Poets & Writers Theater

“I am convinced that the more I am well-known, the better known I am, the easier it is for other writers to come along,” says Toni Morrison in this 1987 interview with PBS NewsHour’s Charlayne Hunter-Gault on her success as an author and what inspired her novel Beloved, which won the 1988 Pulitzer Prize in fiction.

“I would sneak out of recess, stay in the library to listen to tapes of famous speeches, and one of them was Martin Luther King,” recounts Ocean Vuong about his childhood in this interview with Michel Martin for Amanpour and Company. “You could hear the static when he was giving the ‘I Have a Dream’ speech, and I thought...who is this man talking about dreams in a snowstorm?” Vuong was awarded the 2020 Brooklyn Public Library Fiction & Poetry Prize for his novel, On Earth We’re Briefly Gorgeous (Penguin Press, 2019).

Rumaan Alam reads from his third novel, Leave the World Behind (Ecco, 2020), and speaks with Laura Marsh about developing his characters in this virtual event for the New Republic salon book series. A Q&A with Alam by Joshunda Sanders is featured in the November/December issue of Poets & Writers Magazine.

“All writing is really an act of translation, we’re trying to ask someone to inhabit someone else’s experience for long enough to understand some portion of it.” In this 2018 interview for Oregon Humanities Center’s UO Today, Danielle Evans reads from her debut story collection, Before You Suffocate Your Own Fool Self (Riverhead Books, 2010), and speaks about her writing practice and teaching. Evans is featured in “The Confounding Insistence on Innocence” by Naomi Jackson in the November/December issue of Poets & Writers Magazine.

“The tepid / American I sank with my old shoes over the jaws of the Atlantic / could never understand the hard clamor of my laugh…” Safiya Sinclair reads from her debut collection, Cannibal (University of Nebraska Press, 2016), and speaks about poetry as the “language of an impolite body” in this episode of LIT hosted by Yahdon Israel.

“I worked on the book until I was about halfway done with it before I told anyone about it.” Adrian Tomine talks about his graphic memoir, The Loneliness of the Long-Distance Cartoonist (Drawn and Quarterly, 2020), and how he was able to revert to his childhood version of making comics for his own amusement in this virtual Politics & Prose Bookstore event with critic Jason Zinoman. For more Tomine, read his answers to our Ten Questions.

“If we only read the same type of authors all our lives it’s like you’re only hearing one thread, one voice.” In this video from the 2019 Louisiana Literature festival, Elif Shafak talks about reading the same books over and over again as a child, and why it’s more inspiring to read “from East and West, fiction and nonfiction.”

“The Nickel Academy becomes a proving ground for people’s goodness, for their tendency towards evil, and it proves character,” says Colson Whitehead about his latest novel, The Nickel Boys (Doubleday, 2019), in this video for the Get Lit virtual book club series with host of WNYC’s All Of It Alison Stewart.

“The deal with Florida is the charlatans and lunatics and Snapchat-famous plastic surgeons. It is the Ponzi schemes, the byzantine corruption, the evangelical fervor and the consenting-adult depravity....” In this Books & Books virtual event, Kent Russell reads from his memoir, In the Land of Good Living (Knopf, 2020), and discusses Florida and his writing experience with author and sibling Karen Russell. In the Land of Good Living is featured in Page One in the July/August issue of Poets & Writers Magazine.

“It always feels to me…all the way through writing a project, that the characters are actually real people and my job is to do justice to them,” says Sally Rooney about writing and adapting the characters of her novel Normal People (Faber & Faber, 2018) to the screen for the BBC/Hulu television series in this Waterstones interview with director Lenny Abrahamson and actors Daisy Edgar-Jones and Paul Mescal.

“The most astonishing thing to happen in the almost 14 billion years since the birth of the cosmos is that ordinary, apparentle inert matter, has—by its self-organizing capacity (or, autopoesis)—become conscious.” Harry Dodge reads from his debut book, My Meteorite: Or, Without the Random There Can Be No New Thing (Penguin Books, 2020), and discusses its themes in a conversation with Maggie Nelson in their Los Angeles home.

“It’s a novel about how grief makes people hilariously selfish, especially when the internet is involved,” says Kevin Nguyen about his debut novel, New Waves (One World, 2020), in this first episode of Literary Hub’s Sheltering video series hosted by Maris Kreizman. Nguyen also talks about how he’s been spending his time cooking and watching television during the coronavirus pandemic.

“It was almost effortless. It was an amazing experience because it was as though the poems were writing me.” In this Poetry.LA interview from 2013, the late Wanda Coleman speaks about the moment she felt like a poet, her career as a soap opera writer, and how she finds enjoyment in writing. Wicked Enchantment: Selected Poems (Black Sparrow Press, 2020), a new collection of Coleman’s poetry edited by Joshua Bodwell and Terrance Hayes, is featured in Page One in the May/June issue of Poets & Writers Magazine.

“My process of writing is one of contemplation and one of constantly trying to be as authentic as possible in the emotions that I’m trying to express.” Cyril Wong speaks about the voices from his dreams and meditation practice that gave him the stories for his new novel, This Side of Heaven, out now from Epigram Books.

“You don’t write a book for a market, a publisher, or an agent; you write it because your heart calls you to write it.” Tayari Jones speaks about her “most personal” novel Silver Sparrow (Algonquin Books, 2011) and about what keeps her going as a writer in this Waterstones video.

“These are people who are basically pulled all over the world, and they have various antecedents that are a bit everywhere.” In an interview with Parul Sehgal at the 92nd Street Y, André Aciman, whose latest novel, Find Me (Farrar, Straus and Giroux, 2019), is a sequel to his 2007 novel, Call Me By Your Name, talks about how his cultural background has influenced the way his characters communicate and interact with one another.

“One of the reasons why I wrote Deacon King Kong is because I wanted to show a world where people actually got along.” In this video, James McBride, whose novel Deacon King Kong (Riverhead Books, 2020) is featured in Page One in the March/April issue of Poets & Writers Magazine, talks about the inspiration for the novel and shows CBS This Morning host Jeff Glor around the Red Hook neighborhood in Brooklyn where he grew up.

“I have an obligation to human beings, my characters, so that’s all I care about.” In this PEN International interview, Yiyun Li speaks about the expectation as a Chinese American writer to be a spokesperson for a particular experience, and how she enjoys exploring the interior struggles of her characters. Li won the 2020 PEN/Jean Stein Book Award for her novel Where Reasons End (Random House, 2020).

“I successfully avoided husbands and children and day jobs—those things can all really interfere with your productivity.” In an interview with Emma Watson, Rebecca Solnit discusses how she has managed to write so prolifically, the communication of information as a cultural phenomenon, and the themes in her first memoir, Recollections of My Nonexistence (Viking, 2020), which is featured in Page One in the March/April issue of Poets & Writers Magazine.

In this 1981 Brockport Writers Forum interview, June Jordan reads “A Poem about Intelligence for my Brothers and Sisters,” and speaks about how she came to poetry and fell in love with “the possibility of language.”