Poets & Writers Theater

“I’m hoping that it makes the reader scared in their own particular way.” Sarah Perry talks with Will Rycroft at Waterstones about her third novel, Melmoth (Custom House, 2018), and its connections to fear, politics, and Charles Maturin’s 1820 novel Melmoth the Wanderer.

“I have always been interested in borders, physical and metaphysical borders, frontiers that we create...” Anna Badkhen speaks with Sarah Beth Childers at Oklahoma State University-Tulsa about the inspiration for her latest book, Fisherman Blues: A West African Community at Sea (Riverhead, 2018), and the blending of mythology and history. Badkhen was awarded the second Barry Lopez Visiting Writer in Ethics and Community Fellowship.

“I was a happy young woman and I just happened to write poetry…” Ntozake Shange speaks about her surprise at the impact of her poetry and the film adaptation of her choreopoem “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” in this interview with Reelblack at the Art Sanctuary of Philadelphia in 2010. The poet, novelist, and playwright died on October 27, 2018 at the age of seventy.

“It was in the autumn—it felt like the perfect time to do this ritual, when everything’s changing to go to sleep for the winter....” In this interview at the 2018 Louisiana Literature festival in Denmark, CAConrad talks about how performing rituals after their boyfriend’s death gave rise to the poetry in their collection While Standing in Line for Death (Wave Books, 2017), which won the 2018 Lambda Literary Award in Gay Poetry.

In this 2002 interview, Guadeloupean novelist Maryse Condé talks with Ann Armstrong Scarboro, who wrote the afterword to Condé’s novel I, Tituba: Black Witch of Salem (University of Virginia Press, 2009), translated from the French by Richard Philcox, about uncovering truth in her writing. Condé is the winner of the inaugural New Academy Prize in Literature, which was established this year as an alternative to the Nobel Prize in Literature.

Kiese Laymon talks to Clemonce Heard about his debut memoir, Heavy: An American Memoir (Scribner, 2018), growing up in Mississippi, the influence of music on his writing, and reckoning with weight in all its different forms. Heavy is featured in Page One in the November/December issue of Poets & Writers Magazine.

“It takes facility, it takes brilliance, it takes verve!” Marilyn Chin talks to Joseph Ross about what it takes to write poetry and reads poems from her fifth collection, A Portrait of the Self as Nation: New and Selected Poems (Norton, 2018), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“I love the intimacy of a novel and how it lets you get to know people.” Meg Wolitzer speaks about her writing process, the recognition of women writers, and her latest novel, The Female Persuasion (Riverhead Books, 2018), with PBS Newshour’s Jeffrey Brown. The rights for the novel were recently acquired by Amazon Studios and Nicole Kidman’s production company.

“I consider myself essentially a storyteller who’s chosen the genre of poetry.” Lynne Thompson, author of Start With a Small Guitar (What Books Press, 2013) and Beg No Pardon (Perugia Press, 2007), speaks about family stories and how she came to poetry after a career in law with Mariano Zaro for the Poetry.LA interview series.

“I grew up reading a gigantic compendium of all the Grimm’s fairy tales, and also fairy tales originating from other parts of the world....” Singaporean author Sharlene Teo talks with Manchester Literature Festival’s Naomi Frisby about the inspiration behind her debut novel, Ponti (Simon & Schuster, 2018), the work of writers Guy Gunaratne and Nikesh Shukla, and her fascination with ideas of beauty, superficiality, and artifice.

Jenna Lê talks to Paul Rogalus about her writing habits and reads her poems “Please Don’t Tell Me How This Story Ends” and “Venus Frigida.” Lê, who is featured in “Outsiders on the Inside” in the September/October issue of Poets & Writers Magazine, is the author of A History of the Cetacean American Diaspora (Indolent Books, 2018).

“Writing memoir is the ultimate control of my story.” Sandra Gail Lambert talks to author Michele Leavitt about her own motivations for writing memoir, and the challenges that accompany it. Lambert, author of the debut memoir, A Certain Loneliness (University of Nebraska Press, 2018), is featured in “Outsiders on the Inside” by Michele Sharpe in the September/October issue of Poets & Writers Magazine.

“Until I discovered poetry, I didn’t think I would ever be able to express my life.” In this Poetry.LA interview, Chiwan Choi, cofounder of Writ Large Press, reads poems from his collection The Yellow House (Civil Coping Mechanisms, 2017) and speaks about how his experiences as an immigrant have influenced his writing.

“I really think these characters were with me twenty years before I wrote the book.” In this video for A Word on Words, Ron Rash speaks about the inspiration for his latest novel, The Risen (Ecco, 2016), which centers around a murder in a small North Carolina town in the 1960s.

“What I’m often writing about is the sense of disappointment between how one wishes one would be and how one really is.” A. M. Homes speaks about her new story collection, Days of Awe (Viking, 2018), for Waterstones in London. Homes reads an excerpt from the book in the twentieth episode of Ampersand: The Poets & Writers Podcast.

“The lyric is a kind of small gift, and the fiction is more like putting on a theatrical production.” In this Louisiana Channel interview, Michael Ondaatje speaks about the differences in writing a poem versus a novel, his mentors, and what he discovers through the research that goes into his novels. Ondaatje recently won the Golden Man Booker Prize for The English Patient, and his novel Warlight (Jonathan Cape, 2018) is longlisted for the 2018 Man Booker Prize.

“What isn’t twisted and dark? Look around! Twisted and dark means new and interesting.” Ottessa Moshfegh speaks with Vintage Books about dark comedy in writing, the difference between art and entertainment, and why she writes about the female body. Moshfegh is the author of My Year of Rest and Relaxation (Penguin Press, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I just hope that people get an updated version of what Native people are, and what we can be.” Tommy Orange discusses his debut novel, There There (Knopf, 2018), prologues, and tackling misperceptions of Native people in his writing on CTV’S Your Morning. Orange is featured in “First Fiction 2018” in the July/August issue of Poets & Writers Magazine.

In this video from Open Road Media, authors Samuel R. Delany and N. K. Jemisin and literary agent Merrilee Heifetz speak about the late Octavia E. Bulter, who in 1995 became the first science fiction writer to win a “Genius” grant from the MacArthur Foundation. “Her stories really weren’t about aliens.... they were about people,” says Jemisin.

“I’m very fascinated by people on thresholds....” Dorthe Nors talks about her writing interests, short stories versus novels, and the differences between the Danish and English languages with Rosie Goldsmith at the 2016 European Literature Festival in London. Nors’s fourth novel, Mirror, Shoulder, Signal (Graywolf Press, 2018), translated from the Danish by Misha Hoekstra, is featured in Page One in the July/August issue of Poets & Writers Magazine.