Poets & Writers Theater

“I was looking for the story the whole time,” says CJ Hauser about spending time with field scientists for the research that went into her second novel, Family of Origin (Doubleday, 2019), in this interview on Late Night With Seth Meyers.

“My heart had recently cracked // Open. Fear had departed me.” Ariana Reines reads “To the Reader” from her poetry collection, A Sand Book (Tin House Books, 2019), and talks about the origins of the book, her writing background, and the power of poetry to reach the deepest levels of human experience in this Louisiana Channel interview.

“I just felt this deep need to express myself.... I had a strong desire to understand and to express that understanding.” In this CBS Sunday Morning interview, Ta-Nehisi Coates talks about the purpose of his writing and how the music of Marvin Gaye influences the language in his work. Coates’s debut novel, The Water Dancer (One World, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“There’s a long history, and many families and stories that just haven’t been told.” Tommy Orange talks about the need for more Native American stories in literature and the origins of his debut novel, There There (Knopf, 2018), in this interview on Late Night With Seth Meyers.

“Language alone protects us from the scariness of things with no names.” The life of Nobel laureate and Pulitzer Prize–winning author Toni Morrison is remembered through this 2004 interview for CBS Sunday Morning highlighting what was most important to her: being a mother and a writer. Morrison died at the age of eighty-eight on August 5, 2019.

“The ‘need’ is many things in the book...a child’s need for milk and then also the mother’s need for the child to relieve her of the milk and the mother’s need for her children, that love going two directions.” On BRIC TV’s 112BK, Helen Phillips talks about her second novel, The Need (Simon & Schuster, 2019), different reactions to the book, her own experiences as a mother, and some of the inspiration for its themes. For more Phillips, read her answers to Ten Questions about her novel.

“You pick the right tool for the job, and sometimes fantasy is a way to open up a story and convey a universal truth, and sometimes realism.” Colson Whitehead speaks with PBS NewsHour’s Jeffrey Brown about his writing process and the true story that inspired his latest novel, The Nickel Boys, which was published this week by Doubleday.

“I like questions, my imagination likes them too.” In this A Word on Word series video, Alexander Chee speaks about his essay collection, How to Write an Autobiographical Novel (Mariner Books, 2018), and his writing process which involves engaging in conversation with his fictional characters.

“Every conversation between us then had a way of spiraling into the same abyss. Real men were impossible to understand. Real men suffered. Real men were broken.” Jaed Coffin reads from his second memoir, Roughhouse Friday (Farrar, Straus and Giroux, 2019), which is featured in Page One in the July/August issue of Poets & Writers Magazine, and talks about his experiences barroom boxing in Alaska with Kathryn Miles for Portland Public Library’s Literary Lunch series.

“I believe literature should always start from zero. So, I write stories in both languages on purpose.” In this Louisiana Channel interview, Yoko Tawada speaks in German, English, and Japanese about thinking and writing in two different languages and about her novel Memoirs of a Polar Bear (New Directions, 2016), translated from the German by Susan Bernofsky.

“My favorite form is the long short story or the novella because I think it allows you a little bit more breadth and scope in terms of what you can do.” Brian Evenson, whose eighth story collection, Song for the Unraveling of the World (Coffee House Press, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from his work and talks about teaching, writing habits, and spirituality in this video from the 2014 Mission Creek Festival.

Emilie Pine talks about fear of failure, connecting to readers, being open about grief and loss, and the power of storytelling with Ireland Unfiltered’s Dion Fanning. Pine’s debut essay collection, Notes to Self (Dial Press, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I’m very skeptical of the way in which books are marketed as commodities, almost like accessories which people can fill their homes with,” says Sally Rooney in this interview at the 2018 Louisiana Literature festival in Denmark. Rooney’s second novel, Normal People (Hogarth, 2019), was longlisted for the 2018 Man Booker Prize and will be adapted into a television series.

“I start with a physical feeling. I start with a visual image.” On Late Night With Seth Meyers, Ann Beattie speaks about her writing process, the differences between writing a novel and a short story, and how she came up with the title for her most recent novel, A Wonderful Stroke of Luck (Viking, 2019).

In this interview, Susan Choi talks to Paul Peppis at the University of Oregon about her fifth novel, Trust Exercise (Henry Holt, 2019), her previous four novels, which include A Person of Interest (Viking, 2008) and My Education (Viking, 2013), writing Asian American characters, and her nonfiction work.

“When I was writing, I was trying hard not to sensationalize it,” Claire Adam says of Trinidad, where she grew up and set her debut novel, Golden Child (SJP for Hogarth, 2019). On Late Night With Seth Meyers, Adam also talks about the important role education played in her life and why she wouldn’t let her siblings read the book until it was completed.

“What are the ethics around documenting political crises? How much do you become a parasite of people’s suffering? What good do you do to a situation by documenting it or fictionalizing it? These are all questions that are in the novel.” Valeria Luiselli discusses the unique challenges of writing about the ongoing migrant crisis at the U.S. southern border in her most recent novel, Lost Children Archive (Knopf, 2019), with PBS NewsHour’s Jeffrey Brown. An interview with Luiselli by Lauren LeBlanc appears in the March/April issue of Poets & Writers Magazine.

“I would read out loud and tried to check in my own breath, in my own body how the sentence was feeling and what kind of experience it was giving me as the first reader.” Marci Vogel reads from her books At the Border of Wilshire & Nobody (Howling Bird Press, 2015) and Death and Other Holidays (Melville House, 2018) and discusses her writing process both with poetry and prose in this Poetry.LA interview with Mariano Zaro.

“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“In every single book of poems there are, to me, what feel like really explicit autobiographical moments and gestures.” Dawn Lundy Martin speaks about trying to find a language to express trauma, and the use of voice and narrative in her poetry in this interview with City of Asylum. Martin won the 2019 Kingsley Tufts Poetry Award for her collection Good Stock Strange Blood (Coffee House Press, 2017).