Poets & Writers Theater

“It doesn’t interest me to know how a book will end, I have to discover that for myself.” In this video from the National Centre for Writing, Eimear McBride, who won the 2014 Baileys Women’s Prize for Fiction for her debut novel A Girl Is a Half-Formed Thing, speaks about how character and story and the process of discovery are the keys to her writing process.

“This is how you tell a story,” says narrator Tilda Swinton in a short film written and directed by Andrew Ondrejcak, which goes through six steps of a writer’s process paired with a dance choreographed by Kyle Abraham. “There is a problem. It is an obstacle so monumental that it seems unlikely our tiny protagonist will be able to overcome something so impressive. It’s a mountain pressing down, it’s a witch, a curse, a giant.”

“I love To the Lighthouse, but they never get to the lighthouse.” In this episode of Cocktails With Bright Antenna, Benjamin Percy talks about the differences between literary fiction and genre fiction, how some writers are gardeners and some are architects, and reveals the origins of his phobias. Percy’s latest book, Suicide Woods (Graywolf Press, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“There comes a point where you’ve gotten so deep into the novel that the words don’t really make sense anymore,” says Laura Lippman as she describes the need for a tactile writing process involving visual and colorful outlines. Lippman’s latest novel, Lady in the Lake (William Morrow, 2019), is set in 1960s Baltimore and follows a housewife turned aspiring reporter who pursues the murder of a forgotten young woman.

“I just felt this deep need to express myself.... I had a strong desire to understand and to express that understanding.” In this CBS Sunday Morning interview, Ta-Nehisi Coates talks about the purpose of his writing and how the music of Marvin Gaye influences the language in his work. Coates’s debut novel, The Water Dancer (One World, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“You pick the right tool for the job, and sometimes fantasy is a way to open up a story and convey a universal truth, and sometimes realism.” Colson Whitehead speaks with PBS NewsHour’s Jeffrey Brown about his writing process and the true story that inspired his latest novel, The Nickel Boys, which was published this week by Doubleday.

“I like questions, my imagination likes them too.” In this A Word on Word series video, Alexander Chee speaks about his essay collection, How to Write an Autobiographical Novel (Mariner Books, 2018), and his writing process which involves engaging in conversation with his fictional characters.

“I start with a physical feeling. I start with a visual image.” On Late Night With Seth Meyers, Ann Beattie speaks about her writing process, the differences between writing a novel and a short story, and how she came up with the title for her most recent novel, A Wonderful Stroke of Luck (Viking, 2019).

“I do come back to poets from the Caribbean especially, who gave me permission to be a writer.” In this interview with City of Asylum, Kwame Dawes talks about the writers whose work he revisits, his writing routine, and why he doesn’t use the word “inspiration.” Dawes is the editor in chief of Prairie Schooner and is featured in “Telling a Different Story: How to Cultivate Inclusivity at Literary Magazines” in the November/December issue of Poets & Writers Magazine.

“The Poet X is my third novel, but it’s the first one published.” At the New York State Writers Institute, Elizabeth Acevedo speaks about making the transition from poetry to fiction, facing rejection, and learning to persevere in the process of publishing her first novel, The Poet X (HarperTeen, 2018), which is longlisted for the 2018 National Book Award in young people’s literature.

“You’re writing in total isolation. It’s like getting dressed in the dark, the complete dark, and then you have to go out on stage.” On Late Night With Seth Meyers, Rebecca Makkai discusses what it feels like to publish a book, the research behind her new novel, The Great Believers (Viking, 2018), and why she enjoys teaching MFA students. The Great Believers is longlisted for the 2018 National Book Award in fiction.

“Everybody feels ashamed when they write. It’s a shameful practice.” In this 2018 interview with Louisiana Channel, Zadie Smith, author most recently of Swing Time (Penguin Press, 2016), discusses the positive aspects of shame and how it can be productive for the writing process.

“Don’t worry about whether you’re writing anything, worry about if you’re sitting there attempting to write something or not.” Mohsin Hamid speaks to Granta about his most recent novel, Exit West (Riverhead Books, 2017), the job of being a writer, and what he has learned from Douglas Adams.

Melissa Broder, author of the debut novel, The Pisces (Hogarth, 2018), talks about changes in her writing process, astrology, unlikeable female protagonists, and writing about “the way things that we desire can kill us.”

“The main advice I would have is to be really easy on yourself, to shut off as much as you can the voice that’s saying maybe you’re wasting your time, and maybe everything that you do is stupid.” Elif Batuman, a finalist for the 2018 Pulitzer Prize for her debut novel, The Idiot (Penguin Press, 2017), talks to Granta about the literary model of Charles M. Schulz’s Snoopy and the blurred boundary between fiction and nonfiction.

“I look back, just with a little wonder. Wonder that I stuck with this thing.” In this 2004 interview with Jeffrey Brown for PBS NewsHour, Philip Roth reflects on his writing career and the role of a writer. Roth died at the age of eighty-five on May 22, 2018.

In this short film, Eve L. Ewing talks about her writing process and reads one of her poems for AIR Serenbe, the nonprofit artist residency program of the Serenbe Institute in Georgia. Ewing is the author of Electric Arches (Haymarket Books, 2017) and is featured in “The Whole Self: Our Thirteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.

“Usually I find something that won’t seem like an unfair end.” Novelist and translator Clemens Setz speaks with Louisiana Channel about the importance of the final sentence in a book, and the various ways authors like Jack Kerouac, John Irving, and Thomas Bernhard have written their last sentences.