Poets & Writers Theater

“I’m not convinced by myself as a writer,” says Adam Mars-Jones in this London Review Bookshop video about his slightly negative writing process and the origins of his memoir Kid Gloves: A Voyage Round My Father (Particular Books, 2015).

“He does the work. I do the cleanup, and we fight.” Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb is a documentary directed by Lizzie Gottlieb exploring the remarkable fifty-year relationship between Pulitzer Prize–winning author Robert Caro and his longtime editor Robert Gottlieb, and the art of editing.

In this interview for The Late Show With Stephen Colbert, George Saunders speaks about his latest story collection, Liberation Day (Random House, 2022), and the need to be in a “holy state of not knowing anything” when starting a new writing project. Liberation Day is featured in Page One in the November/December issue of Poets & Writers Magazine.

“A lot of this book was me figuring out, how do you hold on to hope when it feels like the world is falling apart?” In this Late Night With Seth Meyers interview, Celeste Ng talks about the process of writing her latest novel, Our Missing Hearts (Penguin Press, 2022). A profile of Ng by Renée H. Shea is featured in the November/December issue of Poets & Writers Magazine.

“There’s something in people that is naturally story-like. You’re taking all this unformed, chaotic stuff and making sense of it.” Award-winning novelist and poet Peter Straub speaks about creating characters and his love of writing horror stories in this 2012 Open Road Media interview. Straub, who received the 2008 Barnes & Noble Writers for Writers Award for his generosity to the literary community, died at the age of seventy-nine on September 4, 2022.

“As I often tell students: What other people call revision, I call writing,” says poet, critic, and professor James Longenbach about writing his books The Lyric Now (University of Chicago Press, 2020) and Forever (Norton, 2021) as a writer-in-residence in this 2021 installment of James Merrill House’s video series Studio 107. Longenbach died at the age of sixty-two on July 29, 2022.

“It doesn’t interest me to know how a book will end, I have to discover that for myself.” In this video from the National Centre for Writing, Eimear McBride, who won the 2014 Baileys Women’s Prize for Fiction for her debut novel, A Girl Is a Half-Formed Thing, speaks about how character and story and the process of discovery are the keys to her writing process.

In this 2020 BookTube episode, David Sedaris speaks about his candid and confessional style of writing, his family life, and lessons learned with Joel Kim Booster, Cindy Pham, Jake Roper, and Francine Simone.

“The more that I wrote I discovered that writing in a pretty way actually wasn’t the goal,” says Blair Hurley about breaking down good writing and prioritizing writing clearly with characters that feel real in this interview with Junia Doan. Hurley’s essay “Tiny Doable Things” is featured in the January/February issue of Poets & Writers Magazine.

“I’ve learned to be a lot more flexible and I can write basically anywhere.” Crystal Hana Kim talks about writing after having a baby during the pandemic in this episode of the Writing F(r)iction podcast hosted by author Michael Johnston. Kim’s essay “How to Keep Going” is featured in the January/February issue of Poets & Writers Magazine.

“For some reason, the poems are much closer to the reality in my life,” says Ananda Lima about her writing process for poetry versus fiction in this episode of The Story Talks Back podcast with Dave Stanton. Lima’s first poetry collection, Mother/land (Black Lawrence Press, 2021), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“It’s a book about trying to figure out how to live while around you people are dying. How do you learn to live with tremendous loss?” says Mark Wunderlich about his latest poetry collection, God of Nothingness (Graywolf Press, 2021), in this video for the James Merrill House’s virtual series Studio 107, which interviews former writers in residency about their writing process.

“I look back, just with a little wonder. Wonder that I stuck with this thing.” In this 2004 interview with Jeffrey Brown for PBS NewsHour, Philip Roth reflects on his writing career and the role of a writer. Roth died at the age of eighty-five on May 22, 2018.

“The minute I’m within a sentence, I’m within an orbit of urgencies and rules that to some extent leave me in a position of caginess and wiliness,” says poet and critic Wayne Koestenbaum about the presence of spontaneity in writing in this conversation about fables, expressions of queerness, and process with countertenor and actor Anthony Roth Costanzo. The Artists on Writers | Writers on Artists series is coproduced by Artforum and Bookforum, and sponsored by the Morgan Library & Museum.

“I wanted to hear the histories that were not taught to me in books, I wanted to know what I didn’t know.” In this 826NYC video, Aracelis Girmay speaks about how reading and hearing her family’s stories inspired her to become a poet. A Q&A with Girmay on becoming the first editor-at-large of BOA Editions’ line of poetry books written by women of color appears in the March/April issue of Poets & Writers Magazine.

“There’s nothing more riveting on the page than somebody willing to honestly tell what that life is,” says Joyce Maynard, author of the memoirs At Home in the World (Picador, 1998) and The Best of Us (Bloomsbury, 2017), about the roots of writing a memoir in this CreativeLive video.

In this video for Poets House, Carl Phillips, whose most recent poetry collection, Pale Colors in a Tall Field, was published in March by Farrar, Straus and Giroux, reflects on his process for putting a book together, as well as his journey as a poet, teacher, and mentor. 

“This is how you tell a story,” says narrator Tilda Swinton in a short film written and directed by Andrew Ondrejcak, which goes through six steps of a writer’s process paired with a dance choreographed by Kyle Abraham. “There is a problem. It is an obstacle so monumental that it seems unlikely our tiny protagonist will be able to overcome something so impressive. It’s a mountain pressing down, it’s a witch, a curse, a giant.”

“I love To the Lighthouse, but they never get to the lighthouse.” In this episode of Cocktails With Bright Antenna, Benjamin Percy talks about the differences between literary fiction and genre fiction, how some writers are gardeners and some are architects, and reveals the origins of his phobias. Percy’s latest book, Suicide Woods (Graywolf Press, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“There comes a point where you’ve gotten so deep into the novel that the words don’t really make sense anymore,” says Laura Lippman as she describes the need for a tactile writing process involving visual and colorful outlines. Lippman’s latest novel, Lady in the Lake (William Morrow, 2019), is set in 1960s Baltimore and follows a housewife turned aspiring reporter who pursues the murder of a forgotten young woman.