief and life amidst dying...then I wanted to tell stories that made my parents alive, that brought them back to life and made it clear why this was such a loss.” In this A Word on Words interview, Margaret Renkl talks about her debut essay collection, Late Migrations: A Natural History of Love and Loss (Milkweed Editions, 2019), which is featured in “5 Over 50” in the November/December issue of Poets & Writers Magazine.

“How do you tell interesting stories? You puncture through reality and you let magic and weird stuff and ghosts bleed back through.” In this video, Carmen Maria Machado talks about the influence Gabriel García Márquez’s Hundred Years of Solitude had on her writing with Jared Arraes and Adriana Couto at the 2019 International Literary Festival of Paraty in Brazil. A profile of Machado by Jera Brown appears in the November/December issue of Poets & Writers Magazine.

“My work often deals with dislocation, belonging, migration, of course, and I tend to create characters that are unnamed and not quite easy to place.” Valeria Luiselli, a 2019 MacArthur “Genius” fellowship recipient, talks about how she combines fiction and nonfiction to challenge conventional notions of authorship, and the ways in which the lives of others are documented.

“A stranger is someone who we know in only one dimension.” Malcolm Gladwell talks to the Economist’s Anne McElvoy about his latest book, Talking to Strangers: What We Should Know About the People We Don’t Know (Little, Brown, 2019), in which he examines how interactions between strangers often go wrong using high-profile cases such as the trial of Amanda Knox and the death of Sandra Bland as examples.