Poets & Writers Theater

“I consider myself essentially a storyteller who’s chosen the genre of poetry.” Lynne Thompson, author of Start With a Small Guitar (What Books Press, 2013) and Beg No Pardon (Perugia Press, 2007), speaks about family stories and how she came to poetry after a career in law with Mariano Zaro for the Poetry.LA interview series.

“I grew up reading a gigantic compendium of all the Grimm’s fairy tales, and also fairy tales originating from other parts of the world....” Singaporean author Sharlene Teo talks with Manchester Literature Festival’s Naomi Frisby about the inspiration behind her debut novel, Ponti (Simon & Schuster, 2018), the work of writers Guy Gunaratne and Nikesh Shukla, and her fascination with ideas of beauty, superficiality, and artifice.

Jenna Lê talks to Paul Rogalus about her writing habits and reads her poems “Please Don’t Tell Me How This Story Ends” and “Venus Frigida.” Lê, who is featured in “Outsiders on the Inside” in the September/October issue of Poets & Writers Magazine, is the author of A History of the Cetacean American Diaspora (Indolent Books, 2018).

“Writing memoir is the ultimate control of my story.” Sandra Gail Lambert talks to author Michele Leavitt about her own motivations for writing memoir, and the challenges that accompany it. Lambert, author of the debut memoir, A Certain Loneliness (University of Nebraska Press, 2018), is featured in “Outsiders on the Inside” by Michele Sharpe in the September/October issue of Poets & Writers Magazine.

“Until I discovered poetry, I didn’t think I would ever be able to express my life.” In this Poetry.LA interview, Chiwan Choi, cofounder of Writ Large Press, reads poems from his collection The Yellow House (Civil Coping Mechanisms, 2017) and speaks about how his experiences as an immigrant have influenced his writing.

“I really think these characters were with me twenty years before I wrote the book.” In this video for A Word on Words, Ron Rash speaks about the inspiration for his latest novel, The Risen (Ecco, 2016), which centers around a murder in a small North Carolina town in the 1960s.

“What I’m often writing about is the sense of disappointment between how one wishes one would be and how one really is.” A. M. Homes speaks about her new story collection, Days of Awe (Viking, 2018), for Waterstones in London. Homes reads an excerpt from the book in the twentieth episode of Ampersand: The Poets & Writers Podcast.

“The lyric is a kind of small gift, and the fiction is more like putting on a theatrical production.” In this Louisiana Channel interview, Michael Ondaatje speaks about the differences in writing a poem versus a novel, his mentors, and what he discovers through the research that goes into his novels. Ondaatje recently won the Golden Man Booker Prize for The English Patient, and his novel Warlight (Jonathan Cape, 2018) is longlisted for the 2018 Man Booker Prize.

“What isn’t twisted and dark? Look around! Twisted and dark means new and interesting.” Ottessa Moshfegh speaks with Vintage Books about dark comedy in writing, the difference between art and entertainment, and why she writes about the female body. Moshfegh is the author of My Year of Rest and Relaxation (Penguin Press, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I just hope that people get an updated version of what Native people are, and what we can be.” Tommy Orange discusses his debut novel, There There (Knopf, 2018), prologues, and tackling misperceptions of Native people in his writing on CTV’S Your Morning. Orange is featured in “First Fiction 2018” in the July/August issue of Poets & Writers Magazine.

In this video from Open Road Media, authors Samuel R. Delany and N. K. Jemisin and literary agent Merrilee Heifetz speak about the late Octavia E. Bulter, who in 1995 became the first science fiction writer to win a “Genius” grant from the MacArthur Foundation. “Her stories really weren’t about aliens.... they were about people,” says Jemisin.

“I’m very fascinated by people on thresholds....” Dorthe Nors talks about her writing interests, short stories versus novels, and the differences between the Danish and English languages with Rosie Goldsmith at the 2016 European Literature Festival in London. Nors’s fourth novel, Mirror, Shoulder, Signal (Graywolf Press, 2018), translated from the Danish by Misha Hoekstra, is featured in Page One in the July/August issue of Poets & Writers Magazine.

Porochista Khakpour reads from her essay “How to Write Iranian-America, or The Last Essay” and talks to Northwestern University professor Brian Edwards about her writing interests and the publishing industry. Khakpour’s debut memoir, Sick (Harper Perennial, 2018), is featured in Page One in the July/August issue of Poets & Writers Magazine.

“Perhaps the butterflies are mute because / no one would believe their terrible stories.” In this interview for the Poetry.LA series, Marcelo Hernandez Castillo speaks about late night talk shows, immigration interviews, the PechaKucha format, and reads from his debut poetry collection, Cenzontle (BOA Editions, 2018), which won the 2017 A. Poulin, Jr. Poetry Prize.

“I look back, just with a little wonder. Wonder that I stuck with this thing.” In this 2004 interview with Jeffrey Brown for PBS NewsHour, Philip Roth reflects on his writing career and the role of a writer. Roth died at the age of eighty-five on May 22, 2018.

“Sometimes I’ll write for two weeks straight and not write for six months….” Sheila Heti, author of the novel Motherhood (Henry Holt, 2018), talks about her lack of a writing routine and the benefits of letting feelings, ideas, and energy build up and become more complex.

Tommy Pico speaks with Kasie Griffitts for Duende District’s Duende Conversations series about life as a poet, tribal storytelling, and the shifty definition of literary success. Pico is the author of Junk (Tin House Books, 2018), which is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Poetry travels, you don’t need a lot of money to write it, you don’t need a lot of money to print it and distribute it.” Evie Shockley, a finalist for the 2018 Pulitzer Prize in poetry for her third collection, semiautomatic (Wesleyan University Press, 2017), talks with City of Asylum about the accessibility of writing poetry and its long and powerful tradition.

Gregory Pardlo talks about the difference between writing poetry and creative nonfiction, and the universality of storytelling in this interview with Rich Fahle at the 2018 AWP Annual Conference & Book Fair in Tampa. Pardlo’s debut memoir, Air Traffic: A Memoir of Ambition and Manhood in America (Knopf, 2018), is featured in Page One in the May/June issue of Poets & Writers Magazine. 

On New Day Northwest, Jonathan Evison discusses how he approaches writing about class, what it’s like to have his novels adapted into films, and what inspired his new novel, Lawn Boy (Algonquin Books, 2018), which is featured in Page One in the May/June issue of Poets & Writers Magazine.